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Distributed for Intellect Ltd

Meyerhold and the Cubists

Perspectives on Painting and Performance

This book offers a rich analysis of collage practices in the theater of Vsevolod Meyerhold. Focusing on the philosophical and formal tenets of the form, and supporting her analysis with wide-ranging examples from both theater and fine art, Amy Skinner develops collage as a framework for reading the whole of the theatrical experience, from scenography and mise-en-scène to text and spectatorship. An innovative exploration of the influence of collage on twentieth- and twenty-first-century theater, Meyerhold and the Cubists will be essential for theater scholars and practitioners alike.

190 pages | 4 color plates, 13 halftones | 7 x 9 | © 2015

Art: Art--General Studies


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Table of Contents

Acknowledgements
List of Figures
Re-reading Meyerhold, part one
Chapter 1: Setting the scene
Chapter 2: Depth
Chapter 3: Figure
Chapter 4: Collage
Chapter 5: Spectatorship
Chapter 6: Documentation
Re-reading Meyerhold, part two
Appendix: Russian art and Meyerhold’s theatre:  A timeline
Endnotes
Bibliography
Index
 
 
 

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