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The Sounds of Contemporary French
Mussolini’s Last Republic
The Virtual Classroom
The Psychology of Menu Selection
Progress in Neural Networks, Volume Three
Recursive Algorithms
Knowledge Acquisition from Databases
Jonquils
Human Factors and Interactive Computer Systems
Human Factors in Information Systems
Medical Multimedia
Advances in Spatial Reasoning, Volume One
Connectionism and Meaning
Dialogues 3
#Nodes
West Country History
Vision and Action
VLSI Fault Modeling and Testing Techniques
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
A Tragic Farce
Teaching Knowledge and Intelligent Tutoring
The Theory of the Artificial
Models of Cognition
Multisensor Integration and Fusion for Intelligent Machines and Systems
Multimedia CALL
Managing Computer Impact
Machine-Tractable Dictionaries
Minds, Brains and Computers
MARCEL
Machinations
New Directions for Database Systems
A New Guide to Artificial Intelligence
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
Reliability in Computer System Design
Routing, Placement, and Partitioning
Requirements for a Software Engineering Environment
Roof Watching
Language and Marginality
Planning, Geometry, and Complexity of Robot Motion
Progress in Simulation, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Robotics and Intelligent Systems, Volume One
Progress in Neural Networks, Volume Six
Perspectives on the Computer Revolution
Progress in Neural Networks: Volume One
Progress in Computer-Aided VLSI Design, Volume Three
Parallel Natural Language Processing
Progress in Neural Networks, Volume Two
Progress in Computer-Aided VLSI Design, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Simulation, Volume Two
Progress in Neural Networks, Volume Five
Progress in Computer Graphics
Online Help
Online Communities
Online Help Systems
Operations Research and Artificial Intelligence
Ergonomics
Empirical Studies of Programmers
Empirical Studies of Programmers
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Nature
Creative Intelligences
The Coach and The Triumph of the Lamb
Computers for Educational Administrators
A Compendium of Machine Learning I
Connectionist Models and Their Implications
Communication Patterns and Textual Forms
CALL and The Learning Community
Computers and Law
Connectionist Language Generator
Cognition, Computing, and Cooperation
The Art and Science of Handwriting
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Artificial Intelligence and Education, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
Hypertext
Information Systems Implementation
Image Understanding
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
Image Understanding
Human Factors in Information Systems
Human Factors in Information Systems
Human Factors in Computer Systems
Human Factors in Management Information Systems
Fundamentals of Expert Systems Technology
From Syntax to Semantics
Francophone Voices
Dynamics in Ergonomics, Psychology, and Decisions
Dialogues 2
Directions and Implications of Advanced Computing
Binding Time
Blackboard Systems
Building a Deductive Database
The Hour of All Things and Other Plays
Global Fashion Brands
Genre Matters
Gavin Bolton’s Contextual Drama
Greek Cinema
Girls! Girls! Girls! In Contemporary Art
Global Technological Change
Gendered Transformations
The Grey Zone of Health and Illness
Field Notes on the Visual Arts
Fan Phenomena: Harry Potter
Ghostbodies
Gay Men at the Movies
Global Technological Change
The Gate
Governing Visions of the Real
Going Modern and Being British
Irish Drama in Poland
Imaging the City
It’s All Allowed
ICT for Curriculum Enhancement
Ivar Kreuger and Jeanne de la Motte
Inclusion in New Danish Cinema
IT for Learning Enhancement
IT for Learning Enhancement
Iconic Communication
Interventions
Inspiring Writing in Art and Design
Issues in Curating Contemporary Art and Performance
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Harm and Offence in Media Content
Handwriting of the Twentieth Century
Habitus of the Hood
Holistic Shakespeare
Howard Barker Interviews 1980-2010
Historical Comedy on Screen
Giuseppe Pagano
The Global Road Movie
Images and Identity
The Independence of the Media and its Regulatory Agencies
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
The Hidden Words of Baha’u’llah
Hypertext
Havana Street Style
Honolulu Street Style
The Future of Humanity
New Patterns in Global Television Formats
The Net Effect
Negotiating Spain and Catalonia
National Identity
The New Russia
Network Models for Control and Processing
New Trends in Argentine and Brazilian Cinema
Morality by Design
The Music of Antonio Carlos Jobim
The Making of an Artist
On Repetition
On Stage
The Only Way Home is Through the Show
One for the Girls!
On Perfection
Open Roads, Closed Borders
Octave Mirbeau: Two Plays
Memory, Space and Sound
The Multisensory Film Experience
Montréal Chic
Performative Materials in Architecture and Design
Photocinema
Polanski and Perception
A Portrait of the Artist as a Political Dissident
Perform, Repeat, Record
Peter Weir
Photography and Landscape
People and Places of Nature and Culture
Picturing Immigration
3D Cinema and Beyond
Myths
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
Magnet Theatre
Meyerhold and the Cubists
Mac 3D
National Conversations
The Net Effect
New Irish Storytellers
New Flows in Global TV
NanoCulture
New Brutality Film
Nanoart
The Ned Kelly Films
Narrating the Catastrophe
New Zealand Film and Television
New Zealand Cinema
Neosentience
Cultural Industries in Shanghai
Celebrity Culture and the Entertainment Industry in Asia
Choreographies
Culture War
Cotton
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Germany 2
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Turkey
Directory of World Cinema: Latin America
Directory of World Cinema: Finland
Directory of World Cinema: American Independent 2
Directory of World Cinema: France
Directory of World Cinema: South Korea
Directory of World Cinema: China
Directory of World Cinema: Britain
Directory of World Cinema: Japan 2
Directors
Directory of World Cinema: Germany
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Disaster Capitalism
Dancing across the Page
Directory of World Cinema: American Hollywood
A Divided World
Directory of World Cinema: Italy
Directory of World Cinema: Iran
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Russia
Deleuze and Film Music
Directory of World Cinema: American Independent
Celebrity Philanthropy
The Culture of Photography in Public Space
Creativity, Culture and Commerce
Creative Content for the Web
Consensus Politics in Spain
Computers and Writing
Children and Propaganda
Computers and Society
Chess and Machine Intuition
Connectionist Natural Language Processing
Computers and Typography
Computers and Creativity
Canadian Wetlands
Create in me a pure heart
Confronting Technopoly
Consumer Culture
Cartomancy and Tarot in Film
Crime Uncovered
Computers and Typography
Contemporary Irish Drama and Cultural Identity
Crime Uncovered: Anti-hero
Crime Uncovered: Detective
Creative Communities
Directory of World Cinema: India
Design for Business
Double Exposures
Downtown Film and TV Culture 1975-2001
Dramaturging Personal Narratives
Development through Technology Transfer
Directory of World Cinema: Japan 3
Directory of World Cinema: China 2
Directory of World Cinema: Britain 2
Directory of World Cinema: Scotland
Directory of World Cinema: Africa
Design for Business
Dance, Somatics and Spiritualities
Drawing
Don’t Look Now
Directory of World Cinema: Japan
Communication and Discourse Theory
The Cultural Practice of Immigrant Filmmaking
Consumer Identities
The Danish Directors 2
Digital Radio in Europe
Directors & Designers
Developing Dialogues
Design Integrations
Diasporas of Australian Cinema
Digital Visual Culture
Digital Experience Design
Drawing -- The Purpose
The Designer
Declarations of Independence
Digital Design using QuarkXPress 4
David Cronenberg
Drawing -- The Process
Digital Magazine Design
Danish Directors
The Danish Directors 3
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Brazil
Directory of World Cinema: Belgium
Directory of World Cinema: Russia 2
Doctor Who and Race
Directory of World Cinema: Argentina
Logic Programming
Logical Derivation of Computer Programs
The Logic Programming Tutor
Logic Programming
Literacy and the Politics of Writing
Learning with Computers
Law, Computer Science, and Artificial Intelligence
Language, Community and the State
Lure of the Big Screen
Language and Thought
The Last Empire
Learning for Innovation in the Global Knowledge Economy
Lovefuries
Languages of Theatre Shaped by Women
Locality, Regeneration and Divers(c)ities
Living and Sustaining a Creative Life
Looking for Marshall McLuhan in Afghanistan
Life and Death
Kira O’Reilly
Kurt Kren
Karaoke Idols
Kinesthetic Empathy in Creative and Cultural Practices
The Idea of the Avant Garde
Israel as a Modern Architectural Experimental Lab, 1948-1978
Inside the TV Newsroom
The Importance of Elsewhere
The Imaginary Geography of Hollywood Cinema 1960-2000
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Lexicon for an Affective Archive
The Lived Experience of Improvisation
Life at the End of Life
Locating the Audience
The Method of Metaphor
Modern Argentine Masculinities
Manifesto Now!
Martha Graham
Mediation and Protest Movements
Music and Levels of Narration in Film
Marion Richardson
Memory Fragments
The Mobile Nation
Morrissey
Media in Europe Today
Misreading Postmodern Antigone
L.A. Chic
Journalism Re-examined
JARMAN (all this maddening beauty) and other plays
Journey
Justitia
A Journey of Art and Conflict
Money Talks
Media, Markets and Public Spheres
The Musical Comedy Films of Grigorii Aleksandrov
Modes of Spectating
Media in the Enlarged Europe
Media, Democracy and European Culture
Multilingual Multimedia
Mathematical Intelligent Learning Environments
Media and Values
Media and Identity in Contemporary Europe
Media Between Culture and Commerce
Expertise and Architecture in the Modern Islamic World
From NWICO to WSIS: 30 Years of Communication Geopolitics
Framing Film
Flesh Into Light
Far Field
Feminist Ethics in Film
The Future of Art in a Postdigital Age
Franklin Furnace and the Spirit of the Avant-Garde
Dance, Disability and Law
Engendering Interaction with Images
Europe and Love in Cinema
Europe in Black and White
The Dynamics of News and Indigenous Policy in Australia
Drawing as a Way of Knowing in Art and Science
Directory of World Cinema: Iran 2
Drama-based Pedagogy
Drawing in the Design Process
Directory of World Cinema: Argentina 2
Directory of World Cinema: American Independent 3
Digital Futures and the City of Today
The Divine Springtime
Design through Digital Interaction
Design for Business
Drive in Cinema
Engaging with Reality
Educating Film-Makers
European Journalism Education
European Media Governance
European Media Governance
Educating Artists for the Future
European Identity in Cinema
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: Jane Austen
Forms of Representation
Forget-Me-Not, Iran
Fashion as Masquerade
Frames and Fictions on Television
Fashion and Ethics
Fan Phenomena: Audrey Hepburn
Fan Phenomena: Sherlock Holmes
Fan Phenomena: The Hunger Games
Fan Phenomena: Supernatural
Fan Phenomena: The Big Lebowski
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
French Costume Drama of the 1950s
Futures of Chinese Cinema
Film Studies in China
Fan Phenomena: Game of Thrones
Freaks of History
Fan Phenomena: The Twilight Saga
Filming the City
Fan Phenomena: Mermaids
Fan Phenomena: James Bond
Fan Phenomena: The Lord of the Rings
Film on The Faultline
Finding the Right Place on the Map
Frames of Mind
Futures Past
Future of Art in a Digital Age
The Face on the Screen
Film, Drama and the Break Up of Britain
Fan Phenomena: Batman
Fan Phenomena: Doctor Who
Fan Phenomena: Star Trek
Fan Phenomena: Star Wars
Fan Phenomena: Buffy the Vampire Slayer
Frontiers of Screen History
From Theory to Practice
Fashion in Popular Culture
From Child Art to Visual Language of Youth
Europe Faces Europe
Englishness, Pop and Post-War Britain
European Cultures in Sport
Entering Transmasculinity
The English Language in Europe
European Heritage Planning and Management
European Media Governance
The Eternal Soul
Engineering Artificial Intelligence Software
Becoming Designers
Being Human
The British Media and Bloody Sunday
Body and Mind in Motion
Beauty and the Beast
Bringing Down the House
Beyond Auteurism
British TV and Film Culture in the 1950s
Brecht in L.A.
Broadcasters and Citizens in Europe
By Accident or Design
Black Swan Lake
Broadcasting Diversity
Berlin School Glossary
Beyond the Dance Floor
Brit Wits
Bangladesh’s Changing Mediascape
Berliner Chic
The Blind
The Cultural Set Up of Comedy
Beijing Film Academy Yearbook 2016
Building Successful and Sustainable Film and Television Businesses
Broadcasting and National Imagination in Post-Communist Latvia
Beijing Film Academy Yearbook
Computers and Language
Convergence and Fragmentation
Cultures and Settlements
Cultural Quarters
The Composition of Herman Melville
Crash Cultures
Cinemas of the Other
Contingency in Madagascar
China’s Environment and China’s Environment Journalists
Composed Theatre
Culture and Contestation in the New Century
Carnival Texts
The Cinema of Mika Kaurismäki
The Baroque Technotext
Cindy Sherman’s Office Killer
Cultural Quarters
Context Providers
Confronting Theory
Cinema and Landscape
Christoph Schlingensief
Computers and Art
Black and White Bioscope
Beijing Film Academy Yearbook 2017
Crossing the Street in Hanoi
Critical Studies in Fashion and Beauty
The City is Me
ConFiguring America
The Cinema Makers
Citizen Voices
Creativity in the Classroom
Clown Through Mask
Cinemas of the Other
Cinemas of the Other
Applied Theatre
Audiences and Publics
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
Arts Integration in Education
The Art Rules
Aestheticizing Public Space
Art, Technology, Consciousness
Artificial Intelligence: Applications for Business
Acquisition of a Second Writing System
Architecture and the Virtual
Aesthetic Journalism
Art and Theory After Socialism
Australian Post-War Documentary Film
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
Architectural Dynamics in Pre-Revolutionary Iran
Australian Film Theory and Criticism
Artistic Research in the Future Academy
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
Ancient Laws and Modern Problems
The Art and Science of Screenwriting
African Theatre for Development
Allegorical Images
Art Education in a Postmodern World
Alisa, Alice
Architecture Filmmaking
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
artUS 2011-2012
Australian Film Theory and Criticism
Applied Drama
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
Artist, Researcher, Teacher
The Art of Nick Cave
Advertising as Culture
Australian Film Theory and Criticism
Art Education and Contemporary Culture
Artist Scholar
Atomic Postcards
Amateur Images and Global News
Aristotle in Hollywood
Artist-Scholar
Art as Research
Fashion Cities Africa
Twin Peaks
The Igor Moiseyev Dance Company
The Hollywood War Film
Green Documentary
Fan Phenomena: Twin Peaks
Performing Exile
Mindful Movement
People’s Pornography
Tech-Noir Film
Staging Ageing
Landscape and the Science Fiction Imaginary
Immigration Cinema in the New Europe
The Poetics and Politics of the Veil in Iran
Food Democracy
Raymond Williams
Dancing with Parkinson’s
Sensing the City through Television
Sydney Street Style
The Student Actor Prepares
Swedish Cops
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Signifying Europe
Spatialities
South African Cinema 1896-2010
Stephen King on the Small Screen
Streets of Crocodiles
Redefining Theatre Communities
Saudade in Brazilian Cinema
The Sensible Stage
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Street Fashion Moscow
Sam Peckinpah
Truth or Dare
Television and Criticism
Traumatic Encounters in Italian Film
Tormented Minds
Theatre in Prison
Theatre and Consciousness
Throwing the Body into the Fight
Temporary Stages II
Theatre in Passing 2
Transnational Ecocinema
Theatre and Performance in Small Nations
Television Courtroom Broadcasting
Transnational Film Culture in New Zealand
TV Format Mogul
TRANS(per)FORMING Nina Arsenault
Teaching Actors
Touring the Screen
Trends in Communication Policy Research
Technology and Desire
Transnational Celebrity Activism in Global Politics
Theatre in Passing
Serious Play
Stephen King on the Big Screen
Sex on Stage
Sacred Theatre
Switching to Digital Television
Signs Symbols and Icons
Street Scenes
Spaces in European Cinema
The Search for Mind
Spring and No Flowers
Shooting Women
Shakespeare Valued
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
World Film Locations: Cleveland
Taiwan by Design
Television Antiheroines
Transformations
Towards a Praxis-based Media and Journalism Research
Traces of the Future
Theatre for Children in Hospital
Theatre, Time and Temporality
Taking Up McLuhan’s Cause
Theatrical Reality
Trends in Functional Programming Volume 5
Tunnel Watching
Trends in Functional Programming Volume 8
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 3
Transition & Development in Algeria
Understanding Virtual Universities
Utopia
Understanding Higher Education
Unmapping the City
Uncommon Goods
Un-American Psycho
Urban Cinematics
World Film Locations: Vienna
World Film Locations: Madrid
World Film Locations: Istanbul
World Film Locations: Paris
World Film Locations: Dublin
World Film Locations: Los Angeles
World Film Locations: London
World Film Locations: Tokyo
World Film Locations: New York
Why We Make Art
World Film Locations: Prague
World Film Locations: Hong Kong
World Film Locations: Liverpool
World Film Locations: Barcelona
World Film Locations: San Francisco
World Film Locations: São Paulo
Why Would Anyone Wear That?
World Film Locations: Marseilles
World Film Locations: Helsinki
World Film Locations: Vancouver
World Film Locations: Venice
World Film Locations: Glasgow
World Film Locations: Chicago
Who’s Who in Research: Cultural Studies
Who’s Who in Research: Media Studies
Who’s Who in Research: Visual Arts
Who’s Who in Research: Performing Arts
Who’s Who in Research: Film Studies
Why I Buy
World Film Locations: Beijing
World Film Locations: Reykjavík
World Film Locations: Melbourne
World Film Locations: Mumbai
World Film Locations: Berlin
Watching Films
World Film Locations: Las Vegas
World Film Locations: New Orleans
World Film Locations: Malta
Wuthering Heights on Film and Television
World Film Locations: Washington D.C.
Words on the Web
Women in European Theatre
The World As Information
Women Voice Men
Writing as a Visual Art
World Film Locations: Sydney
World Film Locations: Singapore
World Film Locations: Florence
World Film Locations: Athens
World Film Locations: Buenos Aires
World Film Locations: Rome
World Film Locations: Shanghai
World Film Locations: Boston
World Film Locations: Havana
World Film Locations: Toronto
Wiener Chic
With Nature
Walking, Writing and Performance
Writing on Drawing
We Europeans?
Women in Contemporary Culture
Wye Plays
Vanishing Points
Visual Language for the World Wide Web
The Visceral Screen
Visual Cultures
Visualizing Anthropology
Versions of Hollywood Crime Cinema
Virtuality and the Art of Exhibition
Videogames and Art
Using Art as Research in Learning and Teaching
Using Media for Social Innovation
Unbecoming Cinema
Teachers and Teaching on Stage and on Screen
A Trail of Fire for Political Cinema
Transglobal Fashion Narratives
Theatre for Youth Third Space
Trends in Functional Programming 10
The Transparent Prolog Machine
Theatre and Europe (1957 to 1995)
Television in Europe
Trends in Functional Programming Volume 9
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 2
Trends in Functional Programming Volume 1
Theater of War
TV Museum
TV Formats Worldwide
Three Myths of Internet Governance
The Trustus Plays
Zapolska’s Women
Zombies in the Academy
Writing Belonging at the Millennium
World-Wide-Walks
Personal Style Blogs
Plays in Time
Playwriting and Young Audiences
Precarious Spaces
Passion of the Reel
Practising the Real on the Contemporary Stage
Postcards from the Road
Photography, Narrative, Time
The Propaganda of Peace
The Philosophical Actor
Phenomenology’s Material Presence
Performing Violence
Press Freedom and Pluralism in Europe
The Place of Artists’ Cinema
Public Spheres After Socialism
The Problem of Assessment in Art and Design
Point Blank
The Potentials of Spaces
The Posthuman Condition
Professions in Contemporary Drama
Politics of Contemporary European Cinema
Performing Processes
The Professionalisation of Political Communication
Pride and Panic
Performing Spanishness
Piercing Time
Rosebud Sleds and Horses’ Heads
Re-Imagining the City
Russia’s New Fin de Siècle
Reframing Reality
Refugee Performance
The Rehearsal
Resetting the Stage
Red Sun and Merlin Unchained
Radio Content in the Digital Age
Recording Memories from Political Violence
Quantum Art & Uncertainty
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Rhetoric of Modern Death in American Living Dead Films
The Roots of Modern Hollywood
The Reflexive Teaching Artist
Representations of Working in Arts Education
A Reality Check 2003
Recoveries and Reclamations
Real Objects in Unreal Situations
Reverberations across Small-Scale British Theatre
Reinventing Public Service Television for the Digital Future
Reaching Audiences
Robert Frank’s ’The Americans’
RTE and the Globalisation of Irish Television
Readings in Primary Art Education
Research in Art and Design Education
Russia, Freaks and Foreigners
Radical Initiatives in Interventionist & Community Drama
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reflections on Artificial Intelligence
Polish Media Art in an Expanded Field
The Postdigital Membrane
The Philadelphia Connection
Performance Art in Ireland
Queer Cinema in Europe
Queer Mythologies
Queer Visibility in Post-socialist Cultures
Punk Now!!
Prison Cultures
Performing Arts in Prisons
Preston Sturges
Playing for Time Theatre Company
Revolution in the Echo Chamber
Dancing Bahia
Architectures of Illusion
Media, Monarchy and Power
European Culture and the Media
(Re)Positioning Site Dance
Britpop Cinema
Picturing the Cosmos
Orphan Black
Exposing Vulnerability
Research-based Theatre
The Punk Reader
MASKS
African Luxury
Across the Art/Life Divide
Sophia Loren
Pleading in the Blood
Connecting Metal to Culture
Radioactive Documentary
Art inSight
The Anarchist Cinema
Agency
Culture, Technology and the Image
The Critical Eye
Joshua Sofaer
Instafame
Into the Story 2
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Design and the Creation of Social Value
Digital Dynamics in Nordic Contemporary Art
Faith Wilding’s Fearful Symmetries
From Melies to New Media
Brian Ferneyhough
Comparative Media Policy, Regulation and Governance in Europe
Queer Communion
The Architecture of Cinematic Spaces
Keepin’ It Real
Understanding Kubrick’s 2001: A Space Odyssey
Playwriting in Schools
Some Wear Leather, Some Wear Lace
Superman: The Movie
Hong Kong New Wave Cinema (1978-2000)
Stalingrad by Fedor Bondarchuk
Fashion, Women and Power
Brother by Aleksei Balabanov
Lightwork
Ivan’s Childhood by Andrei Tarkovsky
What’s Next?
Revolve:R
Philosophical Frameworks and Design Processes
Performance / Media / Art / Culture
Teaching and Learning Design
Through the Prism of the Senses
Time, Duration and Change in Contemporary Art
Spiritual Herstories
Spanish Cinema of the New Millennium
Spellbound
Performing Palimpsest Bodies
Photography as Critical Practice
The Emergence of Video Processing Tools
Kiosk Literature of Silver Age Spain
Performing Process
Towards a Sustainable Information Society
Reclaiming the Media
Dancing to Transform
An Affect of an Experience
Journalism, Society and Politics in the Digital Media Era
Invisible Presence
Photography from the Turin Shroud to the Turing Machine
Lesbians on Television
Narrating the City
Material Media-Making in the Digital Age
Mathias Spahlinger
Music by Numbers
The Media-Democracy Paradox in Ghana
Modern Melbourne
How Belfast Got the Blues
Heavy Metal Music in Argentina
The Howff Project
The Return of Twin Peaks
Red Creative
Responding to Site
Re:Research
Visual Research Methods in Architecture
Shiny Things
The Politics of Migration and Mobility in the Art World
The Performances of Sacred Spaces
Producing Children’s Television in the On-demand Age
The Poetics of Poetry Film
Painting, History and Meaning
Post-Specimen Encounters Between Art, Science and Curating
Performing Collaboration in Solo Performance
The Traumatic Screen
Slow TV
Paolo Sorrentino’s Cinema and Television
Actional Poetics – ASH SHE HE
Acts of Dramaturgy
American Presidents and Oliver Stone
Adapting Performance Between Stage and Screen
Curriculum
The Cultural Meaning of Aleppo
Cosmopolitics of the Camera
Beijing Film Academy Yearbook 2018
The Cinematic Sublime
Cross-Cultural Design for Healthy Ageing
Beyond Text
Design and the Digital Humanities
Decolonial Metal Music in Latin America
Fat Activism (Second Edition)
The Friday Mosque in the City
Film Studies in China, Volume 2
Fortunes of War
Fellini’s Films and Commercials
Artist-Teacher
Connecting People, Place and Design
Women in Iberian Filmic Culture
Crossing Gender Boundaries
The Otherness of the Everyday
Architecture and the Urban in Spanish Film
Living Metal
Lessons from a Multispecies Studio
The Impact of Touch in Dance Movement Psychotherapy
Interpreting and Experiencing Disney
Iconoclastic Controversies
House of Cards
Equality in the City
Epidemic Urbanism
Experimental Dining
Devising Theatre & Performance
The Cultural Impact of RuPaul’s Drag Race
Columbo
Becoming a Visually Reflective Practitioner
Anne Bean
Disability Arts and Culture
Worlds Unbound
Visual Futures
T-Squared
Transacting as Art, Design and Architecture
Trans-Global Punk Scenes
Storytellers of Art Histories
Sine Ni Lav Diaz
Sight Readings
Remembering Paris in Text and Film
PUNK! Las Américas Edition
Punk Identities, Punk Utopias
Phenomenology for Actors
Taste and the TV Chef
Integrative Alexander Technique Practice for Performing Artists
Provoking the Field
Softimage
Reframing Consciousness
Performing Revolutionary
One Hundred Years of Futurism
Mediatization(s)
The Legend of Zelda: Ocarina of Time
Language of Tomorrow
Dance and Authoritarianism
The Drama Therapy Decision Tree
A Cultural History of the Disneyland Theme Parks
(Re:) Claiming Ballet
Performing #MeToo
Planet Cosplay
Arnold Wesker
The Lure of the Social
Radical Mainstream
Prototyping Across the Disciplines
MEDIA
Clothing Goes to War
Data Dating
Entanglements of Two
Strategic Advertising Mechanisms
The Music Diva Spectacle
Mussolini’s Last Republic
The Virtual Classroom
The Psychology of Menu Selection
Progress in Neural Networks, Volume Three
Recursive Algorithms
Knowledge Acquisition from Databases
Jonquils
Human Factors and Interactive Computer Systems
Human Factors in Information Systems
Medical Multimedia
Advances in Spatial Reasoning, Volume One
Connectionism and Meaning
Dialogues 3
#Nodes
West Country History
Vision and Action
VLSI Fault Modeling and Testing Techniques
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
A Tragic Farce
Teaching Knowledge and Intelligent Tutoring
The Theory of the Artificial
Models of Cognition
Multisensor Integration and Fusion for Intelligent Machines and Systems
Multimedia CALL
Managing Computer Impact
Machine-Tractable Dictionaries
Minds, Brains and Computers
MARCEL
Machinations
New Directions for Database Systems
A New Guide to Artificial Intelligence
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
Reliability in Computer System Design
Routing, Placement, and Partitioning
Requirements for a Software Engineering Environment
Roof Watching
Language and Marginality
Planning, Geometry, and Complexity of Robot Motion
Progress in Simulation, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Robotics and Intelligent Systems, Volume One
Progress in Neural Networks, Volume Six
Perspectives on the Computer Revolution
Progress in Neural Networks: Volume One
Progress in Computer-Aided VLSI Design, Volume Three
Parallel Natural Language Processing
Progress in Neural Networks, Volume Two
Progress in Computer-Aided VLSI Design, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Simulation, Volume Two
Progress in Neural Networks, Volume Five
Progress in Computer Graphics
Online Help
Online Communities
Online Help Systems
Operations Research and Artificial Intelligence
Ergonomics
Empirical Studies of Programmers
Empirical Studies of Programmers
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Nature
Creative Intelligences
The Coach and The Triumph of the Lamb
Computers for Educational Administrators
A Compendium of Machine Learning I
Connectionist Models and Their Implications
Communication Patterns and Textual Forms
CALL and The Learning Community
Computers and Law
Connectionist Language Generator
Cognition, Computing, and Cooperation
The Art and Science of Handwriting
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Artificial Intelligence and Education, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
Hypertext
Information Systems Implementation
Image Understanding
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
Image Understanding
Human Factors in Information Systems
Human Factors in Information Systems
Human Factors in Computer Systems
Human Factors in Management Information Systems
Fundamentals of Expert Systems Technology
From Syntax to Semantics
Francophone Voices
Dynamics in Ergonomics, Psychology, and Decisions
Dialogues 2
Directions and Implications of Advanced Computing
Binding Time
Blackboard Systems
Building a Deductive Database
The Hour of All Things and Other Plays
Global Fashion Brands
Genre Matters
Gavin Bolton’s Contextual Drama
Greek Cinema
Girls! Girls! Girls! In Contemporary Art
Global Technological Change
Gendered Transformations
The Grey Zone of Health and Illness
Field Notes on the Visual Arts
Fan Phenomena: Harry Potter
Ghostbodies
Gay Men at the Movies
Global Technological Change
The Gate
Governing Visions of the Real
Going Modern and Being British
Irish Drama in Poland
Imaging the City
It’s All Allowed
ICT for Curriculum Enhancement
Ivar Kreuger and Jeanne de la Motte
Inclusion in New Danish Cinema
IT for Learning Enhancement
IT for Learning Enhancement
Iconic Communication
Interventions
Inspiring Writing in Art and Design
Issues in Curating Contemporary Art and Performance
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Harm and Offence in Media Content
Handwriting of the Twentieth Century
Habitus of the Hood
Holistic Shakespeare
Howard Barker Interviews 1980-2010
Historical Comedy on Screen
Giuseppe Pagano
The Global Road Movie
Images and Identity
The Independence of the Media and its Regulatory Agencies
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
The Hidden Words of Baha’u’llah
Hypertext
Havana Street Style
Honolulu Street Style
The Future of Humanity
New Patterns in Global Television Formats
The Net Effect
Negotiating Spain and Catalonia
National Identity
The New Russia
Network Models for Control and Processing
New Trends in Argentine and Brazilian Cinema
Morality by Design
The Music of Antonio Carlos Jobim
The Making of an Artist
On Repetition
On Stage
The Only Way Home is Through the Show
One for the Girls!
On Perfection
Open Roads, Closed Borders
Octave Mirbeau: Two Plays
Memory, Space and Sound
The Multisensory Film Experience
Montréal Chic
Performative Materials in Architecture and Design
Photocinema
Polanski and Perception
A Portrait of the Artist as a Political Dissident
Perform, Repeat, Record
Peter Weir
Photography and Landscape
People and Places of Nature and Culture
Picturing Immigration
3D Cinema and Beyond
Myths
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
Magnet Theatre
Meyerhold and the Cubists
Mac 3D
National Conversations
The Net Effect
New Irish Storytellers
New Flows in Global TV
NanoCulture
New Brutality Film
Nanoart
The Ned Kelly Films
Narrating the Catastrophe
New Zealand Film and Television
New Zealand Cinema
Neosentience
Cultural Industries in Shanghai
Celebrity Culture and the Entertainment Industry in Asia
Choreographies
Culture War
Cotton
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Germany 2
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Turkey
Directory of World Cinema: Latin America
Directory of World Cinema: Finland
Directory of World Cinema: American Independent 2
Directory of World Cinema: France
Directory of World Cinema: South Korea
Directory of World Cinema: China
Directory of World Cinema: Britain
Directory of World Cinema: Japan 2
Directors
Directory of World Cinema: Germany
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Disaster Capitalism
Dancing across the Page
Directory of World Cinema: American Hollywood
A Divided World
Directory of World Cinema: Italy
Directory of World Cinema: Iran
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Russia
Deleuze and Film Music
Directory of World Cinema: American Independent
Celebrity Philanthropy
The Culture of Photography in Public Space
Creativity, Culture and Commerce
Creative Content for the Web
Consensus Politics in Spain
Computers and Writing
Children and Propaganda
Computers and Society
Chess and Machine Intuition
Connectionist Natural Language Processing
Computers and Typography
Computers and Creativity
Canadian Wetlands
Create in me a pure heart
Confronting Technopoly
Consumer Culture
Cartomancy and Tarot in Film
Crime Uncovered
Computers and Typography
Contemporary Irish Drama and Cultural Identity
Crime Uncovered: Anti-hero
Crime Uncovered: Detective
Creative Communities
Directory of World Cinema: India
Design for Business
Double Exposures
Downtown Film and TV Culture 1975-2001
Dramaturging Personal Narratives
Development through Technology Transfer
Directory of World Cinema: Japan 3
Directory of World Cinema: China 2
Directory of World Cinema: Britain 2
Directory of World Cinema: Scotland
Directory of World Cinema: Africa
Design for Business
Dance, Somatics and Spiritualities
Drawing
Don’t Look Now
Directory of World Cinema: Japan
Communication and Discourse Theory
The Cultural Practice of Immigrant Filmmaking
Consumer Identities
The Danish Directors 2
Digital Radio in Europe
Directors & Designers
Developing Dialogues
Design Integrations
Diasporas of Australian Cinema
Digital Visual Culture
Digital Experience Design
Drawing -- The Purpose
The Designer
Declarations of Independence
Digital Design using QuarkXPress 4
David Cronenberg
Drawing -- The Process
Digital Magazine Design
Danish Directors
The Danish Directors 3
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Brazil
Directory of World Cinema: Belgium
Directory of World Cinema: Russia 2
Doctor Who and Race
Directory of World Cinema: Argentina
Logic Programming
Logical Derivation of Computer Programs
The Logic Programming Tutor
Logic Programming
Literacy and the Politics of Writing
Learning with Computers
Law, Computer Science, and Artificial Intelligence
Language, Community and the State
Lure of the Big Screen
Language and Thought
The Last Empire
Learning for Innovation in the Global Knowledge Economy
Lovefuries
Languages of Theatre Shaped by Women
Locality, Regeneration and Divers(c)ities
Living and Sustaining a Creative Life
Looking for Marshall McLuhan in Afghanistan
Life and Death
Kira O’Reilly
Kurt Kren
Karaoke Idols
Kinesthetic Empathy in Creative and Cultural Practices
The Idea of the Avant Garde
Israel as a Modern Architectural Experimental Lab, 1948-1978
Inside the TV Newsroom
The Importance of Elsewhere
The Imaginary Geography of Hollywood Cinema 1960-2000
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Lexicon for an Affective Archive
The Lived Experience of Improvisation
Life at the End of Life
Locating the Audience
The Method of Metaphor
Modern Argentine Masculinities
Manifesto Now!
Martha Graham
Mediation and Protest Movements
Music and Levels of Narration in Film
Marion Richardson
Memory Fragments
The Mobile Nation
Morrissey
Media in Europe Today
Misreading Postmodern Antigone
L.A. Chic
Journalism Re-examined
JARMAN (all this maddening beauty) and other plays
Journey
Justitia
A Journey of Art and Conflict
Money Talks
Media, Markets and Public Spheres
The Musical Comedy Films of Grigorii Aleksandrov
Modes of Spectating
Media in the Enlarged Europe
Media, Democracy and European Culture
Multilingual Multimedia
Mathematical Intelligent Learning Environments
Media and Values
Media and Identity in Contemporary Europe
Media Between Culture and Commerce
Expertise and Architecture in the Modern Islamic World
From NWICO to WSIS: 30 Years of Communication Geopolitics
Framing Film
Flesh Into Light
Far Field
Feminist Ethics in Film
The Future of Art in a Postdigital Age
Franklin Furnace and the Spirit of the Avant-Garde
Dance, Disability and Law
Engendering Interaction with Images
Europe and Love in Cinema
Europe in Black and White
The Dynamics of News and Indigenous Policy in Australia
Drawing as a Way of Knowing in Art and Science
Directory of World Cinema: Iran 2
Drama-based Pedagogy
Drawing in the Design Process
Directory of World Cinema: Argentina 2
Directory of World Cinema: American Independent 3
Digital Futures and the City of Today
The Divine Springtime
Design through Digital Interaction
Design for Business
Drive in Cinema
Engaging with Reality
Educating Film-Makers
European Journalism Education
European Media Governance
European Media Governance
Educating Artists for the Future
European Identity in Cinema
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: Jane Austen
Forms of Representation
Forget-Me-Not, Iran
Fashion as Masquerade
Frames and Fictions on Television
Fashion and Ethics
Fan Phenomena: Audrey Hepburn
Fan Phenomena: Sherlock Holmes
Fan Phenomena: The Hunger Games
Fan Phenomena: Supernatural
Fan Phenomena: The Big Lebowski
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
French Costume Drama of the 1950s
Futures of Chinese Cinema
Film Studies in China
Fan Phenomena: Game of Thrones
Freaks of History
Fan Phenomena: The Twilight Saga
Filming the City
Fan Phenomena: Mermaids
Fan Phenomena: James Bond
Fan Phenomena: The Lord of the Rings
Film on The Faultline
Finding the Right Place on the Map
Frames of Mind
Futures Past
Future of Art in a Digital Age
The Face on the Screen
Film, Drama and the Break Up of Britain
Fan Phenomena: Batman
Fan Phenomena: Doctor Who
Fan Phenomena: Star Trek
Fan Phenomena: Star Wars
Fan Phenomena: Buffy the Vampire Slayer
Frontiers of Screen History
From Theory to Practice
Fashion in Popular Culture
From Child Art to Visual Language of Youth
Europe Faces Europe
Englishness, Pop and Post-War Britain
European Cultures in Sport
Entering Transmasculinity
The English Language in Europe
European Heritage Planning and Management
European Media Governance
The Eternal Soul
Engineering Artificial Intelligence Software
Becoming Designers
Being Human
The British Media and Bloody Sunday
Body and Mind in Motion
Beauty and the Beast
Bringing Down the House
Beyond Auteurism
British TV and Film Culture in the 1950s
Brecht in L.A.
Broadcasters and Citizens in Europe
By Accident or Design
Black Swan Lake
Broadcasting Diversity
Berlin School Glossary
Beyond the Dance Floor
Brit Wits
Bangladesh’s Changing Mediascape
Berliner Chic
The Blind
The Cultural Set Up of Comedy
Beijing Film Academy Yearbook 2016
Building Successful and Sustainable Film and Television Businesses
Broadcasting and National Imagination in Post-Communist Latvia
Beijing Film Academy Yearbook
Computers and Language
Convergence and Fragmentation
Cultures and Settlements
Cultural Quarters
The Composition of Herman Melville
Crash Cultures
Cinemas of the Other
Contingency in Madagascar
China’s Environment and China’s Environment Journalists
Composed Theatre
Culture and Contestation in the New Century
Carnival Texts
The Cinema of Mika Kaurismäki
The Baroque Technotext
Cindy Sherman’s Office Killer
Cultural Quarters
Context Providers
Confronting Theory
Cinema and Landscape
Christoph Schlingensief
Computers and Art
Black and White Bioscope
Beijing Film Academy Yearbook 2017
Crossing the Street in Hanoi
Critical Studies in Fashion and Beauty
The City is Me
ConFiguring America
The Cinema Makers
Citizen Voices
Creativity in the Classroom
Clown Through Mask
Cinemas of the Other
Cinemas of the Other
Applied Theatre
Audiences and Publics
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
Arts Integration in Education
The Art Rules
Aestheticizing Public Space
Art, Technology, Consciousness
Artificial Intelligence: Applications for Business
Acquisition of a Second Writing System
Architecture and the Virtual
Aesthetic Journalism
Art and Theory After Socialism
Australian Post-War Documentary Film
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
Architectural Dynamics in Pre-Revolutionary Iran
Australian Film Theory and Criticism
Artistic Research in the Future Academy
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
Ancient Laws and Modern Problems
The Art and Science of Screenwriting
African Theatre for Development
Allegorical Images
Art Education in a Postmodern World
Alisa, Alice
Architecture Filmmaking
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
artUS 2011-2012
Australian Film Theory and Criticism
Applied Drama
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
Artist, Researcher, Teacher
The Art of Nick Cave
Advertising as Culture
Australian Film Theory and Criticism
Art Education and Contemporary Culture
Artist Scholar
Atomic Postcards
Amateur Images and Global News
Aristotle in Hollywood
Artist-Scholar
Art as Research
Fashion Cities Africa
Twin Peaks
The Igor Moiseyev Dance Company
The Hollywood War Film
Green Documentary
Fan Phenomena: Twin Peaks
Performing Exile
Mindful Movement
People’s Pornography
Tech-Noir Film
Staging Ageing
Landscape and the Science Fiction Imaginary
Immigration Cinema in the New Europe
The Poetics and Politics of the Veil in Iran
Food Democracy
Raymond Williams
Dancing with Parkinson’s
Sensing the City through Television
Sydney Street Style
The Student Actor Prepares
Swedish Cops
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Signifying Europe
Spatialities
South African Cinema 1896-2010
Stephen King on the Small Screen
Streets of Crocodiles
Redefining Theatre Communities
Saudade in Brazilian Cinema
The Sensible Stage
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Street Fashion Moscow
Sam Peckinpah
Truth or Dare
Television and Criticism
Traumatic Encounters in Italian Film
Tormented Minds
Theatre in Prison
Theatre and Consciousness
Throwing the Body into the Fight
Temporary Stages II
Theatre in Passing 2
Transnational Ecocinema
Theatre and Performance in Small Nations
Television Courtroom Broadcasting
Transnational Film Culture in New Zealand
TV Format Mogul
TRANS(per)FORMING Nina Arsenault
Teaching Actors
Touring the Screen
Trends in Communication Policy Research
Technology and Desire
Transnational Celebrity Activism in Global Politics
Theatre in Passing
Serious Play
Stephen King on the Big Screen
Sex on Stage
Sacred Theatre
Switching to Digital Television
Signs Symbols and Icons
Street Scenes
Spaces in European Cinema
The Search for Mind
Spring and No Flowers
Shooting Women
Shakespeare Valued
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
World Film Locations: Cleveland
Taiwan by Design
Television Antiheroines
Transformations
Towards a Praxis-based Media and Journalism Research
Traces of the Future
Theatre for Children in Hospital
Theatre, Time and Temporality
Taking Up McLuhan’s Cause
Theatrical Reality
Trends in Functional Programming Volume 5
Tunnel Watching
Trends in Functional Programming Volume 8
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 3
Transition & Development in Algeria
Understanding Virtual Universities
Utopia
Understanding Higher Education
Unmapping the City
Uncommon Goods
Un-American Psycho
Urban Cinematics
World Film Locations: Vienna
World Film Locations: Madrid
World Film Locations: Istanbul
World Film Locations: Paris
World Film Locations: Dublin
World Film Locations: Los Angeles
World Film Locations: London
World Film Locations: Tokyo
World Film Locations: New York
Why We Make Art
World Film Locations: Prague
World Film Locations: Hong Kong
World Film Locations: Liverpool
World Film Locations: Barcelona
World Film Locations: San Francisco
World Film Locations: São Paulo
Why Would Anyone Wear That?
World Film Locations: Marseilles
World Film Locations: Helsinki
World Film Locations: Vancouver
World Film Locations: Venice
World Film Locations: Glasgow
World Film Locations: Chicago
Who’s Who in Research: Cultural Studies
Who’s Who in Research: Media Studies
Who’s Who in Research: Visual Arts
Who’s Who in Research: Performing Arts
Who’s Who in Research: Film Studies
Why I Buy
World Film Locations: Beijing
World Film Locations: Reykjavík
World Film Locations: Melbourne
World Film Locations: Mumbai
World Film Locations: Berlin
Watching Films
World Film Locations: Las Vegas
World Film Locations: New Orleans
World Film Locations: Malta
Wuthering Heights on Film and Television
World Film Locations: Washington D.C.
Words on the Web
Women in European Theatre
The World As Information
Women Voice Men
Writing as a Visual Art
World Film Locations: Sydney
World Film Locations: Singapore
World Film Locations: Florence
World Film Locations: Athens
World Film Locations: Buenos Aires
World Film Locations: Rome
World Film Locations: Shanghai
World Film Locations: Boston
World Film Locations: Havana
World Film Locations: Toronto
Wiener Chic
With Nature
Walking, Writing and Performance
Writing on Drawing
We Europeans?
Women in Contemporary Culture
Wye Plays
Vanishing Points
Visual Language for the World Wide Web
The Visceral Screen
Visual Cultures
Visualizing Anthropology
Versions of Hollywood Crime Cinema
Virtuality and the Art of Exhibition
Videogames and Art
Using Art as Research in Learning and Teaching
Using Media for Social Innovation
Unbecoming Cinema
Teachers and Teaching on Stage and on Screen
A Trail of Fire for Political Cinema
Transglobal Fashion Narratives
Theatre for Youth Third Space
Trends in Functional Programming 10
The Transparent Prolog Machine
Theatre and Europe (1957 to 1995)
Television in Europe
Trends in Functional Programming Volume 9
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 2
Trends in Functional Programming Volume 1
Theater of War
TV Museum
TV Formats Worldwide
Three Myths of Internet Governance
The Trustus Plays
Zapolska’s Women
Zombies in the Academy
Writing Belonging at the Millennium
World-Wide-Walks
Personal Style Blogs
Plays in Time
Playwriting and Young Audiences
Precarious Spaces
Passion of the Reel
Practising the Real on the Contemporary Stage
Postcards from the Road
Photography, Narrative, Time
The Propaganda of Peace
The Philosophical Actor
Phenomenology’s Material Presence
Performing Violence
Press Freedom and Pluralism in Europe
The Place of Artists’ Cinema
Public Spheres After Socialism
The Problem of Assessment in Art and Design
Point Blank
The Potentials of Spaces
The Posthuman Condition
Professions in Contemporary Drama
Politics of Contemporary European Cinema
Performing Processes
The Professionalisation of Political Communication
Pride and Panic
Performing Spanishness
Piercing Time
Rosebud Sleds and Horses’ Heads
Re-Imagining the City
Russia’s New Fin de Siècle
Reframing Reality
Refugee Performance
The Rehearsal
Resetting the Stage
Red Sun and Merlin Unchained
Radio Content in the Digital Age
Recording Memories from Political Violence
Quantum Art & Uncertainty
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Rhetoric of Modern Death in American Living Dead Films
The Roots of Modern Hollywood
The Reflexive Teaching Artist
Representations of Working in Arts Education
A Reality Check 2003
Recoveries and Reclamations
Real Objects in Unreal Situations
Reverberations across Small-Scale British Theatre
Reinventing Public Service Television for the Digital Future
Reaching Audiences
Robert Frank’s ’The Americans’
RTE and the Globalisation of Irish Television
Readings in Primary Art Education
Research in Art and Design Education
Russia, Freaks and Foreigners
Radical Initiatives in Interventionist & Community Drama
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reflections on Artificial Intelligence
Polish Media Art in an Expanded Field
The Postdigital Membrane
The Philadelphia Connection
Performance Art in Ireland
Queer Cinema in Europe
Queer Mythologies
Queer Visibility in Post-socialist Cultures
Punk Now!!
Prison Cultures
Performing Arts in Prisons
Preston Sturges
Playing for Time Theatre Company
Revolution in the Echo Chamber
Dancing Bahia
Architectures of Illusion
Media, Monarchy and Power
European Culture and the Media
(Re)Positioning Site Dance
Britpop Cinema
Picturing the Cosmos
Orphan Black
Exposing Vulnerability
Research-based Theatre
The Punk Reader
MASKS
African Luxury
Across the Art/Life Divide
Sophia Loren
Pleading in the Blood
Connecting Metal to Culture
Radioactive Documentary
Art inSight
The Anarchist Cinema
Agency
Culture, Technology and the Image
The Critical Eye
Joshua Sofaer
Instafame
Into the Story 2
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Design and the Creation of Social Value
Digital Dynamics in Nordic Contemporary Art
Faith Wilding’s Fearful Symmetries
From Melies to New Media
Brian Ferneyhough
Comparative Media Policy, Regulation and Governance in Europe
Queer Communion
The Architecture of Cinematic Spaces
Keepin’ It Real
Understanding Kubrick’s 2001: A Space Odyssey
Playwriting in Schools
Some Wear Leather, Some Wear Lace
Superman: The Movie
Hong Kong New Wave Cinema (1978-2000)
Stalingrad by Fedor Bondarchuk
Fashion, Women and Power
Brother by Aleksei Balabanov
Lightwork
Ivan’s Childhood by Andrei Tarkovsky
What’s Next?
Revolve:R
Philosophical Frameworks and Design Processes
Performance / Media / Art / Culture
Teaching and Learning Design
Through the Prism of the Senses
Time, Duration and Change in Contemporary Art
Spiritual Herstories
Spanish Cinema of the New Millennium
Spellbound
Performing Palimpsest Bodies
Photography as Critical Practice
The Emergence of Video Processing Tools
Kiosk Literature of Silver Age Spain
Performing Process
Towards a Sustainable Information Society
Reclaiming the Media
Dancing to Transform
An Affect of an Experience
Journalism, Society and Politics in the Digital Media Era
Invisible Presence
Photography from the Turin Shroud to the Turing Machine
Lesbians on Television
Narrating the City
Material Media-Making in the Digital Age
Mathias Spahlinger
Music by Numbers
The Media-Democracy Paradox in Ghana
Modern Melbourne
How Belfast Got the Blues
Heavy Metal Music in Argentina
The Howff Project
The Return of Twin Peaks
Red Creative
Responding to Site
Re:Research
Visual Research Methods in Architecture
Shiny Things
The Politics of Migration and Mobility in the Art World
The Performances of Sacred Spaces
Producing Children’s Television in the On-demand Age
The Poetics of Poetry Film
Painting, History and Meaning
Post-Specimen Encounters Between Art, Science and Curating
Performing Collaboration in Solo Performance
The Traumatic Screen
Slow TV
Paolo Sorrentino’s Cinema and Television
Actional Poetics – ASH SHE HE
Acts of Dramaturgy
American Presidents and Oliver Stone
Adapting Performance Between Stage and Screen
Curriculum
The Cultural Meaning of Aleppo
Cosmopolitics of the Camera
Beijing Film Academy Yearbook 2018
The Cinematic Sublime
Cross-Cultural Design for Healthy Ageing
Beyond Text
Design and the Digital Humanities
Decolonial Metal Music in Latin America
Fat Activism (Second Edition)
The Friday Mosque in the City
Film Studies in China, Volume 2
Fortunes of War
Fellini’s Films and Commercials
Artist-Teacher
Connecting People, Place and Design
Women in Iberian Filmic Culture
Crossing Gender Boundaries
The Otherness of the Everyday
Architecture and the Urban in Spanish Film
Living Metal
Lessons from a Multispecies Studio
The Impact of Touch in Dance Movement Psychotherapy
Interpreting and Experiencing Disney
Iconoclastic Controversies
House of Cards
Equality in the City
Epidemic Urbanism
Experimental Dining
Devising Theatre & Performance
The Cultural Impact of RuPaul’s Drag Race
Columbo
Becoming a Visually Reflective Practitioner
Anne Bean
Disability Arts and Culture
Worlds Unbound
Visual Futures
T-Squared
Transacting as Art, Design and Architecture
Trans-Global Punk Scenes
Storytellers of Art Histories
Sine Ni Lav Diaz
Sight Readings
Remembering Paris in Text and Film
PUNK! Las Américas Edition
Punk Identities, Punk Utopias
Phenomenology for Actors
Taste and the TV Chef
Integrative Alexander Technique Practice for Performing Artists
Provoking the Field
Softimage
Reframing Consciousness
Performing Revolutionary
One Hundred Years of Futurism
Mediatization(s)
The Legend of Zelda: Ocarina of Time
Language of Tomorrow
Dance and Authoritarianism
The Drama Therapy Decision Tree
A Cultural History of the Disneyland Theme Parks
(Re:) Claiming Ballet
Performing #MeToo
Planet Cosplay
Arnold Wesker
The Lure of the Social
Radical Mainstream
Prototyping Across the Disciplines
MEDIA
Clothing Goes to War
Data Dating
Entanglements of Two
Strategic Advertising Mechanisms
The Music Diva Spectacle