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Distributed for Intellect Ltd

Misreading Postmodern Antigone

Marco Bellocchio’s Devil in the Flesh (Diavolo in Corpo)

In the mid-1980s, film director Marco Bellocchio and renegade psychoanalyst Massimo Fagioli cowrote The Devil in the Flesh, a politically and sexually charged film illustrating some of Fagioli’s controversial theories. Echoing the anti-Lacanian sentiment popularized by Gilles Deleuze, the film is perhaps best remembered for a scene in which the character Andrea misreads a section of the famous Greek tragedy Antigone. But this scene has itself been frequently misread, opening up the text to questions of feminism, politics, and the representation of Antigone—a figure frequently used and abused in feminist politics. Displaying considerable analytic depth, Misreading Postmodern Antigone considers these divergent readings and what they have to tell us about contemporary society.

158 pages | 5 halftones | 7 x 9 | © 2011

Film Studies

Women's Studies


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Table of Contents

Introduction: Devil in the Flesh

Chapter 1: A Descriptive Analysis of the Text
Chapter 2: Sophocles’ Trilogy: Patriarchy Against Matriarchy?
Chapter 3: Antigone’s Daughter and Haemon’s Son Invade the Red Brigades
Chapter 4: Frames Within Frames: The Letter
Chapter 5: Antigones’ Frames

Chapter 6: The Hysteric’s Discourse: The Undutiful Daughter

Chapter 7: Leaving the Text: A Shock To Thought

Chapter 8: Into the Image: From Hysteria To the Schizo

Concluding Remarks

References
Index

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