Women in Iberian Filmic Culture

Introduction: Women in Iberian cinemas, a singular tour in Spain and Portugal
Elena Cordero-Hoyo and Begoña Soto-Vázquez

Part 1: The presence of women in Iberian cinemas

Fiction as a Place of Power: The Presence of Female Directors Throughout the History of Portuguese Cinema.
Ana Catarina Pereira

The Invisible Women of Spanish Cinema.
Annette Scholz

Três dias sem Deus by Bárbara Virgínia, a Different Way of Representation.
Ricardo Vieira Lisboa
 
Part 2: Killing the muse: Women as creator

Gender Violence and Historical Memory in Margarida Cardoso and Isabel Coixet.
Estela Vieira

‘People Don’t Understand [the] World’: The Limits of Transnational Authorship in the Cinema of Isabel Coixet.
Katarzyna Paszkiewicz

Murmuring Colonial Ghosts in Margarida Cardoso’s Filmography.
Adriana Martins

Part 3: Beyond the author: Recognizing other cinematographic professions

Weaving a Cinematographic Culture and Writing about Film or How to Reconstruct the Subject of Women in Spanish Silent Cinema.
Begoña Soto-Vázquez

A Woman Censor during the Portuguese Dictatorship (1968–74).
Ana Bela Morais

Costume Designers in Portugal: A Trade Between Art and Technique Relegated to the Status of ‘a Woman’s Thing’.
Caterina Cucinotta

Part 4: Historical memory and the gendered archive

Paradigms – Women Filmmakers in 1970s Revolutionary Portugal – Delgado, Nordlund, Cordeiro and Serra.
Érica Faleiro Rodrigues

The Mother Awaits: Woman and Landscape in Galician Non-Fiction Cinema.
Mª Soliña Barreiro González

Exploring the Portuguese Memory through Appropriation Film: A toca do lobo (Mourão, 2015).
Elena Cordero-Hoyo

Notes on contributors