Performing Processes
Creating Live Performance
Distributed for Intellect Ltd
140 pages
|
6-3/4 x 9
- Contents
Table of Contents

Contents
Editor Introduction
Roberta Mock
1 Desperate Acts
The Role of the Audience in the Process of Playwriting
Christine Roberts
2 Poetry & Performance
Tony Lopez
3 Minor Asides of Performance in Some Works of Iain Baxter and the N.E. Thing Company
Beginnings to 1970
Lorenzo Buj
4 Collaborative Practice and the Phenomenal Dancer
Yolande Snaith’s Theatredance
Ruth Way
5 Re-Cognizing Corporeality
Henry Daniel
6 The Soul of Jingju
Ruru Li & David W. Jiang
7 “Your Mother is Up Here Working!”
Bette Midler, the Continental Baths, and the Mainstreaming of Gay Male Sensibility
Kevin Winkler
8 The Moebius Strip
Act and Imitation in English Pantomime Performance
Robert Cheesmond
9 Reception of the Image
Ellie Parker
10 Theatre of Witness
Passage into a New Millennium
Karen Malpede
Roberta Mock
1 Desperate Acts
The Role of the Audience in the Process of Playwriting
Christine Roberts
2 Poetry & Performance
Tony Lopez
3 Minor Asides of Performance in Some Works of Iain Baxter and the N.E. Thing Company
Beginnings to 1970
Lorenzo Buj
4 Collaborative Practice and the Phenomenal Dancer
Yolande Snaith’s Theatredance
Ruth Way
5 Re-Cognizing Corporeality
Henry Daniel
6 The Soul of Jingju
Ruru Li & David W. Jiang
7 “Your Mother is Up Here Working!”
Bette Midler, the Continental Baths, and the Mainstreaming of Gay Male Sensibility
Kevin Winkler
8 The Moebius Strip
Act and Imitation in English Pantomime Performance
Robert Cheesmond
9 Reception of the Image
Ellie Parker
10 Theatre of Witness
Passage into a New Millennium
Karen Malpede
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Literature and Literary Criticism: Dramatic Works
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