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Bergson and Durational Performance

(Re)Ma(r)king Time

An interrogation of Henri Bergson’s philosophy of duration through the lens of performance.

Humans have always marked time, whether by tracing the earth’s natural rhythms or looking at a clock. Unlike pre-industrial people, living in an age of social acceleration is dominated by clock time and network time, presenting many more options than can be achieved in a human lifespan.

This book explores the possibility of an alternative experience of time, one closer to the concept of pure duration described by philosopher Henri Bergson. Connecting Bergson’s thought with key ideas from psychology and anthropology, the discussions in this book contribute to contemporary performance analysis, philosophy, and Bergson studies and explore aspects of immersive and participatory performance, walking practices, and ritual and online performance. Using durational performances as case studies, James Layton offers new insights into Bergson’s philosophy alongside the work of key theorists in psychology and anthropology. Through a series of performance analyses, Bergson’s philosophy of duration is coupled with ideas from Abraham Maslow, Mihaly Csikszentmihalyi, and Victor Turner to speculate on the potential of durational performance to challenge living in a world in which time is short, but the possibility of experience is abundant.

290 pages | 9 halftones | 6 3/4 x 9 1/2

Art: Art--General Studies

Philosophy: General Philosophy


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Table of Contents

Images
Prologue: 15 April 1912
Introduction

PART ONE
1. Bergson, Pure Memory and Pure Duration
2. Bergson and Durational Performance: Duration, Immersion, Participation, Ritual
3. Durational Performance in a Socially Accelerated Culture: Clock-Time + Network Time = No Time
4. Durational Performance as a Challenge to Smooth Consumption

PART TWO
5. Peak Time: Bergson and Maslow
6. Flow Time: Bergson and Csikszentmihalyi
7. Time Together: Bergson and Turner
8. Hotel Medea: Memory, Duration and Peak-Experience in an Accelerated Culture
9. All These are the Days My Friends: Duration and Flow in Einstein On The Beach
10. Walking, Communitas, Ritual and Transformation
11. Marking, Making, Remarking, Remaking Time: Bergson and the Future of Durational Performance

Epilogue: A Manifesto for Durational Performance
Postscript: Arriving at the Crack of Dawn for a Plagueground Game Show
Bibliography
Index

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