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Confronting Theory
Critical Studies in Fashion and Beauty
The Critical Eye
Creativity in the Classroom
China’s Environment and China’s Environment Journalists
CALL and The Learning Community
Cinema and Landscape
Crossing the Street in Hanoi
Cultural Industries in Shanghai
The Cinema of Mika Kaurismäki
Computers and Typography
Computers for Educational Administrators
Create in me a pure heart
Culture and Contestation in the New Century
Culture War
Children and Propaganda
European Journalism Education
Expertise and Architecture in the Modern Islamic World
Empirical Studies of Programmers
European Identity in Cinema
European Media Governance
Engendering Interaction with Images
Empirical Studies of Programmers
Entering Transmasculinity
Educating Artists for the Future
Engineering Artificial Intelligence Software
Fan Phenomena: Buffy the Vampire Slayer
Faith Wilding’s Fearful Symmetries
From Syntax to Semantics
Frontiers of Screen History
From Theory to Practice
Francophone Voices
Fundamentals of Expert Systems Technology
The Face on the Screen
Finding the Right Place on the Map
The Future of Art in a Postdigital Age
Filming the City
Fan Phenomena: Audrey Hepburn
Film on The Faultline
From Child Art to Visual Language of Youth
Fan Phenomena: Star Trek
Feminist Ethics in Film
Fashion and Ethics
Fan Phenomena: The Lord of the Rings
Fan Phenomena: The Hunger Games
From Melies to New Media
Freaks of History
Directory of World Cinema: South Korea
Directory of World Cinema: American Hollywood
Directory of World Cinema: Japan 2
Directory of World Cinema: American Independent
Directory of World Cinema: Russia 2
Disaster Capitalism
Directory of World Cinema: Britain
Downtown Film and TV Culture 1975-2001
Deleuze and Film Music
Directory of World Cinema: Brazil
Design through Digital Interaction
Danish Directors
Directory of World Cinema: Turkey
Digital Design using QuarkXPress 4
The Divine Springtime
Directory of World Cinema: Argentina 2
Directory of World Cinema: Japan
Dance, Somatics and Spiritualities
Design for Business
Broadcasters and Citizens in Europe
Carnival Texts
By Accident or Design
Cinemas of the Other
Celebrity Philanthropy
Cultural Quarters
Computers and Society
David Cronenberg
Directory of World Cinema: Britain 2
Directors & Designers
Double Exposures
Directory of World Cinema: Finland
The Danish Directors 3
Directory of World Cinema: American Independent 2
Directory of World Cinema: Latin America
Computers and Language
Crash Cultures
Directory of World Cinema: Australia and New Zealand 2
The Danish Directors 2
Directory of World Cinema: India
Digital Magazine Design
Doctor Who and Race
Directory of World Cinema: Scotland
Connectionist Language Generator
Directory of World Cinema: Iran
Dancing with Parkinson’s
Directory of World Cinema: Italy
The Designer
Disability, Arts, and Culture
Directory of World Cinema: Iran 2
Digital Experience Design
Dialogues 3
Dramaturging Personal Narratives
Empirical Studies of Programmers
European Media Governance
European Heritage Planning and Management
Europe in Black and White
The English Language in Europe
Empirical Studies of Programmers
Ergonomics
European Culture and the Media
European Media Governance
The Emergence of Video Processing Tools
Exposing Vulnerability
The Eternal Soul
Engaging with Reality
Cultural Quarters
Context Providers
Computers and Creativity
Computers and Writing
Cinemas of the Other
Computers and Art
Cinemas of the Other
Computers and Typography
Cultures and Settlements
Communication Patterns and Textual Forms
Consensus Politics in Spain
Consumer Culture
The Cultural Set Up of Comedy
A Compendium of Machine Learning I
Comparative Media Policy, Regulation and Governance in Europe
Creative Intelligences
Convergence and Fragmentation
Chess and Machine Intuition
The Composition of Herman Melville
The City is Me
Choreographies
Broadcasting and National Imagination in Post-Communist Latvia
The Blind
Connectionist Models and Their Implications
Contingency in Madagascar
Blackboard Systems
Brit Wits
Development through Technology Transfer
Directory of World Cinema: American Independent 3
Drawing -- The Purpose
The Dynamics of News and Indigenous Policy in Australia
Declarations of Independence
Dynamics in Ergonomics, Psychology, and Decisions
Digital Visual Culture
A Divided World
Drive in Cinema
Digital Futures and the City of Today
Directory of World Cinema: Belgium
Digital Radio in Europe
Drama-based Pedagogy
Digital Dynamics in Nordic Contemporary Art
Drawing
Dysfunction and Decentralization in New Media Art and Education
Don’t Look Now
Design for Business
Drawing -- The Process
Dialogues 2
Directory of World Cinema: Russia
Design for Business
Directory of World Cinema: Africa
Directory of World Cinema: China
Directory of World Cinema: China 2
Dancing across the Page
Diasporas of Australian Cinema
Directory of World Cinema: Argentina
Drawing as a Way of Knowing in Art and Science
Dance, Disability and Law
Drawing in the Design Process
Directory of World Cinema: France
Directory of World Cinema: Germany 2
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Japan 3
Directions and Implications of Advanced Computing
Directory of World Cinema: Australia and New Zealand
Directors
Dancing Bahia
Design Integrations
Directory of World Cinema: Germany
Developing Dialogues
Connectionist Natural Language Processing
Crossing Gender Boundaries
Cindy Sherman’s Office Killer
Clown Through Mask
Composed Theatre
The Culture of Photography in Public Space
The Cultural Practice of Immigrant Filmmaking
Crime Uncovered
Cotton
Computers and Law
Creative Communities
Journalism Re-examined
Christoph Schlingensief
Human Factors in Information Systems
Gay Men at the Movies
Communication and Discourse Theory
Consumer Identities
Holistic Shakespeare
Historical Comedy on Screen
Fan Phenomena: Supernatural
Fan Phenomena: Jane Austen
Fan Phenomena: Batman
Future of Art in a Digital Age
The Future of Humanity
Fashion Cities Africa
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
Frames of Mind
Frames and Fictions on Television
Futures Past
Fan Phenomena: James Bond
Fan Phenomena: Mermaids
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: The Big Lebowski
Framing Film
French Costume Drama of the 1950s
Global Fashion Brands
Ghostbodies
Greek Cinema
Gavin Bolton’s Contextual Drama
Global Technological Change
Human Factors and Interactive Computer Systems
Gendered Transformations
The Global Road Movie
Global Technological Change
Green Documentary
The Grey Zone of Health and Illness
Girls! Girls! Girls! In Contemporary Art
Genre Matters
Going Modern and Being British
Governing Visions of the Real
The Gate
Europe and Love in Cinema
European Cultures in Sport
Engineering Nature
Far Field
Europe Faces Europe
Englishness, Pop and Post-War Britain
Educating Film-Makers
Futures of Chinese Cinema
Fashion as Masquerade
Fan Phenomena: Twin Peaks
Franklin Furnace and the Spirit of the Avant-Garde
Field Notes on the Visual Arts
Flesh Into Light
Fan Phenomena: Sherlock Holmes
Fashion in Popular Culture
From NWICO to WSIS: 30 Years of Communication Geopolitics
Film, Drama and the Break Up of Britain
Forms of Representation
Fan Phenomena: Star Wars
Food Democracy
Forget-Me-Not, Iran
Fan Phenomena: Doctor Who
Fan Phenomena: The Twilight Saga
Havana Street Style
Harm and Offence in Media Content
Human Factors in Information Systems
Hypertext
Hong Kong New Wave Cinema (1978-2000)
Human Factors in Computer Systems
Habitus of the Hood
Honolulu Street Style
Hypertext
Human Factors in Management Information Systems
The Hour of All Things and Other Plays
The Hidden Words of Baha’u’llah
Handwriting of the Twentieth Century
Howard Barker Interviews 1980-2010
The Hollywood War Film
Human Factors in Information Systems
Magnet Theatre
The Multisensory Film Experience
Martha Graham
Mussolini’s Last Republic
Minds, Brains and Computers
Money Talks
Media, Democracy and European Culture
Media, Markets and Public Spheres
Life and Death
Literacy and the Politics of Writing
Living and Sustaining a Creative Life
Lovefuries
Law, Computer Science, and Artificial Intelligence
Lure of the Big Screen
Learning with Computers
Languages of Theatre Shaped by Women
Language and Marginality
Language and Thought
L.A. Chic
Looking for Marshall McLuhan in Afghanistan
Logical Derivation of Computer Programs
Online Help
One Hundred Years of Futurism
Orphan Black
On Perfection
Open Roads, Closed Borders
On Stage
Online Help Systems
Online Communities
Life at the End of Life
The Last Empire
Logic Programming
Logic Programming
Locality, Regeneration and Divers(c)ities
Lexicon for an Affective Archive
Montréal Chic
Music and Levels of Narration in Film
Learning for Innovation in the Global Knowledge Economy
Landscape and the Science Fiction Imaginary
The Lived Experience of Improvisation
Locating the Audience
Language, Community and the State
The Logic Programming Tutor
New Patterns in Global Television Formats
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
The Making of an Artist
Memory Fragments
New Brutality Film
Myths
Media, Monarchy and Power
Narrating the Catastrophe
New Directions for Database Systems
New Zealand Cinema
National Conversations
Nanoart
Network Models for Control and Processing
New Zealand Film and Television
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
The Musical Comedy Films of Grigorii Aleksandrov
The Music of Antonio Carlos Jobim
Modes of Spectating
Media Between Culture and Commerce
Marion Richardson
Media and Identity in Contemporary Europe
Machine-Tractable Dictionaries
Models of Cognition
Mathematical Intelligent Learning Environments
Media in the Enlarged Europe
Memory, Space and Sound
Misreading Postmodern Antigone
Multimedia CALL
JARMAN (all this maddening beauty) and other plays
Justitia
Manifesto Now!
Managing Computer Impact
Mindful Movement
The Mobile Nation
Multilingual Multimedia
Octave Mirbeau: Two Plays
On Repetition
One for the Girls!
The Only Way Home is Through the Show
The Net Effect
The Net Effect
A New Guide to Artificial Intelligence
The Ned Kelly Films
NanoCulture
New Trends in Argentine and Brazilian Cinema
The New Russia
Neosentience
New Flows in Global TV
Negotiating Spain and Catalonia
National Identity
Joshua Sofaer
A Journey of Art and Conflict
Journey
Jonquils
MARCEL
Machinations
The Method of Metaphor
Mediation and Protest Movements
Multisensor Integration and Fusion for Intelligent Machines and Systems
Modern Argentine Masculinities
Media and Values
Media in Europe Today
Meyerhold and the Cubists
Medical Multimedia
Mac 3D
Morrissey
Revolution in the Echo Chamber
Refugee Performance
The Rehearsal
Re-Imagining the City
The Roots of Modern Hollywood
Roof Watching
Reaching Audiences
Radio Content in the Digital Age
Peter Weir
Progress in Simulation, Volume One
Performing Revolutionary
The Psychology of Menu Selection
Politics of Contemporary European Cinema
Prison Cultures
Press Freedom and Pluralism in Europe
Photography, Narrative, Time
Picturing Immigration
Pleading in the Blood
The Place of Artists’ Cinema
Practising the Real on the Contemporary Stage
Planning, Geometry, and Complexity of Robot Motion
Personal Style Blogs
The Philadelphia Connection
Progress in Computer-Aided VLSI Design, Volume Three
Performing Exile
Picturing the Cosmos
The Propaganda of Peace
Perspectives on the Computer Revolution
Playwriting in Schools
Progress in Neural Networks, Volume Three
Provoking the Field
The Potentials of Spaces
Performing Violence
The Philosophical Actor
Plays in Time
Research-based Theatre
Reliability in Computer System Design
Resetting the Stage
Rhetoric of Modern Death in American Living Dead Films
Recursive Algorithms
RTE and the Globalisation of Irish Television
Reclaiming the Media
Rosebud Sleds and Horses’ Heads
Redefining Theatre Communities
A Reality Check 2003
Russia’s New Fin de Siècle
Progress in Neural Networks, Volume Two
Point Blank
Operations Research and Artificial Intelligence
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Computer Graphics
Photocinema
Parallel Natural Language Processing
Progress in Neural Networks, Volume Six
Progress in Simulation, Volume Two
Planet Cosplay
Polanski and Perception
Precarious Spaces
Polish Media Art in an Expanded Field
Progress in Neural Networks, Volume Five
The Postdigital Membrane
A Portrait of the Artist as a Political Dissident
Queer Cinema in Europe
Quantum Art & Uncertainty
Queer Visibility in Post-socialist Cultures
Phenomenology’s Material Presence
The Professionalisation of Political Communication
Queer Mythologies
Playwriting and Young Audiences
The Posthuman Condition
People’s Pornography
Performative Materials in Architecture and Design
Public Spheres After Socialism
Progress in Neural Networks: Volume One
Progress in Robotics and Intelligent Systems, Volume One
Pride and Panic
Performance Art in Ireland
Real Objects in Unreal Situations
Russia, Freaks and Foreigners
Representations of Working in Arts Education
Readings in Primary Art Education
Red Sun and Merlin Unchained
Research in Art and Design Education
Robert Frank’s ’The Americans’
Requirements for a Software Engineering Environment
The Reflexive Teaching Artist
Routing, Placement, and Partitioning
Recording Memories from Political Violence
Recoveries and Reclamations
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reverberations across Small-Scale British Theatre
Reframing Consciousness
Revolve:R
Reframing Reality
Radical Initiatives in Interventionist & Community Drama
Reflections on Artificial Intelligence
Raymond Williams
Reinventing Public Service Television for the Digital Future
Perform, Repeat, Record
Performing Processes
Piercing Time
The Problem of Assessment in Art and Design
Passion of the Reel
Professions in Contemporary Drama
Principles of Modelling and Rendering with 3D Studio
Performing Arts in Prisons
Performing Spanishness
Playing for Time Theatre Company
The Poetics and Politics of the Veil in Iran
Performing Process
Progress in Computer-Aided VLSI Design, Volume Two
Artistic Research in the Future Academy
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
The Art Rules
Aestheticizing Public Space
Art, Technology, Consciousness
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
Artificial Intelligence: Applications for Business
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Acquisition of a Second Writing System
Artificial Intelligence and Education, Volume One
Advances in Spatial Reasoning, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
Audiences and Publics
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
Arts Integration in Education
Architecture and the Virtual
Artist-Teacher
Aesthetic Journalism
The Art and Science of Handwriting
Art and Theory After Socialism
Australian Post-War Documentary Film
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
Ancient Laws and Modern Problems
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
Artist, Researcher, Teacher
The Art of Nick Cave
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
The Art and Science of Screenwriting
African Theatre for Development
Allegorical Images
Architectures of Illusion
Art Education in a Postmodern World
Alisa, Alice
artUS 2011-2012
Australian Film Theory and Criticism
Art as Research
Applied Drama
Building Successful and Sustainable Film and Television Businesses
Broadcasting Diversity
Black and White Bioscope
The British Media and Bloody Sunday
Crime Uncovered: Detective
Celebrity Culture and the Entertainment Industry in Asia
Connectionism and Meaning
The Cinema Makers
Crime Uncovered: Anti-hero
The Coach and The Triumph of the Lamb
Contemporary Irish Drama and Cultural Identity
Cartomancy and Tarot in Film
Cognition, Computing, and Cooperation
ConFiguring America
Creativity, Culture and Commerce
Citizen Voices
Connecting Metal to Culture
Creative Content for the Web
Confronting Technopoly
Binding Time
Becoming Designers
Beijing Film Academy Yearbook 2017
Brecht in L.A.
Beyond the Dance Floor
Brian Ferneyhough
Beijing Film Academy Yearbook 2016
Body and Mind in Motion
Building a Deductive Database
Beijing Film Academy Yearbook
Bangladesh’s Changing Mediascape
Berlin School Glossary
Beauty and the Beast
Berliner Chic
Beyond Auteurism
British TV and Film Culture in the 1950s
Bringing Down the House
Being Human
The Igor Moiseyev Dance Company
Israel as a Modern Architectural Experimental Lab, 1948-1978
The Importance of Elsewhere
The Imaginary Geography of Hollywood Cinema 1960-2000
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Irish Drama in Poland
Imaging the City
Into the Story 2
It’s All Allowed
ICT for Curriculum Enhancement
Ivar Kreuger and Jeanne de la Motte
Immigration Cinema in the New Europe
Inclusion in New Danish Cinema
Information Systems Implementation
Image Understanding
IT for Learning Enhancement
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
IT for Learning Enhancement
Image Understanding
Integrative Alexander Technique Practice for Performing Artists
Iconic Communication
Instafame
Inside the TV Newsroom
Interventions
Inspiring Writing in Art and Design
Issues in Curating Contemporary Art and Performance
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Images and Identity
The Independence of the Media and its Regulatory Agencies
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
Advertising as Culture
Australian Film Theory and Criticism
Atomic Postcards
Amateur Images and Global News
Aristotle in Hollywood
Art Education and Contemporary Culture
Artist Scholar
Artist-Scholar
Fan Phenomena: Game of Thrones
Kinesthetic Empathy in Creative and Cultural Practices
Keepin’ It Real
Kira O’Reilly
Kiosk Literature of Silver Age Spain
Kurt Kren
Karaoke Idols
Knowledge Acquisition from Databases
Modern Melbourne
Fortunes of War
Responding to Site
Photography from the Turin Shroud to the Turing Machine
Punk Now!!
The Baroque Technotext
Photography and Landscape
People and Places of Nature and Culture
Giuseppe Pagano
Canadian Wetlands
Black Swan Lake
Wiener Chic
World Film Locations: Malta
West Country History
World Film Locations: Barcelona
We Europeans?
Who’s Who in Research: Visual Arts
Zombies in the Academy
Zapolska’s Women
World Film Locations: Florence
World Film Locations: Beijing
Trends in Functional Programming Volume 1
Theatre, Time and Temporality
Touring the Screen
World Film Locations: Rome
World Film Locations: Singapore
World Film Locations: Dublin
Television Courtroom Broadcasting
TV Format Mogul
Teachers and Teaching on Stage and on Screen
Performing Palimpsest Bodies
Across the Art/Life Divide
Architectural Dynamics in Pre-Revolutionary Iran
The Anarchist Cinema
Agency
Architecture Filmmaking
Anne Bean
Australian Film Theory and Criticism
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
Applied Theatre
Writing Belonging at the Millennium
Fan Phenomena: Harry Potter
Connecting People, Place and Design
Spiritual Herstories
Spanish Cinema of the New Millennium
Superman: The Movie
The Sensible Stage
Street Fashion Moscow
Sam Peckinpah
Spellbound
The Search for Mind
Spring and No Flowers
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Saudade in Brazilian Cinema
Staging Ageing
Switching to Digital Television
Signs Symbols and Icons
Street Scenes
Spaces in European Cinema
Sydney Street Style
Some Wear Leather, Some Wear Lace
The Student Actor Prepares
Swedish Cops
Softimage
Shooting Women
The Sounds of Contemporary French
Sensing the City through Television
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
Shakespeare Valued
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Serious Play
Stephen King on the Big Screen
Sophia Loren
Sex on Stage
Sacred Theatre
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Signifying Europe
Spatialities
South African Cinema 1896-2010
Stephen King on the Small Screen
Streets of Crocodiles
Tunnel Watching
TRANS(per)FORMING Nina Arsenault
Towards a Praxis-based Media and Journalism Research
Television in Europe
Theatre for Youth Third Space
Teaching Knowledge and Intelligent Tutoring
Traces of the Future
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
New Irish Storytellers
Postcards from the Road
Traumatic Encounters in Italian Film
Transnational Ecocinema
Time, Duration and Change in Contemporary Art
The Trustus Plays
Trends in Functional Programming Volume 7
Theatrical Reality
Transformations
Theatre in Prison
The Theory of the Artificial
Trends in Functional Programming Volume 3
Three Myths of Internet Governance
Theatre in Passing
Technology and Desire
Towards a Sustainable Information Society
Transition & Development in Algeria
Television and Criticism
Twin Peaks
A Tragic Farce
Transglobal Fashion Narratives
Theatre and Europe (1957 to 1995)
Tormented Minds
Theatre and Consciousness
Truth or Dare
Taking Up McLuhan’s Cause
Temporary Stages II
A Trail of Fire for Political Cinema
Using Media for Social Innovation
Understanding Virtual Universities
Uncommon Goods
Teaching Actors
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 2
TV Formats Worldwide
Un-American Psycho
Unmapping the City
Understanding Higher Education
Utopia
Urban Cinematics
Vanishing Points
Using Art as Research in Learning and Teaching
Unbecoming Cinema
Visualizing Anthropology
Vision and Action
Videogames and Art
TV Museum
Theatre and Performance in Small Nations
Trends in Communication Policy Research
Trends in Functional Programming Volume 5
Transnational Celebrity Activism in Global Politics
The Transparent Prolog Machine
Transnational Film Culture in New Zealand
Trends in Functional Programming Volume 6
Throwing the Body into the Fight
Theatre in Passing 2
Tech-Noir Film
Theater of War
Television Antiheroines
Theatre for Children in Hospital
Trends in Functional Programming 10
Trends in Functional Programming Volume 8
Taiwan by Design
Trends in Functional Programming Volume 9
World Film Locations: Istanbul
World Film Locations: Sydney
Why I Buy
Watching Films
Wuthering Heights on Film and Television
World Film Locations: Marseilles
World Film Locations: Reykjavík
World Film Locations: Los Angeles
World Film Locations: Helsinki
World Film Locations: São Paulo
World Film Locations: Glasgow
World Film Locations: Berlin
The Virtual Classroom
Visual Cultures
Versions of Hollywood Crime Cinema
VLSI Fault Modeling and Testing Techniques
The Visceral Screen
Visual Language for the World Wide Web
Virtuality and the Art of Exhibition
World Film Locations: Hong Kong
Wye Plays
World Film Locations: Paris
Walking, Writing and Performance
World Film Locations: Las Vegas
Writing as a Visual Art
With Nature
World Film Locations: Havana
Women in Contemporary Culture
World-Wide-Walks
World Film Locations: Shanghai
World Film Locations: Melbourne
Why We Make Art
World Film Locations: New Orleans
World Film Locations: Vancouver
Women in European Theatre
Who’s Who in Research: Film Studies
World Film Locations: Venice
World Film Locations: Athens
Why Would Anyone Wear That?
World Film Locations: Buenos Aires
World Film Locations: Vienna
World Film Locations: Mumbai
World Film Locations: Prague
World Film Locations: Tokyo
World Film Locations: San Francisco
Who’s Who in Research: Cultural Studies
World Film Locations: Washington D.C.
What’s Next?
World Film Locations: Madrid
Women Voice Men
World Film Locations: Boston
World Film Locations: Toronto
Writing on Drawing
World Film Locations: Cleveland
World Film Locations: New York
Words on the Web
Who’s Who in Research: Performing Arts
The World As Information
World Film Locations: Chicago
World Film Locations: Liverpool
World Film Locations: London
Who’s Who in Research: Media Studies
(Re)Positioning Site Dance
Morality by Design
The Idea of the Avant Garde - And What It Means Today 2
Art inSight
Visual Research Methods in Architecture
The Traumatic Screen
Teaching and Learning Design
Radical Mainstream
Philosophical Frameworks and Design Processes
Journalism, Society and Politics in the Digital Media Era
The Howff Project
Film Studies in China, Volume 2
Film Studies in China
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Design and the Creation of Social Value
Cosmopolitics of the Camera
An Affect of an Experience
Queer Communion
Performance / Media / Art / Culture
#Nodes
3D Cinema and Beyond
MASKS
Britpop Cinema
Preston Sturges
Fellini’s Films and Commercials
The Architecture of Cinematic Spaces
Women in Iberian Filmic Culture
Re:Research
The Punk Reader
Through the Prism of the Senses
Culture, Technology and the Image
African Luxury
Understanding Kubrick’s 2001: A Space Odyssey
Photography as Critical Practice
Critical Studies in Fashion and Beauty
The Critical Eye
Creativity in the Classroom
China’s Environment and China’s Environment Journalists
CALL and The Learning Community
Cinema and Landscape
Crossing the Street in Hanoi
Cultural Industries in Shanghai
The Cinema of Mika Kaurismäki
Computers and Typography
Computers for Educational Administrators
Create in me a pure heart
Culture and Contestation in the New Century
Culture War
Children and Propaganda
European Journalism Education
Expertise and Architecture in the Modern Islamic World
Empirical Studies of Programmers
European Identity in Cinema
European Media Governance
Engendering Interaction with Images
Empirical Studies of Programmers
Entering Transmasculinity
Educating Artists for the Future
Engineering Artificial Intelligence Software
Fan Phenomena: Buffy the Vampire Slayer
Faith Wilding’s Fearful Symmetries
From Syntax to Semantics
Frontiers of Screen History
From Theory to Practice
Francophone Voices
Fundamentals of Expert Systems Technology
The Face on the Screen
Finding the Right Place on the Map
The Future of Art in a Postdigital Age
Filming the City
Fan Phenomena: Audrey Hepburn
Film on The Faultline
From Child Art to Visual Language of Youth
Fan Phenomena: Star Trek
Feminist Ethics in Film
Fashion and Ethics
Fan Phenomena: The Lord of the Rings
Fan Phenomena: The Hunger Games
From Melies to New Media
Freaks of History
Directory of World Cinema: South Korea
Directory of World Cinema: American Hollywood
Directory of World Cinema: Japan 2
Directory of World Cinema: American Independent
Directory of World Cinema: Russia 2
Disaster Capitalism
Directory of World Cinema: Britain
Downtown Film and TV Culture 1975-2001
Deleuze and Film Music
Directory of World Cinema: Brazil
Design through Digital Interaction
Danish Directors
Directory of World Cinema: Turkey
Digital Design using QuarkXPress 4
The Divine Springtime
Directory of World Cinema: Argentina 2
Directory of World Cinema: Japan
Dance, Somatics and Spiritualities
Design for Business
Broadcasters and Citizens in Europe
Carnival Texts
By Accident or Design
Cinemas of the Other
Celebrity Philanthropy
Cultural Quarters
Computers and Society
David Cronenberg
Directory of World Cinema: Britain 2
Directors & Designers
Double Exposures
Directory of World Cinema: Finland
The Danish Directors 3
Directory of World Cinema: American Independent 2
Directory of World Cinema: Latin America
Computers and Language
Crash Cultures
Directory of World Cinema: Australia and New Zealand 2
The Danish Directors 2
Directory of World Cinema: India
Digital Magazine Design
Doctor Who and Race
Directory of World Cinema: Scotland
Connectionist Language Generator
Directory of World Cinema: Iran
Dancing with Parkinson’s
Directory of World Cinema: Italy
The Designer
Disability, Arts, and Culture
Directory of World Cinema: Iran 2
Digital Experience Design
Dialogues 3
Dramaturging Personal Narratives
Empirical Studies of Programmers
European Media Governance
European Heritage Planning and Management
Europe in Black and White
The English Language in Europe
Empirical Studies of Programmers
Ergonomics
European Culture and the Media
European Media Governance
The Emergence of Video Processing Tools
Exposing Vulnerability
The Eternal Soul
Engaging with Reality
Cultural Quarters
Context Providers
Computers and Creativity
Computers and Writing
Cinemas of the Other
Computers and Art
Cinemas of the Other
Computers and Typography
Cultures and Settlements
Communication Patterns and Textual Forms
Consensus Politics in Spain
Consumer Culture
The Cultural Set Up of Comedy
A Compendium of Machine Learning I
Comparative Media Policy, Regulation and Governance in Europe
Creative Intelligences
Convergence and Fragmentation
Chess and Machine Intuition
The Composition of Herman Melville
The City is Me
Choreographies
Broadcasting and National Imagination in Post-Communist Latvia
The Blind
Connectionist Models and Their Implications
Contingency in Madagascar
Blackboard Systems
Brit Wits
Development through Technology Transfer
Directory of World Cinema: American Independent 3
Drawing -- The Purpose
The Dynamics of News and Indigenous Policy in Australia
Declarations of Independence
Dynamics in Ergonomics, Psychology, and Decisions
Digital Visual Culture
A Divided World
Drive in Cinema
Digital Futures and the City of Today
Directory of World Cinema: Belgium
Digital Radio in Europe
Drama-based Pedagogy
Digital Dynamics in Nordic Contemporary Art
Drawing
Dysfunction and Decentralization in New Media Art and Education
Don’t Look Now
Design for Business
Drawing -- The Process
Dialogues 2
Directory of World Cinema: Russia
Design for Business
Directory of World Cinema: Africa
Directory of World Cinema: China
Directory of World Cinema: China 2
Dancing across the Page
Diasporas of Australian Cinema
Directory of World Cinema: Argentina
Drawing as a Way of Knowing in Art and Science
Dance, Disability and Law
Drawing in the Design Process
Directory of World Cinema: France
Directory of World Cinema: Germany 2
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Japan 3
Directions and Implications of Advanced Computing
Directory of World Cinema: Australia and New Zealand
Directors
Dancing Bahia
Design Integrations
Directory of World Cinema: Germany
Developing Dialogues
Connectionist Natural Language Processing
Crossing Gender Boundaries
Cindy Sherman’s Office Killer
Clown Through Mask
Composed Theatre
The Culture of Photography in Public Space
The Cultural Practice of Immigrant Filmmaking
Crime Uncovered
Cotton
Computers and Law
Creative Communities
Journalism Re-examined
Christoph Schlingensief
Human Factors in Information Systems
Gay Men at the Movies
Communication and Discourse Theory
Consumer Identities
Holistic Shakespeare
Historical Comedy on Screen
Fan Phenomena: Supernatural
Fan Phenomena: Jane Austen
Fan Phenomena: Batman
Future of Art in a Digital Age
The Future of Humanity
Fashion Cities Africa
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
Frames of Mind
Frames and Fictions on Television
Futures Past
Fan Phenomena: James Bond
Fan Phenomena: Mermaids
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: The Big Lebowski
Framing Film
French Costume Drama of the 1950s
Global Fashion Brands
Ghostbodies
Greek Cinema
Gavin Bolton’s Contextual Drama
Global Technological Change
Human Factors and Interactive Computer Systems
Gendered Transformations
The Global Road Movie
Global Technological Change
Green Documentary
The Grey Zone of Health and Illness
Girls! Girls! Girls! In Contemporary Art
Genre Matters
Going Modern and Being British
Governing Visions of the Real
The Gate
Europe and Love in Cinema
European Cultures in Sport
Engineering Nature
Far Field
Europe Faces Europe
Englishness, Pop and Post-War Britain
Educating Film-Makers
Futures of Chinese Cinema
Fashion as Masquerade
Fan Phenomena: Twin Peaks
Franklin Furnace and the Spirit of the Avant-Garde
Field Notes on the Visual Arts
Flesh Into Light
Fan Phenomena: Sherlock Holmes
Fashion in Popular Culture
From NWICO to WSIS: 30 Years of Communication Geopolitics
Film, Drama and the Break Up of Britain
Forms of Representation
Fan Phenomena: Star Wars
Food Democracy
Forget-Me-Not, Iran
Fan Phenomena: Doctor Who
Fan Phenomena: The Twilight Saga
Havana Street Style
Harm and Offence in Media Content
Human Factors in Information Systems
Hypertext
Hong Kong New Wave Cinema (1978-2000)
Human Factors in Computer Systems
Habitus of the Hood
Honolulu Street Style
Hypertext
Human Factors in Management Information Systems
The Hour of All Things and Other Plays
The Hidden Words of Baha’u’llah
Handwriting of the Twentieth Century
Howard Barker Interviews 1980-2010
The Hollywood War Film
Human Factors in Information Systems
Magnet Theatre
The Multisensory Film Experience
Martha Graham
Mussolini’s Last Republic
Minds, Brains and Computers
Money Talks
Media, Democracy and European Culture
Media, Markets and Public Spheres
Life and Death
Literacy and the Politics of Writing
Living and Sustaining a Creative Life
Lovefuries
Law, Computer Science, and Artificial Intelligence
Lure of the Big Screen
Learning with Computers
Languages of Theatre Shaped by Women
Language and Marginality
Language and Thought
L.A. Chic
Looking for Marshall McLuhan in Afghanistan
Logical Derivation of Computer Programs
Online Help
One Hundred Years of Futurism
Orphan Black
On Perfection
Open Roads, Closed Borders
On Stage
Online Help Systems
Online Communities
Life at the End of Life
The Last Empire
Logic Programming
Logic Programming
Locality, Regeneration and Divers(c)ities
Lexicon for an Affective Archive
Montréal Chic
Music and Levels of Narration in Film
Learning for Innovation in the Global Knowledge Economy
Landscape and the Science Fiction Imaginary
The Lived Experience of Improvisation
Locating the Audience
Language, Community and the State
The Logic Programming Tutor
New Patterns in Global Television Formats
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
The Making of an Artist
Memory Fragments
New Brutality Film
Myths
Media, Monarchy and Power
Narrating the Catastrophe
New Directions for Database Systems
New Zealand Cinema
National Conversations
Nanoart
Network Models for Control and Processing
New Zealand Film and Television
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
The Musical Comedy Films of Grigorii Aleksandrov
The Music of Antonio Carlos Jobim
Modes of Spectating
Media Between Culture and Commerce
Marion Richardson
Media and Identity in Contemporary Europe
Machine-Tractable Dictionaries
Models of Cognition
Mathematical Intelligent Learning Environments
Media in the Enlarged Europe
Memory, Space and Sound
Misreading Postmodern Antigone
Multimedia CALL
JARMAN (all this maddening beauty) and other plays
Justitia
Manifesto Now!
Managing Computer Impact
Mindful Movement
The Mobile Nation
Multilingual Multimedia
Octave Mirbeau: Two Plays
On Repetition
One for the Girls!
The Only Way Home is Through the Show
The Net Effect
The Net Effect
A New Guide to Artificial Intelligence
The Ned Kelly Films
NanoCulture
New Trends in Argentine and Brazilian Cinema
The New Russia
Neosentience
New Flows in Global TV
Negotiating Spain and Catalonia
National Identity
Joshua Sofaer
A Journey of Art and Conflict
Journey
Jonquils
MARCEL
Machinations
The Method of Metaphor
Mediation and Protest Movements
Multisensor Integration and Fusion for Intelligent Machines and Systems
Modern Argentine Masculinities
Media and Values
Media in Europe Today
Meyerhold and the Cubists
Medical Multimedia
Mac 3D
Morrissey
Revolution in the Echo Chamber
Refugee Performance
The Rehearsal
Re-Imagining the City
The Roots of Modern Hollywood
Roof Watching
Reaching Audiences
Radio Content in the Digital Age
Peter Weir
Progress in Simulation, Volume One
Performing Revolutionary
The Psychology of Menu Selection
Politics of Contemporary European Cinema
Prison Cultures
Press Freedom and Pluralism in Europe
Photography, Narrative, Time
Picturing Immigration
Pleading in the Blood
The Place of Artists’ Cinema
Practising the Real on the Contemporary Stage
Planning, Geometry, and Complexity of Robot Motion
Personal Style Blogs
The Philadelphia Connection
Progress in Computer-Aided VLSI Design, Volume Three
Performing Exile
Picturing the Cosmos
The Propaganda of Peace
Perspectives on the Computer Revolution
Playwriting in Schools
Progress in Neural Networks, Volume Three
Provoking the Field
The Potentials of Spaces
Performing Violence
The Philosophical Actor
Plays in Time
Research-based Theatre
Reliability in Computer System Design
Resetting the Stage
Rhetoric of Modern Death in American Living Dead Films
Recursive Algorithms
RTE and the Globalisation of Irish Television
Reclaiming the Media
Rosebud Sleds and Horses’ Heads
Redefining Theatre Communities
A Reality Check 2003
Russia’s New Fin de Siècle
Progress in Neural Networks, Volume Two
Point Blank
Operations Research and Artificial Intelligence
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Computer Graphics
Photocinema
Parallel Natural Language Processing
Progress in Neural Networks, Volume Six
Progress in Simulation, Volume Two
Planet Cosplay
Polanski and Perception
Precarious Spaces
Polish Media Art in an Expanded Field
Progress in Neural Networks, Volume Five
The Postdigital Membrane
A Portrait of the Artist as a Political Dissident
Queer Cinema in Europe
Quantum Art & Uncertainty
Queer Visibility in Post-socialist Cultures
Phenomenology’s Material Presence
The Professionalisation of Political Communication
Queer Mythologies
Playwriting and Young Audiences
The Posthuman Condition
People’s Pornography
Performative Materials in Architecture and Design
Public Spheres After Socialism
Progress in Neural Networks: Volume One
Progress in Robotics and Intelligent Systems, Volume One
Pride and Panic
Performance Art in Ireland
Real Objects in Unreal Situations
Russia, Freaks and Foreigners
Representations of Working in Arts Education
Readings in Primary Art Education
Red Sun and Merlin Unchained
Research in Art and Design Education
Robert Frank’s ’The Americans’
Requirements for a Software Engineering Environment
The Reflexive Teaching Artist
Routing, Placement, and Partitioning
Recording Memories from Political Violence
Recoveries and Reclamations
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reverberations across Small-Scale British Theatre
Reframing Consciousness
Revolve:R
Reframing Reality
Radical Initiatives in Interventionist & Community Drama
Reflections on Artificial Intelligence
Raymond Williams
Reinventing Public Service Television for the Digital Future
Perform, Repeat, Record
Performing Processes
Piercing Time
The Problem of Assessment in Art and Design
Passion of the Reel
Professions in Contemporary Drama
Principles of Modelling and Rendering with 3D Studio
Performing Arts in Prisons
Performing Spanishness
Playing for Time Theatre Company
The Poetics and Politics of the Veil in Iran
Performing Process
Progress in Computer-Aided VLSI Design, Volume Two
Artistic Research in the Future Academy
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
The Art Rules
Aestheticizing Public Space
Art, Technology, Consciousness
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
Artificial Intelligence: Applications for Business
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Acquisition of a Second Writing System
Artificial Intelligence and Education, Volume One
Advances in Spatial Reasoning, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
Audiences and Publics
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
Arts Integration in Education
Architecture and the Virtual
Artist-Teacher
Aesthetic Journalism
The Art and Science of Handwriting
Art and Theory After Socialism
Australian Post-War Documentary Film
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
Ancient Laws and Modern Problems
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
Artist, Researcher, Teacher
The Art of Nick Cave
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
The Art and Science of Screenwriting
African Theatre for Development
Allegorical Images
Architectures of Illusion
Art Education in a Postmodern World
Alisa, Alice
artUS 2011-2012
Australian Film Theory and Criticism
Art as Research
Applied Drama
Building Successful and Sustainable Film and Television Businesses
Broadcasting Diversity
Black and White Bioscope
The British Media and Bloody Sunday
Crime Uncovered: Detective
Celebrity Culture and the Entertainment Industry in Asia
Connectionism and Meaning
The Cinema Makers
Crime Uncovered: Anti-hero
The Coach and The Triumph of the Lamb
Contemporary Irish Drama and Cultural Identity
Cartomancy and Tarot in Film
Cognition, Computing, and Cooperation
ConFiguring America
Creativity, Culture and Commerce
Citizen Voices
Connecting Metal to Culture
Creative Content for the Web
Confronting Technopoly
Binding Time
Becoming Designers
Beijing Film Academy Yearbook 2017
Brecht in L.A.
Beyond the Dance Floor
Brian Ferneyhough
Beijing Film Academy Yearbook 2016
Body and Mind in Motion
Building a Deductive Database
Beijing Film Academy Yearbook
Bangladesh’s Changing Mediascape
Berlin School Glossary
Beauty and the Beast
Berliner Chic
Beyond Auteurism
British TV and Film Culture in the 1950s
Bringing Down the House
Being Human
The Igor Moiseyev Dance Company
Israel as a Modern Architectural Experimental Lab, 1948-1978
The Importance of Elsewhere
The Imaginary Geography of Hollywood Cinema 1960-2000
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Irish Drama in Poland
Imaging the City
Into the Story 2
It’s All Allowed
ICT for Curriculum Enhancement
Ivar Kreuger and Jeanne de la Motte
Immigration Cinema in the New Europe
Inclusion in New Danish Cinema
Information Systems Implementation
Image Understanding
IT for Learning Enhancement
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
IT for Learning Enhancement
Image Understanding
Integrative Alexander Technique Practice for Performing Artists
Iconic Communication
Instafame
Inside the TV Newsroom
Interventions
Inspiring Writing in Art and Design
Issues in Curating Contemporary Art and Performance
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Images and Identity
The Independence of the Media and its Regulatory Agencies
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
Advertising as Culture
Australian Film Theory and Criticism
Atomic Postcards
Amateur Images and Global News
Aristotle in Hollywood
Art Education and Contemporary Culture
Artist Scholar
Artist-Scholar
Fan Phenomena: Game of Thrones
Kinesthetic Empathy in Creative and Cultural Practices
Keepin’ It Real
Kira O’Reilly
Kiosk Literature of Silver Age Spain
Kurt Kren
Karaoke Idols
Knowledge Acquisition from Databases
Modern Melbourne
Fortunes of War
Responding to Site
Photography from the Turin Shroud to the Turing Machine
Punk Now!!
The Baroque Technotext
Photography and Landscape
People and Places of Nature and Culture
Giuseppe Pagano
Canadian Wetlands
Black Swan Lake
Wiener Chic
World Film Locations: Malta
West Country History
World Film Locations: Barcelona
We Europeans?
Who’s Who in Research: Visual Arts
Zombies in the Academy
Zapolska’s Women
World Film Locations: Florence
World Film Locations: Beijing
Trends in Functional Programming Volume 1
Theatre, Time and Temporality
Touring the Screen
World Film Locations: Rome
World Film Locations: Singapore
World Film Locations: Dublin
Television Courtroom Broadcasting
TV Format Mogul
Teachers and Teaching on Stage and on Screen
Performing Palimpsest Bodies
Across the Art/Life Divide
Architectural Dynamics in Pre-Revolutionary Iran
The Anarchist Cinema
Agency
Architecture Filmmaking
Anne Bean
Australian Film Theory and Criticism
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
Applied Theatre
Writing Belonging at the Millennium
Fan Phenomena: Harry Potter
Connecting People, Place and Design
Spiritual Herstories
Spanish Cinema of the New Millennium
Superman: The Movie
The Sensible Stage
Street Fashion Moscow
Sam Peckinpah
Spellbound
The Search for Mind
Spring and No Flowers
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Saudade in Brazilian Cinema
Staging Ageing
Switching to Digital Television
Signs Symbols and Icons
Street Scenes
Spaces in European Cinema
Sydney Street Style
Some Wear Leather, Some Wear Lace
The Student Actor Prepares
Swedish Cops
Softimage
Shooting Women
The Sounds of Contemporary French
Sensing the City through Television
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
Shakespeare Valued
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Serious Play
Stephen King on the Big Screen
Sophia Loren
Sex on Stage
Sacred Theatre
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Signifying Europe
Spatialities
South African Cinema 1896-2010
Stephen King on the Small Screen
Streets of Crocodiles
Tunnel Watching
TRANS(per)FORMING Nina Arsenault
Towards a Praxis-based Media and Journalism Research
Television in Europe
Theatre for Youth Third Space
Teaching Knowledge and Intelligent Tutoring
Traces of the Future
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
New Irish Storytellers
Postcards from the Road
Traumatic Encounters in Italian Film
Transnational Ecocinema
Time, Duration and Change in Contemporary Art
The Trustus Plays
Trends in Functional Programming Volume 7
Theatrical Reality
Transformations
Theatre in Prison
The Theory of the Artificial
Trends in Functional Programming Volume 3
Three Myths of Internet Governance
Theatre in Passing
Technology and Desire
Towards a Sustainable Information Society
Transition & Development in Algeria
Television and Criticism
Twin Peaks
A Tragic Farce
Transglobal Fashion Narratives
Theatre and Europe (1957 to 1995)
Tormented Minds
Theatre and Consciousness
Truth or Dare
Taking Up McLuhan’s Cause
Temporary Stages II
A Trail of Fire for Political Cinema
Using Media for Social Innovation
Understanding Virtual Universities
Uncommon Goods
Teaching Actors
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 2
TV Formats Worldwide
Un-American Psycho
Unmapping the City
Understanding Higher Education
Utopia
Urban Cinematics
Vanishing Points
Using Art as Research in Learning and Teaching
Unbecoming Cinema
Visualizing Anthropology
Vision and Action
Videogames and Art
TV Museum
Theatre and Performance in Small Nations
Trends in Communication Policy Research
Trends in Functional Programming Volume 5
Transnational Celebrity Activism in Global Politics
The Transparent Prolog Machine
Transnational Film Culture in New Zealand
Trends in Functional Programming Volume 6
Throwing the Body into the Fight
Theatre in Passing 2
Tech-Noir Film
Theater of War
Television Antiheroines
Theatre for Children in Hospital
Trends in Functional Programming 10
Trends in Functional Programming Volume 8
Taiwan by Design
Trends in Functional Programming Volume 9
World Film Locations: Istanbul
World Film Locations: Sydney
Why I Buy
Watching Films
Wuthering Heights on Film and Television
World Film Locations: Marseilles
World Film Locations: Reykjavík
World Film Locations: Los Angeles
World Film Locations: Helsinki
World Film Locations: São Paulo
World Film Locations: Glasgow
World Film Locations: Berlin
The Virtual Classroom
Visual Cultures
Versions of Hollywood Crime Cinema
VLSI Fault Modeling and Testing Techniques
The Visceral Screen
Visual Language for the World Wide Web
Virtuality and the Art of Exhibition
World Film Locations: Hong Kong
Wye Plays
World Film Locations: Paris
Walking, Writing and Performance
World Film Locations: Las Vegas
Writing as a Visual Art
With Nature
World Film Locations: Havana
Women in Contemporary Culture
World-Wide-Walks
World Film Locations: Shanghai
World Film Locations: Melbourne
Why We Make Art
World Film Locations: New Orleans
World Film Locations: Vancouver
Women in European Theatre
Who’s Who in Research: Film Studies
World Film Locations: Venice
World Film Locations: Athens
Why Would Anyone Wear That?
World Film Locations: Buenos Aires
World Film Locations: Vienna
World Film Locations: Mumbai
World Film Locations: Prague
World Film Locations: Tokyo
World Film Locations: San Francisco
Who’s Who in Research: Cultural Studies
World Film Locations: Washington D.C.
What’s Next?
World Film Locations: Madrid
Women Voice Men
World Film Locations: Boston
World Film Locations: Toronto
Writing on Drawing
World Film Locations: Cleveland
World Film Locations: New York
Words on the Web
Who’s Who in Research: Performing Arts
The World As Information
World Film Locations: Chicago
World Film Locations: Liverpool
World Film Locations: London
Who’s Who in Research: Media Studies
(Re)Positioning Site Dance
Morality by Design
The Idea of the Avant Garde - And What It Means Today 2
Art inSight
Visual Research Methods in Architecture
The Traumatic Screen
Teaching and Learning Design
Radical Mainstream
Philosophical Frameworks and Design Processes
Journalism, Society and Politics in the Digital Media Era
The Howff Project
Film Studies in China, Volume 2
Film Studies in China
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Design and the Creation of Social Value
Cosmopolitics of the Camera
An Affect of an Experience
Queer Communion
Performance / Media / Art / Culture
#Nodes
3D Cinema and Beyond
MASKS
Britpop Cinema
Preston Sturges
Fellini’s Films and Commercials
The Architecture of Cinematic Spaces
Women in Iberian Filmic Culture
Re:Research
The Punk Reader
Through the Prism of the Senses
Culture, Technology and the Image
African Luxury
Understanding Kubrick’s 2001: A Space Odyssey
Photography as Critical Practice