Performing #MeToo
How Not to Look Away
Distributed for Intellect Ltd
- Contents

Acknowledgements
Introduction
Judith Rudakoff
- “Vital Acts of Transfer”: #MeToo and the Performance of Embodied Knowledge
Shana MacDonald
- Bite the Bullet: The Practice of Protest as a Coping Mechanism
Nondumiso Lwazi Msimanga
- Resisting Theatre: The Political in the Performative
Effie Samara
- Supporting Brave Spaces for Theatre-Makers Post-#MeToo: A Chicago-Based Study on Rehearsing and Performing Intimacy in Theatre
Susan Fenty Studham
- We Get It: Calling Out Sexism and Harassment in Australia’s Live Performance Industry
Sarah Thomasson
- Toward the Origin of Performing #MeToo: Franca Rame’s The Rape as an Example of Personal and Political Theatre/Therapy
Laura Peja and Fausto Colombo
- The Royal Court in the Wake of #MeToo
Catriona Fallow and Sarah Jane Mullan
- Dissident Solidarities: Power, Pedagogy, Care
Swati Arora
- Conversations with Noura: Iraqi American Women and a Response to A Doll’s House
Mary P. Caulfield
- #MeToo Theatre Women Share Their Stories
Yvette Heyliger
- Les Zoubliettes: Raging through Laughter—a Feminist Disturbance
Sonia Norris
- “I’m the person to speak about myself”: Self-Declaration, Reversal of Power, and Solidarity in The Red Book
Yuh J. Hwang
Appendix: A Primer on the International #MeToo Movement
Elise A. LaCroix
Biographies of Contributors
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