Gay Men at the Movies
Cinema, Memory and the History of a Gay Male Community
Distributed for Intellect Ltd
250 pages
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5 halftones
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7 x 9
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© 2016
- Contents
- Review Quotes
Table of Contents
Contents
Chapter 1 - The 1950s - Censored from view for all to see
Gay space, cinema-going and censorship in 1950s Sydney Regular guys and ‘sister boys’: Tea and Sympathy Friends of Tom Lee: Rebel without a Cause, Cat on a Hot Tin Roof and Some Like it Hot
Chapter 2 - The 1960s — Undeniable -
Gay space, cinema-going and censorship in 1960s Sydney Poor unfortunate souls: Victim and Advise and Consent The real lives of English youth: A Taste of Honey, The Leather Boys and If...
Chapter 3 - The 1970s — Strike up the band -
Gay space, cinema-going and censorship in 1970s Sydney A memory of times gone by: The Boys in the Band The thrill of the new: Sunday Bloody Sunday and A Very Natural Thing
Chapter 4 - The 1980s — Arriving at last, leaving too soon -
Gay space, cinema-going and censorship in 1980s Sydney The Hollywood gaze: Fame, Partners, Cruising and Making Love An independent eye: Taxi Zum Klo
Chapter 5 - The 1990s - When we were cool -
Gay space, cinema-going and censorship in 1990s Sydney Made for them or watched by us? The Sum of Us To enlighten and remember: Philadelphia and Longtime Companion
Chapter 6 - The 2000s — In the shadow of the mountain -
Gay space, cinema-going and censorship in 2000s Sydney The film that got us good: Brokeback Mountain Staying home or going to the festival: Another Gay Movie and Shelter
Chapter 7 - Gay kids at the movies -
Movie memory and queer childhoods On-screen memories: Childhood Remembering childhood cinema-going
Chapter 8 - Others like us —
Movie memory and the search for community Movie memories at the movies: Identity Learning, reciting and refuting memory
Chapter 9 - We were there -
Movie memory and the search for a queer past Heroes and villains: Braveheart and Alexander Creating ‘our’ history: Stonewall and Milk
Gay space, cinema-going and censorship in 1950s Sydney Regular guys and ‘sister boys’: Tea and Sympathy Friends of Tom Lee: Rebel without a Cause, Cat on a Hot Tin Roof and Some Like it Hot
Chapter 2 - The 1960s — Undeniable -
Gay space, cinema-going and censorship in 1960s Sydney Poor unfortunate souls: Victim and Advise and Consent The real lives of English youth: A Taste of Honey, The Leather Boys and If...
Chapter 3 - The 1970s — Strike up the band -
Gay space, cinema-going and censorship in 1970s Sydney A memory of times gone by: The Boys in the Band The thrill of the new: Sunday Bloody Sunday and A Very Natural Thing
Chapter 4 - The 1980s — Arriving at last, leaving too soon -
Gay space, cinema-going and censorship in 1980s Sydney The Hollywood gaze: Fame, Partners, Cruising and Making Love An independent eye: Taxi Zum Klo
Chapter 5 - The 1990s - When we were cool -
Gay space, cinema-going and censorship in 1990s Sydney Made for them or watched by us? The Sum of Us To enlighten and remember: Philadelphia and Longtime Companion
Chapter 6 - The 2000s — In the shadow of the mountain -
Gay space, cinema-going and censorship in 2000s Sydney The film that got us good: Brokeback Mountain Staying home or going to the festival: Another Gay Movie and Shelter
Chapter 7 - Gay kids at the movies -
Movie memory and queer childhoods On-screen memories: Childhood Remembering childhood cinema-going
Chapter 8 - Others like us —
Movie memory and the search for community Movie memories at the movies: Identity Learning, reciting and refuting memory
Chapter 9 - We were there -
Movie memory and the search for a queer past Heroes and villains: Braveheart and Alexander Creating ‘our’ history: Stonewall and Milk
Review Quotes
The Bay Area Reporter
"Films based on well-known homosexual figures or based on moments from gay history (Stonewall, Milk) can be mobilized as part of our current history. Past history can be reclaimed as part of my history. For McKinnon, each generation makes its own meanings of movies and creates new memories on which to "contemplate, debate, dispute, build, and celebrate" new forms of identity. McKinnon has managed in coherent language to show us that as much as movies are made by us, they also make us who we are, by shaping our gay personal and community memories."
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