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Words on the Web
Women in European Theatre
The World As Information
Women Voice Men
West Country History
Zapolska’s Women
Zombies in the Academy
World Film Locations: Cleveland
World Film Locations: Malta
Wuthering Heights on Film and Television
World Film Locations: Washington D.C.
Understanding Virtual Universities
Understanding Higher Education
Unmapping the City
Versions of Hollywood Crime Cinema
Virtuality and the Art of Exhibition
Videogames and Art
Uncommon Goods
Un-American Psycho
Using Art as Research in Learning and Teaching
Using Media for Social Innovation
Unbecoming Cinema
Vanishing Points
Vision and Action
Visual Language for the World Wide Web
VLSI Fault Modeling and Testing Techniques
Visual Cultures
World Film Locations: New York
Why We Make Art
World Film Locations: Rome
World Film Locations: Shanghai
World Film Locations: Boston
World Film Locations: Havana
World Film Locations: Toronto
With Nature
Walking, Writing and Performance
We Europeans?
Women in Contemporary Culture
Wye Plays
World Film Locations: Berlin
Watching Films
World Film Locations: New Orleans
World Film Locations: Vienna
World Film Locations: Madrid
World Film Locations: Istanbul
World Film Locations: Paris
World Film Locations: Dublin
World Film Locations: Los Angeles
World Film Locations: London
World Film Locations: Tokyo
World Film Locations: Prague
World Film Locations: Hong Kong
World Film Locations: Liverpool
World Film Locations: Barcelona
World Film Locations: San Francisco
World Film Locations: São Paulo
Why Would Anyone Wear That?
World Film Locations: Marseilles
World Film Locations: Helsinki
World Film Locations: Vancouver
World Film Locations: Glasgow
World Film Locations: Chicago
Who’s Who in Research: Cultural Studies
Who’s Who in Research: Media Studies
Who’s Who in Research: Visual Arts
Who’s Who in Research: Performing Arts
Who’s Who in Research: Film Studies
Why I Buy
World Film Locations: Beijing
World Film Locations: Reykjavík
World Film Locations: Melbourne
World Film Locations: Mumbai
Re-Imagining the City
Russia’s New Fin de Siècle
Reframing Reality
Refugee Performance
Queer Cinema in Europe
Queer Mythologies
Queer Visibility in Post-socialist Cultures
Prison Cultures
Provoking the Field
Performing Arts in Prisons
Planet Cosplay
Playing for Time Theatre Company
Playwriting in Schools
Performing Process
The Rehearsal
Resetting the Stage
Red Sun and Merlin Unchained
Radio Content in the Digital Age
Recording Memories from Political Violence
Quantum Art & Uncertainty
Performing Palimpsest Bodies
Performing Revolutionary
Precarious Spaces
Passion of the Reel
Personal Style Blogs
Performing Exile
Plays in Time
Playwriting and Young Audiences
Picturing the Cosmos
Signs Symbols and Icons
Spaces in European Cinema
Staging Ageing
Saudade in Brazilian Cinema
Shooting Women
Shakespeare Valued
Sensing the City through Television
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
The Student Actor Prepares
Swedish Cops
The Sensible Stage
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Stephen King on the Big Screen
Sophia Loren
Switching to Digital Television
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Sam Peckinpah
Spellbound
The Search for Mind
Spring and No Flowers
Taiwan by Design
Television Antiheroines
Transformations
Towards a Praxis-based Media and Journalism Research
TRANS(per)FORMING Nina Arsenault
Touring the Screen
Trends in Communication Policy Research
Technology and Desire
Transnational Celebrity Activism in Global Politics
Theatre in Passing
Traumatic Encounters in Italian Film
Towards a Sustainable Information Society
Tormented Minds
Theatre in Prison
Theatre and Consciousness
Throwing the Body into the Fight
Temporary Stages II
Theatre in Passing 2
Transnational Ecocinema
Theatre and Performance in Small Nations
Television Courtroom Broadcasting
Transnational Film Culture in New Zealand
TV Format Mogul
Theatre for Children in Hospital
Theatre, Time and Temporality
Taking Up McLuhan’s Cause
Twin Peaks
Trends in Functional Programming Volume 5
Tunnel Watching
Trends in Functional Programming Volume 8
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 3
Transition & Development in Algeria
Theatre for Youth Third Space
Through the Prism of the Senses
Teachers and Teaching on Stage and on Screen
Time, Duration and Change in Contemporary Art
Trends in Functional Programming 10
The Transparent Prolog Machine
A Tragic Farce
Theatre and Europe (1957 to 1995)
Television in Europe
Trends in Functional Programming Volume 9
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 1
Teaching Knowledge and Intelligent Tutoring
The Theory of the Artificial
TV Museum
Three Myths of Internet Governance
The Trustus Plays
Truth or Dare
Television and Criticism
The Musical Comedy Films of Grigorii Aleksandrov
Modes of Spectating
Media in the Enlarged Europe
Media, Democracy and European Culture
Media, Monarchy and Power
Multilingual Multimedia
Mathematical Intelligent Learning Environments
Media and Values
Media Between Culture and Commerce
Landscape and the Science Fiction Imaginary
Memory, Space and Sound
The Multisensory Film Experience
Montréal Chic
Myths
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
Magnet Theatre
Meyerhold and the Cubists
Models of Cognition
Multisensor Integration and Fusion for Intelligent Machines and Systems
Multimedia CALL
Managing Computer Impact
Mac 3D
Machine-Tractable Dictionaries
Minds, Brains and Computers
MARCEL
Machinations
The Method of Metaphor
Modern Argentine Masculinities
Manifesto Now!
Mediation and Protest Movements
Music and Levels of Narration in Film
Memory Fragments
The Mobile Nation
Media in Europe Today
Misreading Postmodern Antigone
New Patterns in Global Television Formats
The Net Effect
Negotiating Spain and Catalonia
New Directions for Database Systems
National Identity
A New Guide to Artificial Intelligence
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
Network Models for Control and Processing
National Conversations
The Net Effect
New Irish Storytellers
New Flows in Global TV
NanoCulture
Nanoart
The Ned Kelly Films
Narrating the Catastrophe
New Zealand Film and Television
MASKS
The Music of Antonio Carlos Jobim
New Zealand Cinema
Neosentience
New Trends in Argentine and Brazilian Cinema
On Perfection
Open Roads, Closed Borders
Octave Mirbeau: Two Plays
The Making of an Artist
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reflections on Artificial Intelligence
Reliability in Computer System Design
Routing, Placement, and Partitioning
Reframing Consciousness
Requirements for a Software Engineering Environment
A Reality Check 2003
Recoveries and Reclamations
Real Objects in Unreal Situations
Reverberations across Small-Scale British Theatre
Reinventing Public Service Television for the Digital Future
Reaching Audiences
RTE and the Globalisation of Irish Television
Readings in Primary Art Education
Research in Art and Design Education
Russia, Freaks and Foreigners
Roof Watching
Radical Initiatives in Interventionist & Community Drama
Rosebud Sleds and Horses’ Heads
Signifying Europe
Spatialities
South African Cinema 1896-2010
Redefining Theatre Communities
(Re)Positioning Site Dance
Revolution in the Echo Chamber
Stephen King on the Small Screen
Streets of Crocodiles
Kira O’Reilly
Kiosk Literature of Silver Age Spain
Kurt Kren
Karaoke Idols
Lexicon for an Affective Archive
The Lived Experience of Improvisation
Life at the End of Life
Locating the Audience
Journalism Re-examined
JARMAN (all this maddening beauty) and other plays
Journey
Justitia
A Journey of Art and Conflict
Living and Sustaining a Creative Life
Life and Death
Kinesthetic Empathy in Creative and Cultural Practices
Logic Programming
Logical Derivation of Computer Programs
The Logic Programming Tutor
Logic Programming
Language and Marginality
Literacy and the Politics of Writing
Learning with Computers
Language, Community and the State
Language and Thought
Learning for Innovation in the Global Knowledge Economy
Lovefuries
Languages of Theatre Shaped by Women
Locality, Regeneration and Divers(c)ities
Public Spheres After Socialism
Point Blank
The Potentials of Spaces
Professions in Contemporary Drama
Politics of Contemporary European Cinema
Performing Processes
The Professionalisation of Political Communication
Pride and Panic
Performing Spanishness
Postcards from the Road
Photography, Narrative, Time
The Propaganda of Peace
Phenomenology’s Material Presence
Performing Violence
Press Freedom and Pluralism in Europe
Planning, Geometry, and Complexity of Robot Motion
The Postdigital Membrane
The Philadelphia Connection
Performance Art in Ireland
#Nodes
3D Cinema and Beyond
Progress in Simulation, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Robotics and Intelligent Systems, Volume One
Progress in Neural Networks, Volume Six
Perspectives on the Computer Revolution
Progress in Neural Networks: Volume One
Progress in Computer-Aided VLSI Design, Volume Three
Parallel Natural Language Processing
Progress in Neural Networks, Volume Two
Progress in Computer-Aided VLSI Design, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Simulation, Volume Two
Progress in Neural Networks, Volume Five
Progress in Computer Graphics
Polanski and Perception
A Portrait of the Artist as a Political Dissident
Perform, Repeat, Record
Peter Weir
Photography and Landscape
People and Places of Nature and Culture
Picturing Immigration
On Stage
The Only Way Home is Through the Show
Online Help
Online Communities
Online Help Systems
Operations Research and Artificial Intelligence
Performative Materials in Architecture and Design
Photocinema
Pleading in the Blood
Piercing Time
Europe Faces Europe
Englishness, Pop and Post-War Britain
European Cultures in Sport
Entering Transmasculinity
The English Language in Europe
European Media Governance
Ergonomics
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Artificial Intelligence Software
Empirical Studies of Programmers
Empirical Studies of Programmers
Engaging with Reality
Educating Film-Makers
European Journalism Education
European Media Governance
European Media Governance
Educating Artists for the Future
European Culture and the Media
Engineering Nature
The Future of Art in a Postdigital Age
Franklin Furnace and the Spirit of the Avant-Garde
Engendering Interaction with Images
Europe and Love in Cinema
Europe in Black and White
Communication and Discourse Theory
Consumer Identities
Culture, Technology and the Image
Cartomancy and Tarot in Film
Crime Uncovered
Computers and Typography
Contemporary Irish Drama and Cultural Identity
Crime Uncovered: Anti-hero
Crime Uncovered: Detective
Creative Communities
Celebrity Philanthropy
The Culture of Photography in Public Space
Creative Intelligences
Creative Content for the Web
Consensus Politics in Spain
Computers and Writing
The Coach and The Triumph of the Lamb
Computers for Educational Administrators
A Compendium of Machine Learning I
Computers and Society
Connectionist Models and Their Implications
Chess and Machine Intuition
Connectionist Natural Language Processing
Computers and Typography
Communication Patterns and Textual Forms
CALL and The Learning Community
Computers and Law
Computers and Creativity
Connectionist Language Generator
Cognition, Computing, and Cooperation
Create in me a pure heart
Cindy Sherman’s Office Killer
Cultural Quarters
Cultural Industries in Shanghai
Celebrity Culture and the Entertainment Industry in Asia
Choreographies
Culture War
Cotton
Confronting Technopoly
Australian Film Theory and Criticism
Art Education and Contemporary Culture
Atomic Postcards
Amateur Images and Global News
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
Applied Theatre
Audiences and Publics
African Theatre for Development
Allegorical Images
Architectures of Illusion
Alisa, Alice
Aesthetic Journalism
The Art and Science of Handwriting
Art and Theory After Socialism
Australian Post-War Documentary Film
Ancient Laws and Modern Problems
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
The Art Rules
Aestheticizing Public Space
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
Artificial Intelligence: Applications for Business
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Artificial Intelligence and Education, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
artUS 2011-2012
Australian Film Theory and Criticism
Applied Drama
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
The Art of Nick Cave
Advertising as Culture
Habitus of the Hood
Holistic Shakespeare
Hypertext
Howard Barker Interviews 1980-2010
Historical Comedy on Screen
Global Technological Change
The Gate
Green Documentary
Gavin Bolton’s Contextual Drama
Honolulu Street Style
Harm and Offence in Media Content
Hong Kong New Wave Cinema (1978-2000)
Handwriting of the Twentieth Century
Ghostbodies
Gay Men at the Movies
Greek Cinema
Binding Time
Blackboard Systems
Building a Deductive Database
Becoming Designers
Being Human
The British Media and Bloody Sunday
Body and Mind in Motion
Beauty and the Beast
Bringing Down the House
Beyond Auteurism
Broadcasting and National Imagination in Post-Communist Latvia
Beijing Film Academy Yearbook
Anne Bean
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
British TV and Film Culture in the 1950s
Brecht in L.A.
Broadcasters and Citizens in Europe
Black Swan Lake
Australian Film Theory and Criticism
Artistic Research in the Future Academy
Architectural Dynamics in Pre-Revolutionary Iran
Broadcasting Diversity
Berlin School Glossary
Brit Wits
Bangladesh’s Changing Mediascape
Berliner Chic
The Blind
Ivar Kreuger and Jeanne de la Motte
Immigration Cinema in the New Europe
Inclusion in New Danish Cinema
Information Systems Implementation
Image Understanding
IT for Learning Enhancement
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
IT for Learning Enhancement
Image Understanding
Iconic Communication
Interventions
Inspiring Writing in Art and Design
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Images and Identity
The Independence of the Media and its Regulatory Agencies
The Hollywood War Film
The Igor Moiseyev Dance Company
Inside the TV Newsroom
The Importance of Elsewhere
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Irish Drama in Poland
Imaging the City
Into the Story 2
It’s All Allowed
ICT for Curriculum Enhancement
Hypertext
Human Factors in Information Systems
Human Factors in Information Systems
Human Factors in Computer Systems
Human Factors in Management Information Systems
The Imaginary Geography of Hollywood Cinema 1960-2000
The Hour of All Things and Other Plays
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
Confronting Theory
Cinema and Landscape
Christoph Schlingensief
Computers and Art
Computers and Language
Convergence and Fragmentation
Cultures and Settlements
Cultural Quarters
The Composition of Herman Melville
ConFiguring America
The Cinema Makers
Citizen Voices
Creativity in the Classroom
Black and White Bioscope
By Accident or Design
Beijing Film Academy Yearbook 2016
Clown Through Mask
Cinemas of the Other
Contingency in Madagascar
China’s Environment and China’s Environment Journalists
Culture and Contestation in the New Century
Carnival Texts
The Cinema of Mika Kaurismäki
Crash Cultures
Cinemas of the Other
The Cultural Set Up of Comedy
Crossing the Street in Hanoi
Critical Studies in Fashion and Beauty
The City is Me
Fan Phenomena: Batman
Fan Phenomena: Twin Peaks
Fan Phenomena: Star Trek
Fan Phenomena: Star Wars
Fan Phenomena: Buffy the Vampire Slayer
Frontiers of Screen History
From Theory to Practice
Fashion in Popular Culture
Girls! Girls! Girls! In Contemporary Art
Global Technological Change
The Grey Zone of Health and Illness
Field Notes on the Visual Arts
Fan Phenomena: Harry Potter
Faith Wilding’s Fearful Symmetries
Film Studies in China
Food Democracy
The Future of Humanity
Frames and Fictions on Television
Fashion and Ethics
Fan Phenomena: Audrey Hepburn
Fan Phenomena: Sherlock Holmes
Fan Phenomena: The Hunger Games
Fan Phenomena: Supernatural
Fan Phenomena: The Big Lebowski
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
French Costume Drama of the 1950s
Futures of Chinese Cinema
Finding the Right Place on the Map
Frames of Mind
Futures Past
Future of Art in a Digital Age
The Face on the Screen
Film, Drama and the Break Up of Britain
From Child Art to Visual Language of Youth
From NWICO to WSIS: 30 Years of Communication Geopolitics
Flesh Into Light
Far Field
Fan Phenomena: The Twilight Saga
Filming the City
Fan Phenomena: Mermaids
Fan Phenomena: James Bond
Fan Phenomena: The Lord of the Rings
Film on The Faultline
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: Jane Austen
Fundamentals of Expert Systems Technology
From Syntax to Semantics
Francophone Voices
Forget-Me-Not, Iran
Fashion as Masquerade
Directory of World Cinema: Italy
Directory of World Cinema: Iran
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Russia
Deleuze and Film Music
Directory of World Cinema: American Independent
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Turkey
Directory of World Cinema: Latin America
Directory of World Cinema: Finland
Directory of World Cinema: American Independent 2
Directory of World Cinema: France
Directory of World Cinema: South Korea
Directory of World Cinema: China
Directory of World Cinema: Britain
Directory of World Cinema: Japan 2
Directors
Directory of World Cinema: Germany
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Disaster Capitalism
Directory of World Cinema: American Hollywood
A Divided World
Dancing with Parkinson’s
Disability, Arts, and Culture
Dancing Bahia
The Dynamics of News and Indigenous Policy in Australia
Drama-based Pedagogy
Drawing in the Design Process
Directory of World Cinema: Argentina 2
Directory of World Cinema: American Independent 3
Dance, Somatics and Spiritualities
Drawing
The Danish Directors 2
Digital Radio in Europe
Directors & Designers
Developing Dialogues
Diasporas of Australian Cinema
Digital Visual Culture
Digital Experience Design
Drawing -- The Purpose
The Designer
Declarations of Independence
Digital Design using QuarkXPress 4
David Cronenberg
Digital Magazine Design
Danish Directors
The Danish Directors 3
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Brazil
Directory of World Cinema: Belgium
Doctor Who and Race
Directory of World Cinema: Argentina
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Germany 2
Digital Futures and the City of Today
The Divine Springtime
Design through Digital Interaction
Design for Business
Drive in Cinema
Directory of World Cinema: India
Design for Business
Double Exposures
Dramaturging Personal Narratives
Development through Technology Transfer
Dynamics in Ergonomics, Psychology, and Decisions
Dialogues 2
Directions and Implications of Advanced Computing
Britpop Cinema
Joshua Sofaer
Governing Visions of the Real
Directory of World Cinema: Iran 2
Crossing Gender Boundaries
Spiritual Herstories
Building Successful and Sustainable Film and Television Businesses
Expertise and Architecture in the Modern Islamic World
The Critical Eye
Israel as a Modern Architectural Experimental Lab, 1948-1978
Creativity, Culture and Commerce
Art inSight
Performance / Media / Art / Culture
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Teaching and Learning Design
Philosophical Frameworks and Design Processes
Morality by Design
The Idea of the Avant Garde
Brian Ferneyhough
Connecting Metal to Culture
Dance, Disability and Law
Drawing as a Way of Knowing in Art and Science
Giuseppe Pagano
Connecting People, Place and Design
The Cultural Practice of Immigrant Filmmaking
Beijing Film Academy Yearbook 2017
The Anarchist Cinema
Architecture Filmmaking
The Punk Reader
Keepin’ It Real
What’s Next?
A Trail of Fire for Political Cinema
World-Wide-Walks
Spanish Cinema of the New Millennium
Superman: The Movie
Preston Sturges
Orphan Black
From Melies to New Media
Revolve:R
The Global Road Movie
Exposing Vulnerability
Digital Dynamics in Nordic Contemporary Art
L.A. Chic
Instafame
Transglobal Fashion Narratives
Traces of the Future
Street Fashion Moscow
Queer Communion
The Poetics and Politics of the Veil in Iran
On Repetition
Artist-Scholar
Artist, Researcher, Teacher
Canadian Wetlands
Dancing to Transform
Directory of World Cinema: Japan 3
Directory of World Cinema: China 2
Directory of World Cinema: Britain 2
Directory of World Cinema: Scotland
Directory of World Cinema: Africa
Design for Business
Acts of Dramaturgy
Adapting Performance Between Stage and Screen
An Affect of an Experience
The Emergence of Video Processing Tools
The Drama Therapy Decision Tree
A Cultural History of the Disneyland Theme Parks
The Cinematic Sublime
Cross-Cultural Design for Healthy Ageing
Columbo
Curriculum
The Cultural Meaning of Aleppo
World Film Locations: Sydney
World Film Locations: Singapore
World Film Locations: Florence
World Film Locations: Athens
World Film Locations: Buenos Aires
Practising the Real on the Contemporary Stage
Red Creative
Re:Research
Taste and the TV Chef
Theater of War
Sydney Street Style
Some Wear Leather, Some Wear Lace
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Rhetoric of Modern Death in American Living Dead Films
The Roots of Modern Hollywood
The Reflexive Teaching Artist
Representations of Working in Arts Education
Slow TV
The Visceral Screen
Producing Children’s Television in the On-demand Age
The Poetics of Poetry Film
Painting, History and Meaning
Post-Specimen Encounters Between Art, Science and Curating
Performing Collaboration in Solo Performance
Prototyping Across the Disciplines
Integrative Alexander Technique Practice for Performing Artists
How Belfast Got the Blues
The Friday Mosque in the City
Fortunes of War
Fan Phenomena: Game of Thrones
Lure of the Big Screen
Havana Street Style
MEDIA
Music by Numbers
The Media-Democracy Paradox in Ghana
The Lure of the Social
The Legend of Zelda: Ocarina of Time
Lesbians on Television
Language of Tomorrow
Money Talks
The Baroque Technotext
Punk Now!!
Global Fashion Brands
Martha Graham
Theatrical Reality
The Problem of Assessment in Art and Design
The Sounds of Contemporary French
Mussolini’s Last Republic
The Eternal Soul
European Identity in Cinema
European Heritage Planning and Management
Going Modern and Being British
Genre Matters
Gendered Transformations
Drawing -- The Process
Directory of World Cinema: Russia 2
Dancing across the Page
Design and the Creation of Social Value
Downtown Film and TV Culture 1975-2001
Don’t Look Now
Directory of World Cinema: Japan
Design Integrations
Fashion Cities Africa
Forms of Representation
Fan Phenomena: Doctor Who
Feminist Ethics in Film
The Virtual Classroom
Visualizing Anthropology
Writing as a Visual Art
Writing on Drawing
World Film Locations: Venice
World Film Locations: Las Vegas
Understanding Kubrick’s 2001: A Space Odyssey
Utopia
Urban Cinematics
Trends in Functional Programming Volume 2
TV Formats Worldwide
Teaching Actors
Tech-Noir Film
Softimage
Serious Play
Sex on Stage
Sacred Theatre
Street Scenes
One Hundred Years of Futurism
One for the Girls!
Reclaiming the Media
The Psychology of Menu Selection
Progress in Neural Networks, Volume Three
The Philosophical Actor
The Place of Artists’ Cinema
The Posthuman Condition
People’s Pornography
Research-based Theatre
Recursive Algorithms
Robert Frank’s ’The Americans’
Looking for Marshall McLuhan in Afghanistan
Knowledge Acquisition from Databases
The New Russia
New Brutality Film
Media and Identity in Contemporary Europe
Marion Richardson
Morrissey
Jonquils
Issues in Curating Contemporary Art and Performance
The Hidden Words of Baha’u’llah
Human Factors and Interactive Computer Systems
Human Factors in Information Systems
Mindful Movement
Medical Multimedia
Media, Markets and Public Spheres
Law, Computer Science, and Artificial Intelligence
The Last Empire
Cinemas of the Other
Composed Theatre
Beijing Film Academy Yearbook 2018
Aristotle in Hollywood
Across the Art/Life Divide
Arts Integration in Education
Art, Technology, Consciousness
Advances in Spatial Reasoning, Volume One
Architecture and the Virtual
Artist-Teacher
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
The Art and Science of Screenwriting
Art Education in a Postmodern World
Art as Research
Comparative Media Policy, Regulation and Governance in Europe
Consumer Culture
Children and Propaganda
Connectionism and Meaning
Context Providers
Beyond the Dance Floor
Freaks of History
Dialogues 3
Acquisition of a Second Writing System
The Cultural Impact of RuPaul’s Drag Race
Writing Belonging at the Millennium
African Luxury
Cosmopolitics of the Camera
Raymond Williams
Polish Media Art in an Expanded Field
Visual Research Methods in Architecture
Radical Mainstream
Framing Film
Artist Scholar
The Traumatic Screen
Photography as Critical Practice
Modern Melbourne
The Howff Project
Fellini’s Films and Commercials
Responding to Site
Film Studies in China, Volume 2
American Presidents and Oliver Stone
Photography from the Turin Shroud to the Turing Machine
Women in Iberian Filmic Culture
Journalism, Society and Politics in the Digital Media Era
Narrating the City
The Architecture of Cinematic Spaces
Wiener Chic
Agency
Heavy Metal Music in Argentina
Women in European Theatre
The World As Information
Women Voice Men
West Country History
Zapolska’s Women
Zombies in the Academy
World Film Locations: Cleveland
World Film Locations: Malta
Wuthering Heights on Film and Television
World Film Locations: Washington D.C.
Understanding Virtual Universities
Understanding Higher Education
Unmapping the City
Versions of Hollywood Crime Cinema
Virtuality and the Art of Exhibition
Videogames and Art
Uncommon Goods
Un-American Psycho
Using Art as Research in Learning and Teaching
Using Media for Social Innovation
Unbecoming Cinema
Vanishing Points
Vision and Action
Visual Language for the World Wide Web
VLSI Fault Modeling and Testing Techniques
Visual Cultures
World Film Locations: New York
Why We Make Art
World Film Locations: Rome
World Film Locations: Shanghai
World Film Locations: Boston
World Film Locations: Havana
World Film Locations: Toronto
With Nature
Walking, Writing and Performance
We Europeans?
Women in Contemporary Culture
Wye Plays
World Film Locations: Berlin
Watching Films
World Film Locations: New Orleans
World Film Locations: Vienna
World Film Locations: Madrid
World Film Locations: Istanbul
World Film Locations: Paris
World Film Locations: Dublin
World Film Locations: Los Angeles
World Film Locations: London
World Film Locations: Tokyo
World Film Locations: Prague
World Film Locations: Hong Kong
World Film Locations: Liverpool
World Film Locations: Barcelona
World Film Locations: San Francisco
World Film Locations: São Paulo
Why Would Anyone Wear That?
World Film Locations: Marseilles
World Film Locations: Helsinki
World Film Locations: Vancouver
World Film Locations: Glasgow
World Film Locations: Chicago
Who’s Who in Research: Cultural Studies
Who’s Who in Research: Media Studies
Who’s Who in Research: Visual Arts
Who’s Who in Research: Performing Arts
Who’s Who in Research: Film Studies
Why I Buy
World Film Locations: Beijing
World Film Locations: Reykjavík
World Film Locations: Melbourne
World Film Locations: Mumbai
Re-Imagining the City
Russia’s New Fin de Siècle
Reframing Reality
Refugee Performance
Queer Cinema in Europe
Queer Mythologies
Queer Visibility in Post-socialist Cultures
Prison Cultures
Provoking the Field
Performing Arts in Prisons
Planet Cosplay
Playing for Time Theatre Company
Playwriting in Schools
Performing Process
The Rehearsal
Resetting the Stage
Red Sun and Merlin Unchained
Radio Content in the Digital Age
Recording Memories from Political Violence
Quantum Art & Uncertainty
Performing Palimpsest Bodies
Performing Revolutionary
Precarious Spaces
Passion of the Reel
Personal Style Blogs
Performing Exile
Plays in Time
Playwriting and Young Audiences
Picturing the Cosmos
Signs Symbols and Icons
Spaces in European Cinema
Staging Ageing
Saudade in Brazilian Cinema
Shooting Women
Shakespeare Valued
Sensing the City through Television
Software Specification
Socializing the Human-Computer Environment
Seven Decisions when Teaching Students
Sparks of Innovation in Human-Computer Interaction
The Student Actor Prepares
Swedish Cops
The Sensible Stage
Studies in French Cinema
Spectacular Death
Searching for Art’s New Publics
Serbian & Greek Art Music
Sensing the City through Television
Screen Education
Stephen King on the Big Screen
Sophia Loren
Switching to Digital Television
Shanghai Street Style
Signs of Change
Sustainability, Participation and Culture in Communication
The Social Use of Media
Sonic Multiplicities
Stanley Kubrick at Look Magazine
Selling War
Sergei Paradjanov
The Swedish Porn Scene
Seamlessness
Sam Peckinpah
Spellbound
The Search for Mind
Spring and No Flowers
Taiwan by Design
Television Antiheroines
Transformations
Towards a Praxis-based Media and Journalism Research
TRANS(per)FORMING Nina Arsenault
Touring the Screen
Trends in Communication Policy Research
Technology and Desire
Transnational Celebrity Activism in Global Politics
Theatre in Passing
Traumatic Encounters in Italian Film
Towards a Sustainable Information Society
Tormented Minds
Theatre in Prison
Theatre and Consciousness
Throwing the Body into the Fight
Temporary Stages II
Theatre in Passing 2
Transnational Ecocinema
Theatre and Performance in Small Nations
Television Courtroom Broadcasting
Transnational Film Culture in New Zealand
TV Format Mogul
Theatre for Children in Hospital
Theatre, Time and Temporality
Taking Up McLuhan’s Cause
Twin Peaks
Trends in Functional Programming Volume 5
Tunnel Watching
Trends in Functional Programming Volume 8
Trends in Functional Programming Volume 6
Trends in Functional Programming Volume 4
Trends in Functional Programming Volume 3
Transition & Development in Algeria
Theatre for Youth Third Space
Through the Prism of the Senses
Teachers and Teaching on Stage and on Screen
Time, Duration and Change in Contemporary Art
Trends in Functional Programming 10
The Transparent Prolog Machine
A Tragic Farce
Theatre and Europe (1957 to 1995)
Television in Europe
Trends in Functional Programming Volume 9
Trends in Functional Programming Volume 7
Trends in Functional Programming Volume 1
Teaching Knowledge and Intelligent Tutoring
The Theory of the Artificial
TV Museum
Three Myths of Internet Governance
The Trustus Plays
Truth or Dare
Television and Criticism
The Musical Comedy Films of Grigorii Aleksandrov
Modes of Spectating
Media in the Enlarged Europe
Media, Democracy and European Culture
Media, Monarchy and Power
Multilingual Multimedia
Mathematical Intelligent Learning Environments
Media and Values
Media Between Culture and Commerce
Landscape and the Science Fiction Imaginary
Memory, Space and Sound
The Multisensory Film Experience
Montréal Chic
Myths
Media, Monarchy and Power
Matthew Arnold’s The Church of Brou
Magnet Theatre
Meyerhold and the Cubists
Models of Cognition
Multisensor Integration and Fusion for Intelligent Machines and Systems
Multimedia CALL
Managing Computer Impact
Mac 3D
Machine-Tractable Dictionaries
Minds, Brains and Computers
MARCEL
Machinations
The Method of Metaphor
Modern Argentine Masculinities
Manifesto Now!
Mediation and Protest Movements
Music and Levels of Narration in Film
Memory Fragments
The Mobile Nation
Media in Europe Today
Misreading Postmodern Antigone
New Patterns in Global Television Formats
The Net Effect
Negotiating Spain and Catalonia
New Directions for Database Systems
National Identity
A New Guide to Artificial Intelligence
New Algorithms for Variable Time Delay and Nonuniform Image Motion Estimation
Network Models for Control and Processing
National Conversations
The Net Effect
New Irish Storytellers
New Flows in Global TV
NanoCulture
Nanoart
The Ned Kelly Films
Narrating the Catastrophe
New Zealand Film and Television
MASKS
The Music of Antonio Carlos Jobim
New Zealand Cinema
Neosentience
New Trends in Argentine and Brazilian Cinema
On Perfection
Open Roads, Closed Borders
Octave Mirbeau: Two Plays
The Making of an Artist
A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education - or - What Was I Thinking?
Reflections on Artificial Intelligence
Reliability in Computer System Design
Routing, Placement, and Partitioning
Reframing Consciousness
Requirements for a Software Engineering Environment
A Reality Check 2003
Recoveries and Reclamations
Real Objects in Unreal Situations
Reverberations across Small-Scale British Theatre
Reinventing Public Service Television for the Digital Future
Reaching Audiences
RTE and the Globalisation of Irish Television
Readings in Primary Art Education
Research in Art and Design Education
Russia, Freaks and Foreigners
Roof Watching
Radical Initiatives in Interventionist & Community Drama
Rosebud Sleds and Horses’ Heads
Signifying Europe
Spatialities
South African Cinema 1896-2010
Redefining Theatre Communities
(Re)Positioning Site Dance
Revolution in the Echo Chamber
Stephen King on the Small Screen
Streets of Crocodiles
Kira O’Reilly
Kiosk Literature of Silver Age Spain
Kurt Kren
Karaoke Idols
Lexicon for an Affective Archive
The Lived Experience of Improvisation
Life at the End of Life
Locating the Audience
Journalism Re-examined
JARMAN (all this maddening beauty) and other plays
Journey
Justitia
A Journey of Art and Conflict
Living and Sustaining a Creative Life
Life and Death
Kinesthetic Empathy in Creative and Cultural Practices
Logic Programming
Logical Derivation of Computer Programs
The Logic Programming Tutor
Logic Programming
Language and Marginality
Literacy and the Politics of Writing
Learning with Computers
Language, Community and the State
Language and Thought
Learning for Innovation in the Global Knowledge Economy
Lovefuries
Languages of Theatre Shaped by Women
Locality, Regeneration and Divers(c)ities
Public Spheres After Socialism
Point Blank
The Potentials of Spaces
Professions in Contemporary Drama
Politics of Contemporary European Cinema
Performing Processes
The Professionalisation of Political Communication
Pride and Panic
Performing Spanishness
Postcards from the Road
Photography, Narrative, Time
The Propaganda of Peace
Phenomenology’s Material Presence
Performing Violence
Press Freedom and Pluralism in Europe
Planning, Geometry, and Complexity of Robot Motion
The Postdigital Membrane
The Philadelphia Connection
Performance Art in Ireland
#Nodes
3D Cinema and Beyond
Progress in Simulation, Volume One
Progress in Robotics and Intelligent Systems, Volume Two
Progress in Robotics and Intelligent Systems, Volume One
Progress in Neural Networks, Volume Six
Perspectives on the Computer Revolution
Progress in Neural Networks: Volume One
Progress in Computer-Aided VLSI Design, Volume Three
Parallel Natural Language Processing
Progress in Neural Networks, Volume Two
Progress in Computer-Aided VLSI Design, Volume Two
Principles of Modelling and Rendering with 3D Studio
Progress in Simulation, Volume Two
Progress in Neural Networks, Volume Five
Progress in Computer Graphics
Polanski and Perception
A Portrait of the Artist as a Political Dissident
Perform, Repeat, Record
Peter Weir
Photography and Landscape
People and Places of Nature and Culture
Picturing Immigration
On Stage
The Only Way Home is Through the Show
Online Help
Online Communities
Online Help Systems
Operations Research and Artificial Intelligence
Performative Materials in Architecture and Design
Photocinema
Pleading in the Blood
Piercing Time
Europe Faces Europe
Englishness, Pop and Post-War Britain
European Cultures in Sport
Entering Transmasculinity
The English Language in Europe
European Media Governance
Ergonomics
Empirical Studies of Programmers
Empirical Studies of Programmers
Engineering Artificial Intelligence Software
Empirical Studies of Programmers
Empirical Studies of Programmers
Engaging with Reality
Educating Film-Makers
European Journalism Education
European Media Governance
European Media Governance
Educating Artists for the Future
European Culture and the Media
Engineering Nature
The Future of Art in a Postdigital Age
Franklin Furnace and the Spirit of the Avant-Garde
Engendering Interaction with Images
Europe and Love in Cinema
Europe in Black and White
Communication and Discourse Theory
Consumer Identities
Culture, Technology and the Image
Cartomancy and Tarot in Film
Crime Uncovered
Computers and Typography
Contemporary Irish Drama and Cultural Identity
Crime Uncovered: Anti-hero
Crime Uncovered: Detective
Creative Communities
Celebrity Philanthropy
The Culture of Photography in Public Space
Creative Intelligences
Creative Content for the Web
Consensus Politics in Spain
Computers and Writing
The Coach and The Triumph of the Lamb
Computers for Educational Administrators
A Compendium of Machine Learning I
Computers and Society
Connectionist Models and Their Implications
Chess and Machine Intuition
Connectionist Natural Language Processing
Computers and Typography
Communication Patterns and Textual Forms
CALL and The Learning Community
Computers and Law
Computers and Creativity
Connectionist Language Generator
Cognition, Computing, and Cooperation
Create in me a pure heart
Cindy Sherman’s Office Killer
Cultural Quarters
Cultural Industries in Shanghai
Celebrity Culture and the Entertainment Industry in Asia
Choreographies
Culture War
Cotton
Confronting Technopoly
Australian Film Theory and Criticism
Art Education and Contemporary Culture
Atomic Postcards
Amateur Images and Global News
Acting and Its Refusal in Theatre and Film
András Visky’s Barrack Dramaturgy
The Artist as Culture Producer
Aleksandr Askoldov
Aleksandr Sokurov
Activist Film Festivals
Activating Democracy
Applied Theatre
Audiences and Publics
African Theatre for Development
Allegorical Images
Architectures of Illusion
Alisa, Alice
Aesthetic Journalism
The Art and Science of Handwriting
Art and Theory After Socialism
Australian Post-War Documentary Film
Ancient Laws and Modern Problems
Advertising and Identity in Europe
The Art and Science of Documentation Management
Andre Malraux
All My Moonshine
The Artist as Curator
The Art Rules
Aestheticizing Public Space
Advances in Connectionist and Neural Computation Theory Vol. 2
The Art and Science of Computer Animation
As Mighty As The Sword
The Artist on the Artist
Artificial Intelligence: Applications for Business
AI Tools and Techniques
Advances in Spatial Reasoning, Volume Two
Advances in Magnetic Resonance Imaging
Advances in Human-Computer Interaction Volume 3
Advances in Distributed and Parallel Processing, Volume One
Advances in Control Networks and Large Scale Parallel Distributed Processing Models
Artificial Intelligence and Software Engineering
Advances in Logic Programming and Automated Reasoning
Advances in Human-Computer Interaction Volume 5
Advances in Human-Computer Interaction Volume 1
Artificial Intelligence and Education, Volume One
Advances in Human-Computer Interaction Volume 2
Advances in Connectionist and Neural Computation Theory Vol. 1
Artificial Intelligence and Business Management
Artificial Intelligence and Education, Volume Two
artUS 2011-2012
Australian Film Theory and Criticism
Applied Drama
Anthem Quality
Australian TV News
’Avant-garde’ Art Groups in China, 1979-1989
The Audience Experience
The Architecture of the Screen
The Art of Nick Cave
Advertising as Culture
Habitus of the Hood
Holistic Shakespeare
Hypertext
Howard Barker Interviews 1980-2010
Historical Comedy on Screen
Global Technological Change
The Gate
Green Documentary
Gavin Bolton’s Contextual Drama
Honolulu Street Style
Harm and Offence in Media Content
Hong Kong New Wave Cinema (1978-2000)
Handwriting of the Twentieth Century
Ghostbodies
Gay Men at the Movies
Greek Cinema
Binding Time
Blackboard Systems
Building a Deductive Database
Becoming Designers
Being Human
The British Media and Bloody Sunday
Body and Mind in Motion
Beauty and the Beast
Bringing Down the House
Beyond Auteurism
Broadcasting and National Imagination in Post-Communist Latvia
Beijing Film Academy Yearbook
Anne Bean
The Arab-Israeli Conflict in the Arab Press
The Art of Defiance
British TV and Film Culture in the 1950s
Brecht in L.A.
Broadcasters and Citizens in Europe
Black Swan Lake
Australian Film Theory and Criticism
Artistic Research in the Future Academy
Architectural Dynamics in Pre-Revolutionary Iran
Broadcasting Diversity
Berlin School Glossary
Brit Wits
Bangladesh’s Changing Mediascape
Berliner Chic
The Blind
Ivar Kreuger and Jeanne de la Motte
Immigration Cinema in the New Europe
Inclusion in New Danish Cinema
Information Systems Implementation
Image Understanding
IT for Learning Enhancement
Image Understanding
Inheritance Theory
Intelligent Tutoring Systems
IT for Learning Enhancement
Image Understanding
Iconic Communication
Interventions
Inspiring Writing in Art and Design
International Dialogues about Visual Culture, Education and Art
Image Critique and the Fall of the Berlin Wall
Images and Identity
The Independence of the Media and its Regulatory Agencies
The Hollywood War Film
The Igor Moiseyev Dance Company
Inside the TV Newsroom
The Importance of Elsewhere
Islamic Architecture on the Move
International Horror Film Directors
InDEBTed to Intervene
Irish Drama in Poland
Imaging the City
Into the Story 2
It’s All Allowed
ICT for Curriculum Enhancement
Hypertext
Human Factors in Information Systems
Human Factors in Information Systems
Human Factors in Computer Systems
Human Factors in Management Information Systems
The Imaginary Geography of Hollywood Cinema 1960-2000
The Hour of All Things and Other Plays
Italian Women’s Theatre, 1930-1960
Iranian Cinema and Globalization
Italian TV Drama and Beyond
’I am an American’
Invisible Country
Confronting Theory
Cinema and Landscape
Christoph Schlingensief
Computers and Art
Computers and Language
Convergence and Fragmentation
Cultures and Settlements
Cultural Quarters
The Composition of Herman Melville
ConFiguring America
The Cinema Makers
Citizen Voices
Creativity in the Classroom
Black and White Bioscope
By Accident or Design
Beijing Film Academy Yearbook 2016
Clown Through Mask
Cinemas of the Other
Contingency in Madagascar
China’s Environment and China’s Environment Journalists
Culture and Contestation in the New Century
Carnival Texts
The Cinema of Mika Kaurismäki
Crash Cultures
Cinemas of the Other
The Cultural Set Up of Comedy
Crossing the Street in Hanoi
Critical Studies in Fashion and Beauty
The City is Me
Fan Phenomena: Batman
Fan Phenomena: Twin Peaks
Fan Phenomena: Star Trek
Fan Phenomena: Star Wars
Fan Phenomena: Buffy the Vampire Slayer
Frontiers of Screen History
From Theory to Practice
Fashion in Popular Culture
Girls! Girls! Girls! In Contemporary Art
Global Technological Change
The Grey Zone of Health and Illness
Field Notes on the Visual Arts
Fan Phenomena: Harry Potter
Faith Wilding’s Fearful Symmetries
Film Studies in China
Food Democracy
The Future of Humanity
Frames and Fictions on Television
Fashion and Ethics
Fan Phenomena: Audrey Hepburn
Fan Phenomena: Sherlock Holmes
Fan Phenomena: The Hunger Games
Fan Phenomena: Supernatural
Fan Phenomena: The Big Lebowski
Fan Phenomena: Marilyn Monroe
Fashion and War in Popular Culture
French Costume Drama of the 1950s
Futures of Chinese Cinema
Finding the Right Place on the Map
Frames of Mind
Futures Past
Future of Art in a Digital Age
The Face on the Screen
Film, Drama and the Break Up of Britain
From Child Art to Visual Language of Youth
From NWICO to WSIS: 30 Years of Communication Geopolitics
Flesh Into Light
Far Field
Fan Phenomena: The Twilight Saga
Filming the City
Fan Phenomena: Mermaids
Fan Phenomena: James Bond
Fan Phenomena: The Lord of the Rings
Film on The Faultline
Fan Phenomena: The Rocky Horror Picture Show
Fan Phenomena: Jane Austen
Fundamentals of Expert Systems Technology
From Syntax to Semantics
Francophone Voices
Forget-Me-Not, Iran
Fashion as Masquerade
Directory of World Cinema: Italy
Directory of World Cinema: Iran
Directory of World Cinema: Australia and New Zealand
Directory of World Cinema: Russia
Deleuze and Film Music
Directory of World Cinema: American Independent
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Turkey
Directory of World Cinema: Latin America
Directory of World Cinema: Finland
Directory of World Cinema: American Independent 2
Directory of World Cinema: France
Directory of World Cinema: South Korea
Directory of World Cinema: China
Directory of World Cinema: Britain
Directory of World Cinema: Japan 2
Directors
Directory of World Cinema: Germany
Directory of World Cinema: East Europe
Directory of World Cinema: Spain
Disaster Capitalism
Directory of World Cinema: American Hollywood
A Divided World
Dancing with Parkinson’s
Disability, Arts, and Culture
Dancing Bahia
The Dynamics of News and Indigenous Policy in Australia
Drama-based Pedagogy
Drawing in the Design Process
Directory of World Cinema: Argentina 2
Directory of World Cinema: American Independent 3
Dance, Somatics and Spiritualities
Drawing
The Danish Directors 2
Digital Radio in Europe
Directors & Designers
Developing Dialogues
Diasporas of Australian Cinema
Digital Visual Culture
Digital Experience Design
Drawing -- The Purpose
The Designer
Declarations of Independence
Digital Design using QuarkXPress 4
David Cronenberg
Digital Magazine Design
Danish Directors
The Danish Directors 3
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: Brazil
Directory of World Cinema: Belgium
Doctor Who and Race
Directory of World Cinema: Argentina
Dysfunction and Decentralization in New Media Art and Education
Directory of World Cinema: Germany 2
Digital Futures and the City of Today
The Divine Springtime
Design through Digital Interaction
Design for Business
Drive in Cinema
Directory of World Cinema: India
Design for Business
Double Exposures
Dramaturging Personal Narratives
Development through Technology Transfer
Dynamics in Ergonomics, Psychology, and Decisions
Dialogues 2
Directions and Implications of Advanced Computing
Britpop Cinema
Joshua Sofaer
Governing Visions of the Real
Directory of World Cinema: Iran 2
Crossing Gender Boundaries
Spiritual Herstories
Building Successful and Sustainable Film and Television Businesses
Expertise and Architecture in the Modern Islamic World
The Critical Eye
Israel as a Modern Architectural Experimental Lab, 1948-1978
Creativity, Culture and Commerce
Art inSight
Performance / Media / Art / Culture
Design and Digital Interaction
Design Discourse on Business and Industry
Design Discourse on Culture and Society
Design and Living Well
Teaching and Learning Design
Philosophical Frameworks and Design Processes
Morality by Design
The Idea of the Avant Garde
Brian Ferneyhough
Connecting Metal to Culture
Dance, Disability and Law
Drawing as a Way of Knowing in Art and Science
Giuseppe Pagano
Connecting People, Place and Design
The Cultural Practice of Immigrant Filmmaking
Beijing Film Academy Yearbook 2017
The Anarchist Cinema
Architecture Filmmaking
The Punk Reader
Keepin’ It Real
What’s Next?
A Trail of Fire for Political Cinema
World-Wide-Walks
Spanish Cinema of the New Millennium
Superman: The Movie
Preston Sturges
Orphan Black
From Melies to New Media
Revolve:R
The Global Road Movie
Exposing Vulnerability
Digital Dynamics in Nordic Contemporary Art
L.A. Chic
Instafame
Transglobal Fashion Narratives
Traces of the Future
Street Fashion Moscow
Queer Communion
The Poetics and Politics of the Veil in Iran
On Repetition
Artist-Scholar
Artist, Researcher, Teacher
Canadian Wetlands
Dancing to Transform
Directory of World Cinema: Japan 3
Directory of World Cinema: China 2
Directory of World Cinema: Britain 2
Directory of World Cinema: Scotland
Directory of World Cinema: Africa
Design for Business
Acts of Dramaturgy
Adapting Performance Between Stage and Screen
An Affect of an Experience
The Emergence of Video Processing Tools
The Drama Therapy Decision Tree
A Cultural History of the Disneyland Theme Parks
The Cinematic Sublime
Cross-Cultural Design for Healthy Ageing
Columbo
Curriculum
The Cultural Meaning of Aleppo
World Film Locations: Sydney
World Film Locations: Singapore
World Film Locations: Florence
World Film Locations: Athens
World Film Locations: Buenos Aires
Practising the Real on the Contemporary Stage
Red Creative
Re:Research
Taste and the TV Chef
Theater of War
Sydney Street Style
Some Wear Leather, Some Wear Lace
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Rhetoric of Modern Death in American Living Dead Films
The Roots of Modern Hollywood
The Reflexive Teaching Artist
Representations of Working in Arts Education
Slow TV
The Visceral Screen
Producing Children’s Television in the On-demand Age
The Poetics of Poetry Film
Painting, History and Meaning
Post-Specimen Encounters Between Art, Science and Curating
Performing Collaboration in Solo Performance
Prototyping Across the Disciplines
Integrative Alexander Technique Practice for Performing Artists
How Belfast Got the Blues
The Friday Mosque in the City
Fortunes of War
Fan Phenomena: Game of Thrones
Lure of the Big Screen
Havana Street Style
MEDIA
Music by Numbers
The Media-Democracy Paradox in Ghana
The Lure of the Social
The Legend of Zelda: Ocarina of Time
Lesbians on Television
Language of Tomorrow
Money Talks
The Baroque Technotext
Punk Now!!
Global Fashion Brands
Martha Graham
Theatrical Reality
The Problem of Assessment in Art and Design
The Sounds of Contemporary French
Mussolini’s Last Republic
The Eternal Soul
European Identity in Cinema
European Heritage Planning and Management
Going Modern and Being British
Genre Matters
Gendered Transformations
Drawing -- The Process
Directory of World Cinema: Russia 2
Dancing across the Page
Design and the Creation of Social Value
Downtown Film and TV Culture 1975-2001
Don’t Look Now
Directory of World Cinema: Japan
Design Integrations
Fashion Cities Africa
Forms of Representation
Fan Phenomena: Doctor Who
Feminist Ethics in Film
The Virtual Classroom
Visualizing Anthropology
Writing as a Visual Art
Writing on Drawing
World Film Locations: Venice
World Film Locations: Las Vegas
Understanding Kubrick’s 2001: A Space Odyssey
Utopia
Urban Cinematics
Trends in Functional Programming Volume 2
TV Formats Worldwide
Teaching Actors
Tech-Noir Film
Softimage
Serious Play
Sex on Stage
Sacred Theatre
Street Scenes
One Hundred Years of Futurism
One for the Girls!
Reclaiming the Media
The Psychology of Menu Selection
Progress in Neural Networks, Volume Three
The Philosophical Actor
The Place of Artists’ Cinema
The Posthuman Condition
People’s Pornography
Research-based Theatre
Recursive Algorithms
Robert Frank’s ’The Americans’
Looking for Marshall McLuhan in Afghanistan
Knowledge Acquisition from Databases
The New Russia
New Brutality Film
Media and Identity in Contemporary Europe
Marion Richardson
Morrissey
Jonquils
Issues in Curating Contemporary Art and Performance
The Hidden Words of Baha’u’llah
Human Factors and Interactive Computer Systems
Human Factors in Information Systems
Mindful Movement
Medical Multimedia
Media, Markets and Public Spheres
Law, Computer Science, and Artificial Intelligence
The Last Empire
Cinemas of the Other
Composed Theatre
Beijing Film Academy Yearbook 2018
Aristotle in Hollywood
Across the Art/Life Divide
Arts Integration in Education
Art, Technology, Consciousness
Advances in Spatial Reasoning, Volume One
Architecture and the Virtual
Artist-Teacher
Alternative Worlds in Hollywood Cinema
Art, Community and Environment
The Art and Science of Screenwriting
Art Education in a Postmodern World
Art as Research
Comparative Media Policy, Regulation and Governance in Europe
Consumer Culture
Children and Propaganda
Connectionism and Meaning
Context Providers
Beyond the Dance Floor
Freaks of History
Dialogues 3
Acquisition of a Second Writing System
The Cultural Impact of RuPaul’s Drag Race
Writing Belonging at the Millennium
African Luxury
Cosmopolitics of the Camera
Raymond Williams
Polish Media Art in an Expanded Field
Visual Research Methods in Architecture
Radical Mainstream
Framing Film
Artist Scholar
The Traumatic Screen
Photography as Critical Practice
Modern Melbourne
The Howff Project
Fellini’s Films and Commercials
Responding to Site
Film Studies in China, Volume 2
American Presidents and Oliver Stone
Photography from the Turin Shroud to the Turing Machine
Women in Iberian Filmic Culture
Journalism, Society and Politics in the Digital Media Era
Narrating the City
The Architecture of Cinematic Spaces
Wiener Chic
Agency
Heavy Metal Music in Argentina