Futures Past
Thirty Years of Arts Computing

Distributed for Intellect Ltd
128 pages
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25 halftones
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6 3/4 x 9
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© 2007
- Contents
Table of Contents

Contents
Contributors
Introduction
by Trish Cashen
Experimental Interaction
Painting Digital, Letting Go
by James Faure Walker
Microanalysis as a Means to Mediate Digital Arts
by Matthias Weiss
Indexed Lights
by Pierre R. Auboiron
Educating with Computers
A Computer in the Art Room
by Catherine Mason
Learning Resources for Teaching History of Art in Higher Education
by Jutta Vinzent
Projects and Archives: Histories and Resurgence
Sourcing the Index: Iconography and its Debt to Photography
by Colum Hourihane
The Medium was the Method: Photography and Iconography at the Index of Christian Art
by Andrew E. Hershberger
The Good, the Bad and the Accessible: Thirty Years of Using new Technologies in BIAD Archives
by Sian Everitt
Online Information: Looking Back and Looking Forward
Object Information at the Victoria and Albert Museum: Successes and Failures in Web Delivery
by Melanie Rowntree
This is the Modern World: Collaborating with ARTstor
by Vickie O’Riordan
Towards a Semantic Web: The Role of Ontologies in the Literary Domain
by Luciana Bordoni
Abstracts
CHArt - Computers and the History of Art
Guidelines for Submitting Papers for the CHArt Yearbook
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Art: Art--General Studies
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