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Distributed for Intellect Ltd

Digital Visual Culture

Theory and Practice

Digital Visual Culture presents the latest research into the relationship between theory and practice across digital media and technology in the visual arts and investigates the challenges of contemporary research and art curation, particularly in regard to new media artworks. The contributors to this volume discuss the impact of technological advances on visual art and the new art practices that are developing as a result. Many aspects of new interdisciplinary and collaborative practices are considered, such as net art and global locative environments, , and installations that are themselves performance, or games that often take place simultaneously online and in reality. Digital Visual Culture is an important addition to the ongoing discussion surrounding postmodern art practice in art and digital media.


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Table of Contents

Contributors
Introduction
   by Hazel Gardiner
 
DIGITAL CREATIVITY
Aesthetics and Interactive Art
   by Karen Cham
 
A Blueprint of Bacterial Life: Can a Science-art Fusion Move the Boundaries of Visual and Audio Interpretation?
   by Elaine Shemilt
 
Invisible Work: The Representation of Artistic Practice in Digital Visual Culture
   by Ann-Sophie Lehmann
 
DIGITAL SPACES
Mapping Outside the Frame: Interactive and Locative Art Environments
   by Elizabeth Coulter-Smith and Graham Coulter-Smith
 
From UNCAGED to Cyber-Spatialism
   by Ralf Nuhn
 
DIGITAL PRESENCE
When Presence-absence Becomes Pattern-randomness: Blast Theory’s Can You See Me Now?
   by Maria Chatzichristodoulou [aka maria x]
 
The Digital Image and the Pleasure Principle: The Consumption of Realism in the Age of Simulation
   by Hamid van Koten
 
DIGITAL ARCHIVE
Digital Archiving as an Art Practice
   by Dew Harrison
 
Preservation of Net Art in Museums
   by Anne Laforet
 
Abstracts
 
CHArt - Computers and the History of Art
 
Guidelines for Submitting Papers for the CHArt Yearbook

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