This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works. The exercises are clear and accessible, enhanced with vivid examples from contemporary performance practice and relevant political contexts. Moreover, the authors offer tools for giving and receiving feedback, fostering critical reflection, and framing artistic work within academic research contexts. Hill and Paris’s compelling approach does more than merely provide performance recipes; it highlights the vital cultural relevance and potential personal impact of the creative explorations that the authors invite us to undertake.
Reviews
Table of Contents
List of Illustrations
Acknowledgements
1. Curious Methods
2. Pep Talk
Daily Practice
Outfoxing the Censor
Freewriting
A Time and a Place
Failing Better
3. Working from the Body
Arrivals and Departures
Begin Again
Tongue-Tied
Body Map
Body Memory
Invisible
The Sense of Smell
Homesick
Olfactory Portraits
Fight Flight Freeze
Gut Feelings
Secret Duets
Inheritance Tracks
Family Traits and Mannerisms
Persona
Walk This Way
Building a Persona
4. Working with Objects
Tactile Memory
Exquisite and Mundane
Inherited Objects
Box Stories
‘The Lovers’
Suitcase
5. Working with Site
Give and Take
Ghost Library
Ghost Duets
In Search of a Gesture
You Are Here
Map Making, Three Ways
Blurring Time and Place
Things ain’t what they used to be
Best Foot Forward
Marks and Scars
Dancing Place and Space
Private, Keep Out!
Taking Up Residence
Infinitesimal Detail
Fifteen Quick Freewrites on Place
Autotopographically Speaking
Silent Stroll
Closing Thoughts
6. Working with Pairings
Failure & Text
Desire & Proximity
Ritual & Object
7. Activism
Manifestos
Impulse Manifesto
Make Manifest
Lending and Borrowing
Signs
Wear Your Heart on Your Sleeve
On Location
Stand Up, Speak Out
Living Newspaper
Ripped from the Headlines
Re-Enactment
Choose Your Battles
Verbatim Theatre
Explosive Material – a Journalistic Exercise
Explosive Compounds – an Ethnographic Exercise
One-Minute Plays
Mix Tape
Produce, Adapt or Devise?
A Moment in History
Cross That Line
Closed Border
Open Border
Tactical Toolkit
Make a Spectacle
Reflections
8. Production Workbook
Operating Instructions
Kick-Starting Process
Realm of Concern
I’ve always wanted to be able to …
Feathering the Nest
Look Book
Composition
Space and Composition
Dream Island
Fleshing It Out
Dancing the Dynamics
Workshopping
Index Card Storyboard
Dear Dead Darlings
Remember the Audience
Dear Audience
Feedback
Three Adjectives
Performance Response
Brief Hauntings
Companion Piece
Invited Guests
Bespoke
Cartomancy
Documentation
Pen Pal
Favourite Performance You Never Saw
9. A Practice-Based Research Workbook
Performing Knowledges
Back Stage
Escape Velocity
Glorious Manifestations
Generative Research
Mapping Your Practice
Diagrammatic Praxis
Secret Fear
Abstractions on Secret Fears
Defining Your Dramaturgy
Signatures of Practice
Art-I-Facts
Love Letter
Artist-Scholar Family Album
Methodologies
Phenomenology
Doing a Phenomenology
Phenomenological Journal
Autoethnography
Project Descriptions in 1st and 3rd
Specialist Knowledge
Autoethnographic Journal
Keeping a Lab Notebook
Designing Bespoke PBR Exercises – Two Case Studies
Gut Feelings
UpRoot
Sowing from Seed
PBR Evaluation and Critique
Bespoke Evaluation Rubric
Amalgamated Evaluation Rubric
Bibliography and Further Reading
Index