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Aristotle in Hollywood
Amateur Images and Global News
Atomic Postcards
Artist Scholar
Art Education and Contemporary Culture
Australian Film Theory and Criticism
Advertising as Culture
The Art of Nick Cave
Artist, Researcher, Teacher
The Architecture of the Screen
The Audience Experience
’Avant-garde’ Art Groups in China, 1979-1989
Australian TV News
Anthem Quality
Applied Drama
Art as Research
Australian Film Theory and Criticism
artUS 2011-2012
Alisa, Alice
Art Education in a Postmodern World
Architectures of Illusion
Allegorical Images
African Theatre for Development
The Art and Science of Screenwriting
Ancient Laws and Modern Problems
Art, Community and Environment
Alternative Worlds in Hollywood Cinema
Australian Post-War Documentary Film
Art and Theory After Socialism
The Art and Science of Handwriting
Aesthetic Journalism
Artist-Teacher
Architecture and the Virtual
Artificial Intelligence and Education, Volume Two
Artificial Intelligence and Business Management
Advances in Connectionist and Neural Computation Theory Vol. 1
Advances in Human-Computer Interaction Volume 2
Advances in Spatial Reasoning, Volume One
Artificial Intelligence and Education, Volume One
Acquisition of a Second Writing System
Advances in Human-Computer Interaction Volume 1
Advances in Human-Computer Interaction Volume 5
Advances in Logic Programming and Automated Reasoning
Artificial Intelligence and Software Engineering
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Advances in Distributed and Parallel Processing, Volume One
Advances in Human-Computer Interaction Volume 3
Advances in Magnetic Resonance Imaging
Advances in Spatial Reasoning, Volume Two
AI Tools and Techniques
Artificial Intelligence: Applications for Business
The Artist on the Artist
As Mighty As The Sword
The Art and Science of Computer Animation
Advances in Connectionist and Neural Computation Theory Vol. 2
Art, Technology, Consciousness
Aestheticizing Public Space
The Art Rules
Arts Integration in Education
The Artist as Curator
All My Moonshine
Andre Malraux
The Art and Science of Documentation Management
Advertising and Identity in Europe
Audiences and Publics
Applied Theatre
Activating Democracy
Activist Film Festivals
Aleksandr Sokurov
Aleksandr Askoldov
The Artist as Culture Producer
András Visky’s Barrack Dramaturgy
Acting and Its Refusal in Theatre and Film
Artistic Research in the Future Academy
Australian Film Theory and Criticism
Artist-Scholar
Across the Art/Life Divide
The Art of Defiance
The Arab-Israeli Conflict in the Arab Press
Anne Bean
Architecture Filmmaking
Agency
The Anarchist Cinema
African Luxury
Architectural Dynamics in Pre-Revolutionary Iran
Art inSight: Understanding Art and Why It Matters
The Architecture of Cinematic Spaces by Interiors
The Blind
Berliner Chic
Bangladesh’s Changing Mediascape
Brit Wits
Beyond the Dance Floor
Berlin School Glossary
Broadcasting Diversity
Black Swan Lake
Broadcasters and Citizens in Europe
Brecht in L.A.
British TV and Film Culture in the 1950s
Beyond Auteurism
Bringing Down the House
Beauty and the Beast
Body and Mind in Motion
The British Media and Bloody Sunday
Being Human
Becoming Designers
Building a Deductive Database
Blackboard Systems
Binding Time
Beijing Film Academy Yearbook
Broadcasting and National Imagination in Post-Communist Latvia
Building Successful and Sustainable Film and Television Businesses
Beijing Film Academy Yearbook 2016
Brian Ferneyhough
By Accident or Design
Beijing Film Academy Yearbook 2017
Black and White Bioscope
Britpop Cinema
The Cinema of Mika Kaurismäki
Carnival Texts
Culture and Contestation in the New Century
Composed Theatre
China’s Environment and China’s Environment Journalists
Contingency in Madagascar
Cinemas of the Other
Cinemas of the Other
Clown Through Mask
Creativity in the Classroom
Citizen Voices
The Cinema Makers
ConFiguring America
The City is Me
Critical Studies in Fashion and Beauty
Crossing the Street in Hanoi
The Cultural Set Up of Comedy
Cinemas of the Other
Crash Cultures
The Composition of Herman Melville
Cultural Quarters
Cultures and Settlements
Convergence and Fragmentation
Computers and Language
Computers and Art
Christoph Schlingensief
Cinema and Landscape
Confronting Theory
Context Providers
Cultural Quarters
Cindy Sherman’s Office Killer
Create in me a pure heart
Canadian Wetlands
Cognition, Computing, and Cooperation
Connectionist Language Generator
Computers and Creativity
Computers and Law
CALL and The Learning Community
Communication Patterns and Textual Forms
Computers and Typography
Connectionist Natural Language Processing
Chess and Machine Intuition
Connectionist Models and Their Implications
Computers and Society
A Compendium of Machine Learning I
Computers for Educational Administrators
Connectionism and Meaning
Children and Propaganda
The Coach and The Triumph of the Lamb
Computers and Writing
Consensus Politics in Spain
Creative Content for the Web
Creative Intelligences
Creativity, Culture and Commerce
The Culture of Photography in Public Space
Celebrity Philanthropy
Creative Communities
Crime Uncovered: Detective
Crime Uncovered: Anti-hero
Contemporary Irish Drama and Cultural Identity
Computers and Typography
Crime Uncovered
Cartomancy and Tarot in Film
Consumer Culture
Confronting Technopoly
Connecting Metal to Culture
Cotton
Culture War
Choreographies
Celebrity Culture and the Entertainment Industry in Asia
Cultural Industries in Shanghai
Comparative Media Policy, Regulation and Governance in Europe
Consumer Identities
The Critical Eye
The Cultural Practice of Immigrant Filmmaking
Communication and Discourse Theory
Culture, Technology and the Image
Crossing Gender Boundaries
Connecting People, Place and Design
Directory of World Cinema: American Independent
Deleuze and Film Music
Directory of World Cinema: Russia
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Iran
Directory of World Cinema: Italy
A Divided World
Directory of World Cinema: American Hollywood
Dancing across the Page
Disaster Capitalism
Directory of World Cinema: Spain
Directory of World Cinema: East Europe
Directory of World Cinema: Germany
Directors
Directory of World Cinema: Japan 2
Directory of World Cinema: Britain
Directory of World Cinema: China
Directory of World Cinema: South Korea
Directory of World Cinema: France
Directory of World Cinema: American Independent 2
Directory of World Cinema: Finland
Directory of World Cinema: Latin America
Directory of World Cinema: Turkey
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Germany 2
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Argentina
Doctor Who and Race
Directory of World Cinema: Russia 2
Directory of World Cinema: Belgium
Directory of World Cinema: Brazil
Directory of World Cinema: American Hollywood 2
The Danish Directors 3
Danish Directors
Digital Magazine Design
Drawing -- The Process
David Cronenberg
Digital Design using QuarkXPress 4
Declarations of Independence
The Designer
Drawing -- The Purpose
Digital Experience Design
Digital Visual Culture
Diasporas of Australian Cinema
Design Integrations
Developing Dialogues
Directors & Designers
Digital Radio in Europe
The Danish Directors 2
Directory of World Cinema: Japan
Don’t Look Now
Drawing
Dance, Somatics and Spiritualities
Design for Business
Directory of World Cinema: Africa
Directory of World Cinema: Scotland
Directory of World Cinema: Britain 2
Directory of World Cinema: China 2
Directory of World Cinema: Japan 3
Dialogues 3
Directions and Implications of Advanced Computing
Dialogues 2
Dynamics in Ergonomics, Psychology, and Decisions
Development through Technology Transfer
Dramaturging Personal Narratives
Downtown Film and TV Culture 1975-2001
Double Exposures
Design for Business
Directory of World Cinema: India
Drive in Cinema
Design for Business
Design through Digital Interaction
The Divine Springtime
Digital Futures and the City of Today
Directory of World Cinema: American Independent 3
Directory of World Cinema: Argentina 2
Drawing in the Design Process
Drama-based Pedagogy
Directory of World Cinema: Iran 2
Drawing as a Way of Knowing in Art and Science
The Dynamics of News and Indigenous Policy in Australia
Dance, Disability and Law
Dancing Bahia
Digital Dynamics in Nordic Contemporary Art
Disability, Arts, and Culture
Dancing with Parkinson’s
Europe in Black and White
Europe and Love in Cinema
Engendering Interaction with Images
The Emergence of Video Processing Tools
Engineering Nature
European Culture and the Media
European Identity in Cinema
Educating Artists for the Future
European Media Governance
European Media Governance
European Journalism Education
Educating Film-Makers
Engaging with Reality
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Artificial Intelligence Software
The Eternal Soul
Empirical Studies of Programmers
Empirical Studies of Programmers
Ergonomics
European Media Governance
European Heritage Planning and Management
The English Language in Europe
Entering Transmasculinity
European Cultures in Sport
Englishness, Pop and Post-War Britain
Europe Faces Europe
Expertise and Architecture in the Modern Islamic World
Exposing Vulnerability
Franklin Furnace and the Spirit of the Avant-Garde
The Future of Art in a Postdigital Age
Feminist Ethics in Film
Far Field
Flesh Into Light
Framing Film
From NWICO to WSIS: 30 Years of Communication Geopolitics
From Child Art to Visual Language of Youth
Fashion in Popular Culture
From Theory to Practice
Frontiers of Screen History
Fan Phenomena: Buffy the Vampire Slayer
Fan Phenomena: Star Wars
Fan Phenomena: Star Trek
Fan Phenomena: Twin Peaks
Fan Phenomena: Doctor Who
Fan Phenomena: Batman
Film, Drama and the Break Up of Britain
The Face on the Screen
Future of Art in a Digital Age
Futures Past
Frames of Mind
Finding the Right Place on the Map
Futures of Chinese Cinema
French Costume Drama of the 1950s
Fashion and War in Popular Culture
Fan Phenomena: Marilyn Monroe
Fan Phenomena: The Big Lebowski
Fan Phenomena: Supernatural
Fan Phenomena: The Hunger Games
Fan Phenomena: Sherlock Holmes
Fan Phenomena: Audrey Hepburn
Fashion and Ethics
Frames and Fictions on Television
Fashion as Masquerade
Forget-Me-Not, Iran
Francophone Voices
From Syntax to Semantics
Forms of Representation
Fundamentals of Expert Systems Technology
Fan Phenomena: Jane Austen
Fan Phenomena: The Rocky Horror Picture Show
Film on The Faultline
Fan Phenomena: The Lord of the Rings
Fan Phenomena: James Bond
Fan Phenomena: Mermaids
Filming the City
Fashion Cities Africa
Fan Phenomena: The Twilight Saga
Freaks of History
Fan Phenomena: Game of Thrones
Food Democracy
Film Studies in China
The Future of Humanity
From Melies to New Media
Faith Wilding’s Fearful Symmetries
Fan Phenomena: Harry Potter
Field Notes on the Visual Arts
Fellini’s Films and Commercials
The Grey Zone of Health and Illness
Gendered Transformations
Global Technological Change
Girls! Girls! Girls! In Contemporary Art
Greek Cinema
Gavin Bolton’s Contextual Drama
Genre Matters
Green Documentary
Global Fashion Brands
Going Modern and Being British
Governing Visions of the Real
The Gate
Global Technological Change
Gay Men at the Movies
Ghostbodies
The Global Road Movie
Giuseppe Pagano
Historical Comedy on Screen
Howard Barker Interviews 1980-2010
Hypertext
Holistic Shakespeare
Habitus of the Hood
Handwriting of the Twentieth Century
Hong Kong New Wave Cinema (1978-2000)
Harm and Offence in Media Content
Honolulu Street Style
Havana Street Style
Human Factors in Information Systems
Human Factors in Management Information Systems
Human Factors and Interactive Computer Systems
Human Factors in Computer Systems
Human Factors in Information Systems
Human Factors in Information Systems
Hypertext
The Hidden Words of Baha’u’llah
The Hollywood War Film
The Hour of All Things and Other Plays
Invisible Country
’I am an American’
Italian TV Drama and Beyond
Iranian Cinema and Globalization
Italian Women’s Theatre, 1930-1960
The Independence of the Media and its Regulatory Agencies
Images and Identity
Image Critique and the Fall of the Berlin Wall
International Dialogues about Visual Culture, Education and Art
Issues in Curating Contemporary Art and Performance
Inspiring Writing in Art and Design
Interventions
Iconic Communication
Integrative Alexander Technique Practice for Performing Artists
Image Understanding
IT for Learning Enhancement
Intelligent Tutoring Systems
Inheritance Theory
Image Understanding
IT for Learning Enhancement
Image Understanding
Information Systems Implementation
Inclusion in New Danish Cinema
Immigration Cinema in the New Europe
Ivar Kreuger and Jeanne de la Motte
ICT for Curriculum Enhancement
It’s All Allowed
Into the Story 2
Imaging the City
Irish Drama in Poland
InDEBTed to Intervene
International Horror Film Directors
Islamic Architecture on the Move
The Imaginary Geography of Hollywood Cinema 1960-2000
The Importance of Elsewhere
Inside the TV Newsroom
Instafame
Israel as a Modern Architectural Experimental Lab, 1948-1978
The Igor Moiseyev Dance Company
The Idea of the Avant Garde - And What It Means Today 2
Jonquils
A Journey of Art and Conflict
Justitia
Journey
JARMAN (all this maddening beauty) and other plays
Journalism Re-examined
Joshua Sofaer
Kinesthetic Empathy in Creative and Cultural Practices
Knowledge Acquisition from Databases
Karaoke Idols
Kurt Kren
Kiosk Literature of Silver Age Spain
Kira O’Reilly
Keepin’ It Real
Life and Death
Looking for Marshall McLuhan in Afghanistan
Living and Sustaining a Creative Life
Locality, Regeneration and Divers(c)ities
Languages of Theatre Shaped by Women
Lovefuries
Learning for Innovation in the Global Knowledge Economy
The Last Empire
Language and Thought
Lure of the Big Screen
Language, Community and the State
Law, Computer Science, and Artificial Intelligence
Learning with Computers
Literacy and the Politics of Writing
Language and Marginality
Logic Programming
The Logic Programming Tutor
Logical Derivation of Computer Programs
Logic Programming
Locating the Audience
Life at the End of Life
The Lived Experience of Improvisation
Lexicon for an Affective Archive
Landscape and the Science Fiction Imaginary
L.A. Chic
Misreading Postmodern Antigone
Media in Europe Today
Morrissey
The Mobile Nation
Memory Fragments
Marion Richardson
Music and Levels of Narration in Film
Mediation and Protest Movements
Martha Graham
Manifesto Now!
Modern Argentine Masculinities
The Method of Metaphor
Media Between Culture and Commerce
Media and Identity in Contemporary Europe
Media and Values
Mathematical Intelligent Learning Environments
Multilingual Multimedia
Media, Monarchy and Power
Media, Democracy and European Culture
Media in the Enlarged Europe
Modes of Spectating
The Musical Comedy Films of Grigorii Aleksandrov
Media, Markets and Public Spheres
Money Talks
Machinations
MARCEL
Minds, Brains and Computers
Machine-Tractable Dictionaries
Mac 3D
Managing Computer Impact
Medical Multimedia
Multimedia CALL
Multisensor Integration and Fusion for Intelligent Machines and Systems
Models of Cognition
Mussolini’s Last Republic
Meyerhold and the Cubists
Magnet Theatre
Matthew Arnold’s The Church of Brou
Media, Monarchy and Power
Myths
Mindful Movement
Montréal Chic
The Multisensory Film Experience
Memory, Space and Sound
The Making of an Artist
The Music of Antonio Carlos Jobim
MASKS
Morality by Design
New Trends in Argentine and Brazilian Cinema
Neosentience
New Zealand Cinema
New Zealand Film and Television
Narrating the Catastrophe
The Ned Kelly Films
Nanoart
New Brutality Film
NanoCulture
New Flows in Global TV
New Irish Storytellers
The Net Effect
National Conversations
Network Models for Control and Processing
The New Russia
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
A New Guide to Artificial Intelligence
National Identity
New Directions for Database Systems
Negotiating Spain and Catalonia
The Net Effect
New Patterns in Global Television Formats
Octave Mirbeau: Two Plays
Open Roads, Closed Borders
On Perfection
One for the Girls!
Operations Research and Artificial Intelligence
Online Help Systems
Online Communities
Online Help
The Only Way Home is Through the Show
On Stage
On Repetition
One Hundred Years of Futurism
Orphan Black
3D Cinema and Beyond
#Nodes
Picturing Immigration
People and Places of Nature and Culture
People’s Pornography
Photography and Landscape
Peter Weir
Perform, Repeat, Record
A Portrait of the Artist as a Political Dissident
Polanski and Perception
Photocinema
Performative Materials in Architecture and Design
Piercing Time
Pleading in the Blood
Performing Spanishness
Pride and Panic
The Professionalisation of Political Communication
Performing Processes
Politics of Contemporary European Cinema
Professions in Contemporary Drama
The Posthuman Condition
The Potentials of Spaces
Point Blank
The Problem of Assessment in Art and Design
Public Spheres After Socialism
The Place of Artists’ Cinema
Press Freedom and Pluralism in Europe
Performing Violence
Phenomenology’s Material Presence
The Philosophical Actor
The Propaganda of Peace
Photography, Narrative, Time
Postcards from the Road
Practising the Real on the Contemporary Stage
Progress in Computer Graphics
Progress in Neural Networks, Volume Five
Progress in Simulation, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Computer-Aided VLSI Design, Volume Two
Progress in Neural Networks, Volume Three
Progress in Neural Networks, Volume Two
Parallel Natural Language Processing
Progress in Computer-Aided VLSI Design, Volume Three
Progress in Neural Networks: Volume One
The Psychology of Menu Selection
Perspectives on the Computer Revolution
Progress in Neural Networks, Volume Six
Progress in Robotics and Intelligent Systems, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Simulation, Volume One
Performance Art in Ireland
The Philadelphia Connection
The Postdigital Membrane
Planning, Geometry, and Complexity of Robot Motion
Polish Media Art in an Expanded Field
Passion of the Reel
Precarious Spaces
Picturing the Cosmos
Playwriting and Young Audiences
Plays in Time
Performing Exile
Personal Style Blogs
Performing Revolutionary
Performing Process
Playwriting in Schools
Playing for Time Theatre Company
Planet Cosplay
Preston Sturges
Performing Arts in Prison
Provoking the Field
Performance / Media / Art / Culture
Prison Cultures
The Punk Reader
The Poetics and Politics of the Veil in Iran
Performing Palimpsest Bodies
Punk Now!
Photography from the Turin Shroud to the Turing Machine
Queer Visibility in Post-socialist Cultures
Queer Mythologies
Queer Cinema in Europe
Quantum Art & Uncertainty
Queer Communion
Recording Memories from Political Violence
Radio Content in the Digital Age
Red Sun and Merlin Unchained
Resetting the Stage
The Rehearsal
Refugee Performance
Reframing Reality
Russia’s New Fin de Siècle
Re-Imagining the City
Rosebud Sleds and Horses’ Heads
Reclaiming the Media
Radical Initiatives in Interventionist & Community Drama
Roof Watching
Russia, Freaks and Foreigners
Research in Art and Design Education
Readings in Primary Art Education
RTE and the Globalisation of Irish Television
Robert Frank’s ’The Americans’
Reaching Audiences
Reinventing Public Service Television for the Digital Future
Reverberations across Small-Scale British Theatre
Real Objects in Unreal Situations
Recoveries and Reclamations
A Reality Check 2003
Representations of Working in Arts Education
The Reflexive Teaching Artist
The Roots of Modern Hollywood
Rhetoric of Modern Death in American Living Dead Films
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Requirements for a Software Engineering Environment
Reframing Consciousness
Routing, Placement, and Partitioning
Reliability in Computer System Design
Recursive Algorithms
Reflections on Artificial Intelligence
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Research-based Theatre
Revolve:R
Revolution in the Echo Chamber
(Re)Positioning Site Dance
Raymond Williams
Redefining Theatre Communities
RE: Research
Streets of Crocodiles
Stephen King on the Small Screen
South African Cinema 1896-2010
Spatialities
Signifying Europe
Selling War
Stanley Kubrick at Look Magazine
Sonic Multiplicities
The Social Use of Media
Sustainability, Participation and Culture in Communication
Signs of Change
Shanghai Street Style
Staging Ageing
Spaces in European Cinema
Street Scenes
Signs Symbols and Icons
Switching to Digital Television
Sacred Theatre
Sex on Stage
Sophia Loren
Stephen King on the Big Screen
Serious Play
Screen Education
Sensing the City through Television
Serbian & Greek Art Music
Searching for Art’s New Publics
Spectacular Death
Studies in French Cinema
Swedish Cops
The Student Actor Prepares
Some Wear Leather, Some Wear Lace
Sydney Street Style
Sparks of Innovation in Human-Computer Interaction
Seven Decisions when Teaching Students
Socializing the Human-Computer Environment
Software Specification
Sensing the City through Television
The Sounds of Contemporary French
Shakespeare Valued
Shooting Women
Softimage
Spring and No Flowers
The Search for Mind
Spellbound
Sam Peckinpah
Street Fashion Moscow
Seamlessness
The Swedish Porn Scene
Sergei Paradjanov
The Sensible Stage
Saudade in Brazilian Cinema
Superman: The Movie
Spanish Cinema of the New Millennium
Spiritual Herstories
Theatre in Passing
Transnational Celebrity Activism in Global Politics
Tech-Noir Film
Technology and Desire
Trends in Communication Policy Research
Touring the Screen
Teaching Actors
TRANS(per)FORMING Nina Arsenault
TV Format Mogul
Transnational Film Culture in New Zealand
Television Courtroom Broadcasting
Theatre and Performance in Small Nations
Transnational Ecocinema
Theatre in Passing 2
Temporary Stages II
Throwing the Body into the Fight
Theatre and Consciousness
Theatre in Prison
Tormented Minds
Towards a Sustainable Information Society
Traumatic Encounters in Italian Film
Television and Criticism
Truth or Dare
The Trustus Plays
Three Myths of Internet Governance
TV Formats Worldwide
TV Museum
Theater of War
The Theory of the Artificial
Teaching Knowledge and Intelligent Tutoring
Trends in Functional Programming Volume 1
Trends in Functional Programming Volume 2
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 9
Television in Europe
Theatre and Europe (1957 to 1995)
A Tragic Farce
The Transparent Prolog Machine
Trends in Functional Programming 10
Theatre for Youth Third Space
Transition & Development in Algeria
Trends in Functional Programming Volume 3
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 8
Tunnel Watching
Trends in Functional Programming Volume 5
Theatrical Reality
Twin Peaks
Taking Up McLuhan’s Cause
Theatre, Time and Temporality
Theatre for Children in Hospital
Traces of the Future
Towards a Praxis-based Media and Journalism Research
Transformations
Television Antiheroines
Taiwan by Design
Transglobal Fashion Narratives
A Trail of Fire for Political Cinema
Time, Duration and Change in Contemporary Art
Teachers and Teaching on Stage and on Screen
Through the Prism of the Senses
Urban Cinematics
Un-American Psycho
Uncommon Goods
Unmapping the City
Understanding Higher Education
Utopia
Understanding Virtual Universities
Unbecoming Cinema
Understanding Kubrick’s 2001: A Space Odyssey
Using Media for Social Innovation
Using Art as Research in Learning and Teaching
Videogames and Art
Virtuality and the Art of Exhibition
Versions of Hollywood Crime Cinema
Visualizing Anthropology
Visual Cultures
The Visceral Screen
VLSI Fault Modeling and Testing Techniques
Visual Language for the World Wide Web
The Virtual Classroom
Vision and Action
Vanishing Points
Why We Make Art
World Film Locations: New York
World Film Locations: Tokyo
World Film Locations: London
World Film Locations: Los Angeles
World Film Locations: Dublin
World Film Locations: Paris
World Film Locations: Istanbul
World Film Locations: Madrid
World Film Locations: Vienna
World Film Locations: New Orleans
World Film Locations: Las Vegas
Watching Films
World Film Locations: Berlin
World Film Locations: Mumbai
World Film Locations: Melbourne
World Film Locations: Reykjavík
World Film Locations: Beijing
Why I Buy
Who’s Who in Research: Film Studies
Who’s Who in Research: Performing Arts
Who’s Who in Research: Visual Arts
Who’s Who in Research: Media Studies
Who’s Who in Research: Cultural Studies
World Film Locations: Chicago
World Film Locations: Glasgow
World Film Locations: Venice
World Film Locations: Vancouver
World Film Locations: Helsinki
World Film Locations: Marseilles
Why Would Anyone Wear That?
World Film Locations: São Paulo
World Film Locations: San Francisco
World Film Locations: Barcelona
World Film Locations: Liverpool
World Film Locations: Hong Kong
World Film Locations: Prague
Wye Plays
Women in Contemporary Culture
We Europeans?
Writing on Drawing
Walking, Writing and Performance
With Nature
Wiener Chic
World Film Locations: Toronto
World Film Locations: Havana
World Film Locations: Boston
World Film Locations: Shanghai
World Film Locations: Rome
West Country History
World Film Locations: Buenos Aires
World Film Locations: Athens
World Film Locations: Florence
World Film Locations: Singapore
World Film Locations: Sydney
Writing as a Visual Art
Women Voice Men
The World As Information
Women in European Theatre
Words on the Web
World Film Locations: Washington D.C.
Wuthering Heights on Film and Television
World Film Locations: Malta
World Film Locations: Cleveland
What’s Next?
World-Wide-Walks
Writing Belonging at the Millennium
Zombies in the Academy
Zapolska’s Women
Amateur Images and Global News
Atomic Postcards
Artist Scholar
Art Education and Contemporary Culture
Australian Film Theory and Criticism
Advertising as Culture
The Art of Nick Cave
Artist, Researcher, Teacher
The Architecture of the Screen
The Audience Experience
’Avant-garde’ Art Groups in China, 1979-1989
Australian TV News
Anthem Quality
Applied Drama
Art as Research
Australian Film Theory and Criticism
artUS 2011-2012
Alisa, Alice
Art Education in a Postmodern World
Architectures of Illusion
Allegorical Images
African Theatre for Development
The Art and Science of Screenwriting
Ancient Laws and Modern Problems
Art, Community and Environment
Alternative Worlds in Hollywood Cinema
Australian Post-War Documentary Film
Art and Theory After Socialism
The Art and Science of Handwriting
Aesthetic Journalism
Artist-Teacher
Architecture and the Virtual
Artificial Intelligence and Education, Volume Two
Artificial Intelligence and Business Management
Advances in Connectionist and Neural Computation Theory Vol. 1
Advances in Human-Computer Interaction Volume 2
Advances in Spatial Reasoning, Volume One
Artificial Intelligence and Education, Volume One
Acquisition of a Second Writing System
Advances in Human-Computer Interaction Volume 1
Advances in Human-Computer Interaction Volume 5
Advances in Logic Programming and Automated Reasoning
Artificial Intelligence and Software Engineering
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Advances in Distributed and Parallel Processing, Volume One
Advances in Human-Computer Interaction Volume 3
Advances in Magnetic Resonance Imaging
Advances in Spatial Reasoning, Volume Two
AI Tools and Techniques
Artificial Intelligence: Applications for Business
The Artist on the Artist
As Mighty As The Sword
The Art and Science of Computer Animation
Advances in Connectionist and Neural Computation Theory Vol. 2
Art, Technology, Consciousness
Aestheticizing Public Space
The Art Rules
Arts Integration in Education
The Artist as Curator
All My Moonshine
Andre Malraux
The Art and Science of Documentation Management
Advertising and Identity in Europe
Audiences and Publics
Applied Theatre
Activating Democracy
Activist Film Festivals
Aleksandr Sokurov
Aleksandr Askoldov
The Artist as Culture Producer
András Visky’s Barrack Dramaturgy
Acting and Its Refusal in Theatre and Film
Artistic Research in the Future Academy
Australian Film Theory and Criticism
Artist-Scholar
Across the Art/Life Divide
The Art of Defiance
The Arab-Israeli Conflict in the Arab Press
Anne Bean
Architecture Filmmaking
Agency
The Anarchist Cinema
African Luxury
Architectural Dynamics in Pre-Revolutionary Iran
Art inSight: Understanding Art and Why It Matters
The Architecture of Cinematic Spaces by Interiors
The Blind
Berliner Chic
Bangladesh’s Changing Mediascape
Brit Wits
Beyond the Dance Floor
Berlin School Glossary
Broadcasting Diversity
Black Swan Lake
Broadcasters and Citizens in Europe
Brecht in L.A.
British TV and Film Culture in the 1950s
Beyond Auteurism
Bringing Down the House
Beauty and the Beast
Body and Mind in Motion
The British Media and Bloody Sunday
Being Human
Becoming Designers
Building a Deductive Database
Blackboard Systems
Binding Time
Beijing Film Academy Yearbook
Broadcasting and National Imagination in Post-Communist Latvia
Building Successful and Sustainable Film and Television Businesses
Beijing Film Academy Yearbook 2016
Brian Ferneyhough
By Accident or Design
Beijing Film Academy Yearbook 2017
Black and White Bioscope
Britpop Cinema
The Cinema of Mika Kaurismäki
Carnival Texts
Culture and Contestation in the New Century
Composed Theatre
China’s Environment and China’s Environment Journalists
Contingency in Madagascar
Cinemas of the Other
Cinemas of the Other
Clown Through Mask
Creativity in the Classroom
Citizen Voices
The Cinema Makers
ConFiguring America
The City is Me
Critical Studies in Fashion and Beauty
Crossing the Street in Hanoi
The Cultural Set Up of Comedy
Cinemas of the Other
Crash Cultures
The Composition of Herman Melville
Cultural Quarters
Cultures and Settlements
Convergence and Fragmentation
Computers and Language
Computers and Art
Christoph Schlingensief
Cinema and Landscape
Confronting Theory
Context Providers
Cultural Quarters
Cindy Sherman’s Office Killer
Create in me a pure heart
Canadian Wetlands
Cognition, Computing, and Cooperation
Connectionist Language Generator
Computers and Creativity
Computers and Law
CALL and The Learning Community
Communication Patterns and Textual Forms
Computers and Typography
Connectionist Natural Language Processing
Chess and Machine Intuition
Connectionist Models and Their Implications
Computers and Society
A Compendium of Machine Learning I
Computers for Educational Administrators
Connectionism and Meaning
Children and Propaganda
The Coach and The Triumph of the Lamb
Computers and Writing
Consensus Politics in Spain
Creative Content for the Web
Creative Intelligences
Creativity, Culture and Commerce
The Culture of Photography in Public Space
Celebrity Philanthropy
Creative Communities
Crime Uncovered: Detective
Crime Uncovered: Anti-hero
Contemporary Irish Drama and Cultural Identity
Computers and Typography
Crime Uncovered
Cartomancy and Tarot in Film
Consumer Culture
Confronting Technopoly
Connecting Metal to Culture
Cotton
Culture War
Choreographies
Celebrity Culture and the Entertainment Industry in Asia
Cultural Industries in Shanghai
Comparative Media Policy, Regulation and Governance in Europe
Consumer Identities
The Critical Eye
The Cultural Practice of Immigrant Filmmaking
Communication and Discourse Theory
Culture, Technology and the Image
Crossing Gender Boundaries
Connecting People, Place and Design
Directory of World Cinema: American Independent
Deleuze and Film Music
Directory of World Cinema: Russia
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Iran
Directory of World Cinema: Italy
A Divided World
Directory of World Cinema: American Hollywood
Dancing across the Page
Disaster Capitalism
Directory of World Cinema: Spain
Directory of World Cinema: East Europe
Directory of World Cinema: Germany
Directors
Directory of World Cinema: Japan 2
Directory of World Cinema: Britain
Directory of World Cinema: China
Directory of World Cinema: South Korea
Directory of World Cinema: France
Directory of World Cinema: American Independent 2
Directory of World Cinema: Finland
Directory of World Cinema: Latin America
Directory of World Cinema: Turkey
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Germany 2
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Argentina
Doctor Who and Race
Directory of World Cinema: Russia 2
Directory of World Cinema: Belgium
Directory of World Cinema: Brazil
Directory of World Cinema: American Hollywood 2
The Danish Directors 3
Danish Directors
Digital Magazine Design
Drawing -- The Process
David Cronenberg
Digital Design using QuarkXPress 4
Declarations of Independence
The Designer
Drawing -- The Purpose
Digital Experience Design
Digital Visual Culture
Diasporas of Australian Cinema
Design Integrations
Developing Dialogues
Directors & Designers
Digital Radio in Europe
The Danish Directors 2
Directory of World Cinema: Japan
Don’t Look Now
Drawing
Dance, Somatics and Spiritualities
Design for Business
Directory of World Cinema: Africa
Directory of World Cinema: Scotland
Directory of World Cinema: Britain 2
Directory of World Cinema: China 2
Directory of World Cinema: Japan 3
Dialogues 3
Directions and Implications of Advanced Computing
Dialogues 2
Dynamics in Ergonomics, Psychology, and Decisions
Development through Technology Transfer
Dramaturging Personal Narratives
Downtown Film and TV Culture 1975-2001
Double Exposures
Design for Business
Directory of World Cinema: India
Drive in Cinema
Design for Business
Design through Digital Interaction
The Divine Springtime
Digital Futures and the City of Today
Directory of World Cinema: American Independent 3
Directory of World Cinema: Argentina 2
Drawing in the Design Process
Drama-based Pedagogy
Directory of World Cinema: Iran 2
Drawing as a Way of Knowing in Art and Science
The Dynamics of News and Indigenous Policy in Australia
Dance, Disability and Law
Dancing Bahia
Digital Dynamics in Nordic Contemporary Art
Disability, Arts, and Culture
Dancing with Parkinson’s
Europe in Black and White
Europe and Love in Cinema
Engendering Interaction with Images
The Emergence of Video Processing Tools
Engineering Nature
European Culture and the Media
European Identity in Cinema
Educating Artists for the Future
European Media Governance
European Media Governance
European Journalism Education
Educating Film-Makers
Engaging with Reality
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Artificial Intelligence Software
The Eternal Soul
Empirical Studies of Programmers
Empirical Studies of Programmers
Ergonomics
European Media Governance
European Heritage Planning and Management
The English Language in Europe
Entering Transmasculinity
European Cultures in Sport
Englishness, Pop and Post-War Britain
Europe Faces Europe
Expertise and Architecture in the Modern Islamic World
Exposing Vulnerability
Franklin Furnace and the Spirit of the Avant-Garde
The Future of Art in a Postdigital Age
Feminist Ethics in Film
Far Field
Flesh Into Light
Framing Film
From NWICO to WSIS: 30 Years of Communication Geopolitics
From Child Art to Visual Language of Youth
Fashion in Popular Culture
From Theory to Practice
Frontiers of Screen History
Fan Phenomena: Buffy the Vampire Slayer
Fan Phenomena: Star Wars
Fan Phenomena: Star Trek
Fan Phenomena: Twin Peaks
Fan Phenomena: Doctor Who
Fan Phenomena: Batman
Film, Drama and the Break Up of Britain
The Face on the Screen
Future of Art in a Digital Age
Futures Past
Frames of Mind
Finding the Right Place on the Map
Futures of Chinese Cinema
French Costume Drama of the 1950s
Fashion and War in Popular Culture
Fan Phenomena: Marilyn Monroe
Fan Phenomena: The Big Lebowski
Fan Phenomena: Supernatural
Fan Phenomena: The Hunger Games
Fan Phenomena: Sherlock Holmes
Fan Phenomena: Audrey Hepburn
Fashion and Ethics
Frames and Fictions on Television
Fashion as Masquerade
Forget-Me-Not, Iran
Francophone Voices
From Syntax to Semantics
Forms of Representation
Fundamentals of Expert Systems Technology
Fan Phenomena: Jane Austen
Fan Phenomena: The Rocky Horror Picture Show
Film on The Faultline
Fan Phenomena: The Lord of the Rings
Fan Phenomena: James Bond
Fan Phenomena: Mermaids
Filming the City
Fashion Cities Africa
Fan Phenomena: The Twilight Saga
Freaks of History
Fan Phenomena: Game of Thrones
Food Democracy
Film Studies in China
The Future of Humanity
From Melies to New Media
Faith Wilding’s Fearful Symmetries
Fan Phenomena: Harry Potter
Field Notes on the Visual Arts
Fellini’s Films and Commercials
The Grey Zone of Health and Illness
Gendered Transformations
Global Technological Change
Girls! Girls! Girls! In Contemporary Art
Greek Cinema
Gavin Bolton’s Contextual Drama
Genre Matters
Green Documentary
Global Fashion Brands
Going Modern and Being British
Governing Visions of the Real
The Gate
Global Technological Change
Gay Men at the Movies
Ghostbodies
The Global Road Movie
Giuseppe Pagano
Historical Comedy on Screen
Howard Barker Interviews 1980-2010
Hypertext
Holistic Shakespeare
Habitus of the Hood
Handwriting of the Twentieth Century
Hong Kong New Wave Cinema (1978-2000)
Harm and Offence in Media Content
Honolulu Street Style
Havana Street Style
Human Factors in Information Systems
Human Factors in Management Information Systems
Human Factors and Interactive Computer Systems
Human Factors in Computer Systems
Human Factors in Information Systems
Human Factors in Information Systems
Hypertext
The Hidden Words of Baha’u’llah
The Hollywood War Film
The Hour of All Things and Other Plays
Invisible Country
’I am an American’
Italian TV Drama and Beyond
Iranian Cinema and Globalization
Italian Women’s Theatre, 1930-1960
The Independence of the Media and its Regulatory Agencies
Images and Identity
Image Critique and the Fall of the Berlin Wall
International Dialogues about Visual Culture, Education and Art
Issues in Curating Contemporary Art and Performance
Inspiring Writing in Art and Design
Interventions
Iconic Communication
Integrative Alexander Technique Practice for Performing Artists
Image Understanding
IT for Learning Enhancement
Intelligent Tutoring Systems
Inheritance Theory
Image Understanding
IT for Learning Enhancement
Image Understanding
Information Systems Implementation
Inclusion in New Danish Cinema
Immigration Cinema in the New Europe
Ivar Kreuger and Jeanne de la Motte
ICT for Curriculum Enhancement
It’s All Allowed
Into the Story 2
Imaging the City
Irish Drama in Poland
InDEBTed to Intervene
International Horror Film Directors
Islamic Architecture on the Move
The Imaginary Geography of Hollywood Cinema 1960-2000
The Importance of Elsewhere
Inside the TV Newsroom
Instafame
Israel as a Modern Architectural Experimental Lab, 1948-1978
The Igor Moiseyev Dance Company
The Idea of the Avant Garde - And What It Means Today 2
Jonquils
A Journey of Art and Conflict
Justitia
Journey
JARMAN (all this maddening beauty) and other plays
Journalism Re-examined
Joshua Sofaer
Kinesthetic Empathy in Creative and Cultural Practices
Knowledge Acquisition from Databases
Karaoke Idols
Kurt Kren
Kiosk Literature of Silver Age Spain
Kira O’Reilly
Keepin’ It Real
Life and Death
Looking for Marshall McLuhan in Afghanistan
Living and Sustaining a Creative Life
Locality, Regeneration and Divers(c)ities
Languages of Theatre Shaped by Women
Lovefuries
Learning for Innovation in the Global Knowledge Economy
The Last Empire
Language and Thought
Lure of the Big Screen
Language, Community and the State
Law, Computer Science, and Artificial Intelligence
Learning with Computers
Literacy and the Politics of Writing
Language and Marginality
Logic Programming
The Logic Programming Tutor
Logical Derivation of Computer Programs
Logic Programming
Locating the Audience
Life at the End of Life
The Lived Experience of Improvisation
Lexicon for an Affective Archive
Landscape and the Science Fiction Imaginary
L.A. Chic
Misreading Postmodern Antigone
Media in Europe Today
Morrissey
The Mobile Nation
Memory Fragments
Marion Richardson
Music and Levels of Narration in Film
Mediation and Protest Movements
Martha Graham
Manifesto Now!
Modern Argentine Masculinities
The Method of Metaphor
Media Between Culture and Commerce
Media and Identity in Contemporary Europe
Media and Values
Mathematical Intelligent Learning Environments
Multilingual Multimedia
Media, Monarchy and Power
Media, Democracy and European Culture
Media in the Enlarged Europe
Modes of Spectating
The Musical Comedy Films of Grigorii Aleksandrov
Media, Markets and Public Spheres
Money Talks
Machinations
MARCEL
Minds, Brains and Computers
Machine-Tractable Dictionaries
Mac 3D
Managing Computer Impact
Medical Multimedia
Multimedia CALL
Multisensor Integration and Fusion for Intelligent Machines and Systems
Models of Cognition
Mussolini’s Last Republic
Meyerhold and the Cubists
Magnet Theatre
Matthew Arnold’s The Church of Brou
Media, Monarchy and Power
Myths
Mindful Movement
Montréal Chic
The Multisensory Film Experience
Memory, Space and Sound
The Making of an Artist
The Music of Antonio Carlos Jobim
MASKS
Morality by Design
New Trends in Argentine and Brazilian Cinema
Neosentience
New Zealand Cinema
New Zealand Film and Television
Narrating the Catastrophe
The Ned Kelly Films
Nanoart
New Brutality Film
NanoCulture
New Flows in Global TV
New Irish Storytellers
The Net Effect
National Conversations
Network Models for Control and Processing
The New Russia
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
A New Guide to Artificial Intelligence
National Identity
New Directions for Database Systems
Negotiating Spain and Catalonia
The Net Effect
New Patterns in Global Television Formats
Octave Mirbeau: Two Plays
Open Roads, Closed Borders
On Perfection
One for the Girls!
Operations Research and Artificial Intelligence
Online Help Systems
Online Communities
Online Help
The Only Way Home is Through the Show
On Stage
On Repetition
One Hundred Years of Futurism
Orphan Black
3D Cinema and Beyond
#Nodes
Picturing Immigration
People and Places of Nature and Culture
People’s Pornography
Photography and Landscape
Peter Weir
Perform, Repeat, Record
A Portrait of the Artist as a Political Dissident
Polanski and Perception
Photocinema
Performative Materials in Architecture and Design
Piercing Time
Pleading in the Blood
Performing Spanishness
Pride and Panic
The Professionalisation of Political Communication
Performing Processes
Politics of Contemporary European Cinema
Professions in Contemporary Drama
The Posthuman Condition
The Potentials of Spaces
Point Blank
The Problem of Assessment in Art and Design
Public Spheres After Socialism
The Place of Artists’ Cinema
Press Freedom and Pluralism in Europe
Performing Violence
Phenomenology’s Material Presence
The Philosophical Actor
The Propaganda of Peace
Photography, Narrative, Time
Postcards from the Road
Practising the Real on the Contemporary Stage
Progress in Computer Graphics
Progress in Neural Networks, Volume Five
Progress in Simulation, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Computer-Aided VLSI Design, Volume Two
Progress in Neural Networks, Volume Three
Progress in Neural Networks, Volume Two
Parallel Natural Language Processing
Progress in Computer-Aided VLSI Design, Volume Three
Progress in Neural Networks: Volume One
The Psychology of Menu Selection
Perspectives on the Computer Revolution
Progress in Neural Networks, Volume Six
Progress in Robotics and Intelligent Systems, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Simulation, Volume One
Performance Art in Ireland
The Philadelphia Connection
The Postdigital Membrane
Planning, Geometry, and Complexity of Robot Motion
Polish Media Art in an Expanded Field
Passion of the Reel
Precarious Spaces
Picturing the Cosmos
Playwriting and Young Audiences
Plays in Time
Performing Exile
Personal Style Blogs
Performing Revolutionary
Performing Process
Playwriting in Schools
Playing for Time Theatre Company
Planet Cosplay
Preston Sturges
Performing Arts in Prison
Provoking the Field
Performance / Media / Art / Culture
Prison Cultures
The Punk Reader
The Poetics and Politics of the Veil in Iran
Performing Palimpsest Bodies
Punk Now!
Photography from the Turin Shroud to the Turing Machine
Queer Visibility in Post-socialist Cultures
Queer Mythologies
Queer Cinema in Europe
Quantum Art & Uncertainty
Queer Communion
Recording Memories from Political Violence
Radio Content in the Digital Age
Red Sun and Merlin Unchained
Resetting the Stage
The Rehearsal
Refugee Performance
Reframing Reality
Russia’s New Fin de Siècle
Re-Imagining the City
Rosebud Sleds and Horses’ Heads
Reclaiming the Media
Radical Initiatives in Interventionist & Community Drama
Roof Watching
Russia, Freaks and Foreigners
Research in Art and Design Education
Readings in Primary Art Education
RTE and the Globalisation of Irish Television
Robert Frank’s ’The Americans’
Reaching Audiences
Reinventing Public Service Television for the Digital Future
Reverberations across Small-Scale British Theatre
Real Objects in Unreal Situations
Recoveries and Reclamations
A Reality Check 2003
Representations of Working in Arts Education
The Reflexive Teaching Artist
The Roots of Modern Hollywood
Rhetoric of Modern Death in American Living Dead Films
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Requirements for a Software Engineering Environment
Reframing Consciousness
Routing, Placement, and Partitioning
Reliability in Computer System Design
Recursive Algorithms
Reflections on Artificial Intelligence
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Research-based Theatre
Revolve:R
Revolution in the Echo Chamber
(Re)Positioning Site Dance
Raymond Williams
Redefining Theatre Communities
RE: Research
Streets of Crocodiles
Stephen King on the Small Screen
South African Cinema 1896-2010
Spatialities
Signifying Europe
Selling War
Stanley Kubrick at Look Magazine
Sonic Multiplicities
The Social Use of Media
Sustainability, Participation and Culture in Communication
Signs of Change
Shanghai Street Style
Staging Ageing
Spaces in European Cinema
Street Scenes
Signs Symbols and Icons
Switching to Digital Television
Sacred Theatre
Sex on Stage
Sophia Loren
Stephen King on the Big Screen
Serious Play
Screen Education
Sensing the City through Television
Serbian & Greek Art Music
Searching for Art’s New Publics
Spectacular Death
Studies in French Cinema
Swedish Cops
The Student Actor Prepares
Some Wear Leather, Some Wear Lace
Sydney Street Style
Sparks of Innovation in Human-Computer Interaction
Seven Decisions when Teaching Students
Socializing the Human-Computer Environment
Software Specification
Sensing the City through Television
The Sounds of Contemporary French
Shakespeare Valued
Shooting Women
Softimage
Spring and No Flowers
The Search for Mind
Spellbound
Sam Peckinpah
Street Fashion Moscow
Seamlessness
The Swedish Porn Scene
Sergei Paradjanov
The Sensible Stage
Saudade in Brazilian Cinema
Superman: The Movie
Spanish Cinema of the New Millennium
Spiritual Herstories
Theatre in Passing
Transnational Celebrity Activism in Global Politics
Tech-Noir Film
Technology and Desire
Trends in Communication Policy Research
Touring the Screen
Teaching Actors
TRANS(per)FORMING Nina Arsenault
TV Format Mogul
Transnational Film Culture in New Zealand
Television Courtroom Broadcasting
Theatre and Performance in Small Nations
Transnational Ecocinema
Theatre in Passing 2
Temporary Stages II
Throwing the Body into the Fight
Theatre and Consciousness
Theatre in Prison
Tormented Minds
Towards a Sustainable Information Society
Traumatic Encounters in Italian Film
Television and Criticism
Truth or Dare
The Trustus Plays
Three Myths of Internet Governance
TV Formats Worldwide
TV Museum
Theater of War
The Theory of the Artificial
Teaching Knowledge and Intelligent Tutoring
Trends in Functional Programming Volume 1
Trends in Functional Programming Volume 2
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 9
Television in Europe
Theatre and Europe (1957 to 1995)
A Tragic Farce
The Transparent Prolog Machine
Trends in Functional Programming 10
Theatre for Youth Third Space
Transition & Development in Algeria
Trends in Functional Programming Volume 3
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 8
Tunnel Watching
Trends in Functional Programming Volume 5
Theatrical Reality
Twin Peaks
Taking Up McLuhan’s Cause
Theatre, Time and Temporality
Theatre for Children in Hospital
Traces of the Future
Towards a Praxis-based Media and Journalism Research
Transformations
Television Antiheroines
Taiwan by Design
Transglobal Fashion Narratives
A Trail of Fire for Political Cinema
Time, Duration and Change in Contemporary Art
Teachers and Teaching on Stage and on Screen
Through the Prism of the Senses
Urban Cinematics
Un-American Psycho
Uncommon Goods
Unmapping the City
Understanding Higher Education
Utopia
Understanding Virtual Universities
Unbecoming Cinema
Understanding Kubrick’s 2001: A Space Odyssey
Using Media for Social Innovation
Using Art as Research in Learning and Teaching
Videogames and Art
Virtuality and the Art of Exhibition
Versions of Hollywood Crime Cinema
Visualizing Anthropology
Visual Cultures
The Visceral Screen
VLSI Fault Modeling and Testing Techniques
Visual Language for the World Wide Web
The Virtual Classroom
Vision and Action
Vanishing Points
Why We Make Art
World Film Locations: New York
World Film Locations: Tokyo
World Film Locations: London
World Film Locations: Los Angeles
World Film Locations: Dublin
World Film Locations: Paris
World Film Locations: Istanbul
World Film Locations: Madrid
World Film Locations: Vienna
World Film Locations: New Orleans
World Film Locations: Las Vegas
Watching Films
World Film Locations: Berlin
World Film Locations: Mumbai
World Film Locations: Melbourne
World Film Locations: Reykjavík
World Film Locations: Beijing
Why I Buy
Who’s Who in Research: Film Studies
Who’s Who in Research: Performing Arts
Who’s Who in Research: Visual Arts
Who’s Who in Research: Media Studies
Who’s Who in Research: Cultural Studies
World Film Locations: Chicago
World Film Locations: Glasgow
World Film Locations: Venice
World Film Locations: Vancouver
World Film Locations: Helsinki
World Film Locations: Marseilles
Why Would Anyone Wear That?
World Film Locations: São Paulo
World Film Locations: San Francisco
World Film Locations: Barcelona
World Film Locations: Liverpool
World Film Locations: Hong Kong
World Film Locations: Prague
Wye Plays
Women in Contemporary Culture
We Europeans?
Writing on Drawing
Walking, Writing and Performance
With Nature
Wiener Chic
World Film Locations: Toronto
World Film Locations: Havana
World Film Locations: Boston
World Film Locations: Shanghai
World Film Locations: Rome
West Country History
World Film Locations: Buenos Aires
World Film Locations: Athens
World Film Locations: Florence
World Film Locations: Singapore
World Film Locations: Sydney
Writing as a Visual Art
Women Voice Men
The World As Information
Women in European Theatre
Words on the Web
World Film Locations: Washington D.C.
Wuthering Heights on Film and Television
World Film Locations: Malta
World Film Locations: Cleveland
What’s Next?
World-Wide-Walks
Writing Belonging at the Millennium
Zombies in the Academy
Zapolska’s Women