Browse Options
loading...
Dramas of Nationhood
Digital Dynamics in Nordic Contemporary Art
Fan Phenomena: The Twilight Saga
Kinaesthetic Knowing
Designs of Destruction
From Voice to Influence
Possessed
The Internet and the Madonna
Changing Minds or Changing Channels?
Crash Cultures
Combative Politics
Reclaiming Fair Use
New Patterns in Global Television Formats
From the Score to the Stage
A Mieke Bal Reader
Broadcasters and Citizens in Europe
Friendship as Social Justice Activism
Made to Be Seen
From Theory to Practice
Towards a Praxis-based Media and Journalism Research
Media in Wales
Switching Codes
Media Amnesia
Mel Gibson’s Bible
The Message Is Murder
News
Taken by Storm
Digital Visual Culture
Tele-Gen
Connect and Divide
Columbo
Life by Algorithms
Superman: The Movie
The Social Use of Media
Radical Initiatives in Interventionist & Community Drama
Sensing the City through Television
Sensing the City through Television
Media, Monarchy and Power
News at Work
Screen Education
The Nightwatches of Bonaventura
Engaging with Reality
European Culture and the Media
Media, Democracy and European Culture
The Chicago Guide to Fact-Checking
Paul Klee
Making the News
Spirit and System
Understanding Media
Campaigning for Hearts and Minds
Stephen King on the Small Screen
Surface
Italian TV Drama and Beyond
Television Antiheroines
The Camera Does the Rest
Complacency and Collusion
Off-Screen Cinema
Mediation and Protest Movements
Reclaiming the Media
Charles Ellis Johnson and the Erotic Mormon Image
Synthetic Worlds
Engagement in Twenty-First-Century French and Francophone Culture
A Thousand Screenplays
High-Profile Crimes
Turning On the Mind
Media in the Enlarged Europe
Videogames and Art
Worst Cases
Imaginary Apparatus
The Flash Press
Television in Europe
Three Myths of Internet Governance
The Place of Artists’ Cinema
TV Museum
Governing With the News, Second Edition
RTE and the Globalisation of Irish Television
Sonic Flux
Aesthetic Journalism
The Scientific Journal
Press Freedom and Pluralism in Europe
World-Wide-Walks
Comparative Media Policy, Regulation and Governance in Europe
The Art of the Blues
Exposing Vulnerability
Theater of War
Television and Criticism
Media Between Culture and Commerce
China’s Environment and China’s Environment Journalists
Mother Figured
Reinventing Public Service Television for the Digital Future
Shooting a Revolution
Spanish Cinema of the New Millennium
Behind the Times
Atlas, or the Anxious Gay Science
Diller Scofidio + Renfro
The Origins of Cool in Postwar America
The Global Road Movie
Bas Jan Ader
Seeing Green
New Zealand Film and Television
The Experimenters
Awake in the Dark
Scorsese by Ebert
[Grid< >Matrix]
Window - Interface
Globalizing American Studies
Propaganda Blitz
Journalism Re-examined
Artificial Darkness
The Black Image in the White Mind
Projections of Power
Art, Culture, and Media Under the Third Reich
The Metaphysics of Media
Opening Up
Guerrilla Marketing
Nixon at the Movies
Hollywood in Havana
Archives of the Insensible
Going to War in Iraq
Understanding Kubrick’s 2001: A Space Odyssey
Personal Style Blogs
Fan Phenomena: Game of Thrones
Grand Illusion
Troubling Vision
Unbecoming Cinema
Europe Faces Europe
Signifying Europe
The Power of Journalists
Making Modern Japanese-Style Painting
From NWICO to WSIS: 30 Years of Communication Geopolitics
Digital Demagogue
News Values
What Is Happening to News
Technology and Desire
Excommunication
The Brush and the Pen
Freaks Talk Back
Radio Content in the Digital Age
In Defense of Negativity
Inadvertent Images
Blowin’ Hot and Cool
Freedom from the Press
Digital Culture
Down and Out in the New Economy
Men in the Middle
Why Americans Hate Welfare
What Editors Do
Fear Reverence Terror
Dislocating China
Britpop Cinema
Is It Nation Time?
Queer Mythologies
Unveiling Secrets of War in the Peruvian Andes
The Information Age
Orphan Black
Processing Politics
Patty’s Got a Gun
Selling the Race
Transformations
Enduring Truths
The Money Shot
Media, Markets and Public Spheres
The TVs of Tomorrow
Warhol’s Working Class
Newsprint Metropolis
Outside the Gates of Eden
The Melodramatic Moment
Global Communication Electric
The Fiction of America
Foreign News
Feed-Forward
No Caption Needed
The Public Image
Australian TV News
The Chicagoan
Political Tone
A War for the Soul of America, Second Edition
A War for the Soul of America
From Reverence to Rape
From Melies to New Media
How We Think
Nollywood
Wuthering Heights on Film and Television
Posthuman Gothic
Shaking the World for Jesus
What’s Fair on the Air?
The Postal Age
Brushstroke and Emergence
Numbered Voices
Phenomenology’s Material Presence
Artistic License
Aristotle in Hollywood
Fan Phenomena: James Bond
Frames of Mind
Softimage
British TV and Film Culture in the 1950s
Wicked Intelligence
Who’s Who in Research: Media Studies
Photography, Trace, and Trauma
Is Anyone Responsible?
The Studio Reader
People’s Pornography
Politicians Don’t Pander
Network Aesthetics
Finding the Right Place on the Map
Global Technological Change
The Global Work of Art
Mercator Media Guide
Information Politics
Beijing Film Academy Yearbook 2017
Crosstalk
Broadcasting and National Imagination in Post-Communist Latvia
The Nixon Memo
Polish Media Art in an Expanded Field
Chromatic Algorithms
Making Local News
Power to the People
Fashion in Popular Culture
Crisis and Critique
Automatic Architecture
Buying and Believing
The Racket
Afterimages
Sound Reporting
Posthumanism and the Graphic Novel in Latin America
Scripted Culture
Reaching Audiences
Picturing the Cosmos
Learning for Innovation in the Global Knowledge Economy
Spaces in European Cinema
How We Became Our Data
Starring Mandela and Cosby
Gendered Transformations
Life on Mars
The ’War on Terror’
Television Courtroom Broadcasting
Looking for Marshall McLuhan in Afghanistan
Radio’s America
Follow the Leader?
America, Compromised
Digital Experience Design
How Partisan Media Polarize America
Cracking Up
Friending the Past
The Laws of Cool
The Freudian Robot
Audiences and Publics
Frames and Fictions on Television
Consuming Religion
Taking Up McLuhan’s Cause
Visual Culture of Wales
Context Providers
Convergence and Fragmentation
Kurt Schwitters
Exotic No More
Instafame
Image Critique and the Fall of the Berlin Wall
Policing Contingencies
Corporate Futures
The Positive Case for Negative Campaigning
Two Visionary Brothers
The Accidental Diarist
Best Laid Plans
The Light Club
The British Media and Bloody Sunday
The Propaganda of Peace
The War Correspondent
Revolution in the Echo Chamber
Developing Dialogues
The Alexander Medvedkin Reader
Contacts Desired
Systems We Have Loved
Hidden Hitchcock
Harm and Offence in Media Content
Cloning Terror
Critical Terms for Media Studies
Image Science
Documenting the World
Making Hispanics
Pilgrimage to Dollywood
New Flows in Global TV
TV Format Mogul
TV Formats Worldwide
The Ashtray
Get the Picture
Race and Photography
Media and Values
Picturing Cornwall
Planet Cosplay
Broadcasting Diversity
Wayang and Its Doubles
Andy Warhol, Publisher
Design for Business
Design for Business
Design for Business
Diasporas of Australian Cinema
Mechanisms of Trust
Selling Fear
Doing Style
Imprint and Trace
The Professionalisation of Political Communication
Common Knowledge
The Theatrical Baroque
Cultural Industries in Shanghai
Media, Monarchy and Power
The Iconoclastic Imagination
Digital Radio in Europe
Touching Photographs
Ramus, Method, and the Decay of Dialogue
Who Deliberates?
Truth or Dare
Face/On
Transglobal Fashion Narratives
Architectures of Illusion
The Postdigital Membrane
Radical Artifice
Speaking into the Air
Citizen Voices
Computer Game Worlds
Fan Phenomena: The Lord of the Rings
Book Was There
The Philosophical Hitchcock
Bachelors and Bunnies
The Catholic Church and American Culture
A Small Corner of Hell
Far Field
That’s the Way It Is
The Reasoning Voter
Post-Ethical Society
Coming Together
Speaking of Abortion
Children and Propaganda
Trends in Communication Policy Research
Reading Today
The Universal Journalist
Culture War
The Media Equation
The Decision Between Us
Consumer Identities
What Philosophy Wants from Images
Celebrity
Representing Talent
Early Royko
One More Time
The Culture of Calamity
Picturing Culture
Daguerreotypes
Matt Saunders
Glass! Love!! Perpetual Motion!!!
Media and Governance
Journalism and Technological Change
The Independence of the Media and its Regulatory Agencies
The Datafied Society
Selling War
Sustainability, Participation and Culture in Communication
The Race to 270
Bangladesh’s Changing Mediascape
Inclusion in New Danish Cinema
New Television
Digital Jihad
Human Rights In Camera
The Architecture of Aftermath
Cultural Locations of Disability
Make Room for TV
TV by Design
Echo Objects
A Field Guide to a New Meta-field
Ribbon of Darkness
Switching to Digital Television
Bookwork
Closed Circuits
Transmedium
Front Page Economics
Dysfunction and Decentralization in New Media Art and Education
European Journalism Education
European Media Governance
European Media Governance
European Media Governance
Interacting with Print
Pope.L
Vietnamese Traditional Medicine
Inside the TV Newsroom
Gutai
After Charlie Hebdo
National Conversations
Wikipedia and the Politics of Openness
Globalization and Culture
Media in Europe Today
Radio in Small Nations
The Art of Mechanical Reproduction
Transnational Celebrity Activism in Global Politics
Gentleman Troubadours and Andean Pop Stars
The Democratic Surround
Breaking Up America
We Europeans?
Between the Black Box and the White Cube
Communication and Discourse Theory
Theater of the Mind
Traumatic Encounters in Italian Film
Food Democracy
InDEBTed to Intervene
Music, Race, and Nation
All the Rage
Out of Whiteness
Advertising and Identity in Europe
Adapting Nineteenth-Century France
’I am an American’
Drop Dead Gorgeous
Top 40 Democracy
Secrets, Sex, and Spectacle
Dance, Disability and Law
Paper Soldiers
Iconic Communication
Reading Sounds
Covering the Body
Remembering to Forget
John Heartfield and the Agitated Image
Digital Dynamics in Nordic Contemporary Art
Fan Phenomena: The Twilight Saga
Kinaesthetic Knowing
Designs of Destruction
From Voice to Influence
Possessed
The Internet and the Madonna
Changing Minds or Changing Channels?
Crash Cultures
Combative Politics
Reclaiming Fair Use
New Patterns in Global Television Formats
From the Score to the Stage
A Mieke Bal Reader
Broadcasters and Citizens in Europe
Friendship as Social Justice Activism
Made to Be Seen
From Theory to Practice
Towards a Praxis-based Media and Journalism Research
Media in Wales
Switching Codes
Media Amnesia
Mel Gibson’s Bible
The Message Is Murder
News
Taken by Storm
Digital Visual Culture
Tele-Gen
Connect and Divide
Columbo
Life by Algorithms
Superman: The Movie
The Social Use of Media
Radical Initiatives in Interventionist & Community Drama
Sensing the City through Television
Sensing the City through Television
Media, Monarchy and Power
News at Work
Screen Education
The Nightwatches of Bonaventura
Engaging with Reality
European Culture and the Media
Media, Democracy and European Culture
The Chicago Guide to Fact-Checking
Paul Klee
Making the News
Spirit and System
Understanding Media
Campaigning for Hearts and Minds
Stephen King on the Small Screen
Surface
Italian TV Drama and Beyond
Television Antiheroines
The Camera Does the Rest
Complacency and Collusion
Off-Screen Cinema
Mediation and Protest Movements
Reclaiming the Media
Charles Ellis Johnson and the Erotic Mormon Image
Synthetic Worlds
Engagement in Twenty-First-Century French and Francophone Culture
A Thousand Screenplays
High-Profile Crimes
Turning On the Mind
Media in the Enlarged Europe
Videogames and Art
Worst Cases
Imaginary Apparatus
The Flash Press
Television in Europe
Three Myths of Internet Governance
The Place of Artists’ Cinema
TV Museum
Governing With the News, Second Edition
RTE and the Globalisation of Irish Television
Sonic Flux
Aesthetic Journalism
The Scientific Journal
Press Freedom and Pluralism in Europe
World-Wide-Walks
Comparative Media Policy, Regulation and Governance in Europe
The Art of the Blues
Exposing Vulnerability
Theater of War
Television and Criticism
Media Between Culture and Commerce
China’s Environment and China’s Environment Journalists
Mother Figured
Reinventing Public Service Television for the Digital Future
Shooting a Revolution
Spanish Cinema of the New Millennium
Behind the Times
Atlas, or the Anxious Gay Science
Diller Scofidio + Renfro
The Origins of Cool in Postwar America
The Global Road Movie
Bas Jan Ader
Seeing Green
New Zealand Film and Television
The Experimenters
Awake in the Dark
Scorsese by Ebert
[Grid< >Matrix]
Window - Interface
Globalizing American Studies
Propaganda Blitz
Journalism Re-examined
Artificial Darkness
The Black Image in the White Mind
Projections of Power
Art, Culture, and Media Under the Third Reich
The Metaphysics of Media
Opening Up
Guerrilla Marketing
Nixon at the Movies
Hollywood in Havana
Archives of the Insensible
Going to War in Iraq
Understanding Kubrick’s 2001: A Space Odyssey
Personal Style Blogs
Fan Phenomena: Game of Thrones
Grand Illusion
Troubling Vision
Unbecoming Cinema
Europe Faces Europe
Signifying Europe
The Power of Journalists
Making Modern Japanese-Style Painting
From NWICO to WSIS: 30 Years of Communication Geopolitics
Digital Demagogue
News Values
What Is Happening to News
Technology and Desire
Excommunication
The Brush and the Pen
Freaks Talk Back
Radio Content in the Digital Age
In Defense of Negativity
Inadvertent Images
Blowin’ Hot and Cool
Freedom from the Press
Digital Culture
Down and Out in the New Economy
Men in the Middle
Why Americans Hate Welfare
What Editors Do
Fear Reverence Terror
Dislocating China
Britpop Cinema
Is It Nation Time?
Queer Mythologies
Unveiling Secrets of War in the Peruvian Andes
The Information Age
Orphan Black
Processing Politics
Patty’s Got a Gun
Selling the Race
Transformations
Enduring Truths
The Money Shot
Media, Markets and Public Spheres
The TVs of Tomorrow
Warhol’s Working Class
Newsprint Metropolis
Outside the Gates of Eden
The Melodramatic Moment
Global Communication Electric
The Fiction of America
Foreign News
Feed-Forward
No Caption Needed
The Public Image
Australian TV News
The Chicagoan
Political Tone
A War for the Soul of America, Second Edition
A War for the Soul of America
From Reverence to Rape
From Melies to New Media
How We Think
Nollywood
Wuthering Heights on Film and Television
Posthuman Gothic
Shaking the World for Jesus
What’s Fair on the Air?
The Postal Age
Brushstroke and Emergence
Numbered Voices
Phenomenology’s Material Presence
Artistic License
Aristotle in Hollywood
Fan Phenomena: James Bond
Frames of Mind
Softimage
British TV and Film Culture in the 1950s
Wicked Intelligence
Who’s Who in Research: Media Studies
Photography, Trace, and Trauma
Is Anyone Responsible?
The Studio Reader
People’s Pornography
Politicians Don’t Pander
Network Aesthetics
Finding the Right Place on the Map
Global Technological Change
The Global Work of Art
Mercator Media Guide
Information Politics
Beijing Film Academy Yearbook 2017
Crosstalk
Broadcasting and National Imagination in Post-Communist Latvia
The Nixon Memo
Polish Media Art in an Expanded Field
Chromatic Algorithms
Making Local News
Power to the People
Fashion in Popular Culture
Crisis and Critique
Automatic Architecture
Buying and Believing
The Racket
Afterimages
Sound Reporting
Posthumanism and the Graphic Novel in Latin America
Scripted Culture
Reaching Audiences
Picturing the Cosmos
Learning for Innovation in the Global Knowledge Economy
Spaces in European Cinema
How We Became Our Data
Starring Mandela and Cosby
Gendered Transformations
Life on Mars
The ’War on Terror’
Television Courtroom Broadcasting
Looking for Marshall McLuhan in Afghanistan
Radio’s America
Follow the Leader?
America, Compromised
Digital Experience Design
How Partisan Media Polarize America
Cracking Up
Friending the Past
The Laws of Cool
The Freudian Robot
Audiences and Publics
Frames and Fictions on Television
Consuming Religion
Taking Up McLuhan’s Cause
Visual Culture of Wales
Context Providers
Convergence and Fragmentation
Kurt Schwitters
Exotic No More
Instafame
Image Critique and the Fall of the Berlin Wall
Policing Contingencies
Corporate Futures
The Positive Case for Negative Campaigning
Two Visionary Brothers
The Accidental Diarist
Best Laid Plans
The Light Club
The British Media and Bloody Sunday
The Propaganda of Peace
The War Correspondent
Revolution in the Echo Chamber
Developing Dialogues
The Alexander Medvedkin Reader
Contacts Desired
Systems We Have Loved
Hidden Hitchcock
Harm and Offence in Media Content
Cloning Terror
Critical Terms for Media Studies
Image Science
Documenting the World
Making Hispanics
Pilgrimage to Dollywood
New Flows in Global TV
TV Format Mogul
TV Formats Worldwide
The Ashtray
Get the Picture
Race and Photography
Media and Values
Picturing Cornwall
Planet Cosplay
Broadcasting Diversity
Wayang and Its Doubles
Andy Warhol, Publisher
Design for Business
Design for Business
Design for Business
Diasporas of Australian Cinema
Mechanisms of Trust
Selling Fear
Doing Style
Imprint and Trace
The Professionalisation of Political Communication
Common Knowledge
The Theatrical Baroque
Cultural Industries in Shanghai
Media, Monarchy and Power
The Iconoclastic Imagination
Digital Radio in Europe
Touching Photographs
Ramus, Method, and the Decay of Dialogue
Who Deliberates?
Truth or Dare
Face/On
Transglobal Fashion Narratives
Architectures of Illusion
The Postdigital Membrane
Radical Artifice
Speaking into the Air
Citizen Voices
Computer Game Worlds
Fan Phenomena: The Lord of the Rings
Book Was There
The Philosophical Hitchcock
Bachelors and Bunnies
The Catholic Church and American Culture
A Small Corner of Hell
Far Field
That’s the Way It Is
The Reasoning Voter
Post-Ethical Society
Coming Together
Speaking of Abortion
Children and Propaganda
Trends in Communication Policy Research
Reading Today
The Universal Journalist
Culture War
The Media Equation
The Decision Between Us
Consumer Identities
What Philosophy Wants from Images
Celebrity
Representing Talent
Early Royko
One More Time
The Culture of Calamity
Picturing Culture
Daguerreotypes
Matt Saunders
Glass! Love!! Perpetual Motion!!!
Media and Governance
Journalism and Technological Change
The Independence of the Media and its Regulatory Agencies
The Datafied Society
Selling War
Sustainability, Participation and Culture in Communication
The Race to 270
Bangladesh’s Changing Mediascape
Inclusion in New Danish Cinema
New Television
Digital Jihad
Human Rights In Camera
The Architecture of Aftermath
Cultural Locations of Disability
Make Room for TV
TV by Design
Echo Objects
A Field Guide to a New Meta-field
Ribbon of Darkness
Switching to Digital Television
Bookwork
Closed Circuits
Transmedium
Front Page Economics
Dysfunction and Decentralization in New Media Art and Education
European Journalism Education
European Media Governance
European Media Governance
European Media Governance
Interacting with Print
Pope.L
Vietnamese Traditional Medicine
Inside the TV Newsroom
Gutai
After Charlie Hebdo
National Conversations
Wikipedia and the Politics of Openness
Globalization and Culture
Media in Europe Today
Radio in Small Nations
The Art of Mechanical Reproduction
Transnational Celebrity Activism in Global Politics
Gentleman Troubadours and Andean Pop Stars
The Democratic Surround
Breaking Up America
We Europeans?
Between the Black Box and the White Cube
Communication and Discourse Theory
Theater of the Mind
Traumatic Encounters in Italian Film
Food Democracy
InDEBTed to Intervene
Music, Race, and Nation
All the Rage
Out of Whiteness
Advertising and Identity in Europe
Adapting Nineteenth-Century France
’I am an American’
Drop Dead Gorgeous
Top 40 Democracy
Secrets, Sex, and Spectacle
Dance, Disability and Law
Paper Soldiers
Iconic Communication
Reading Sounds
Covering the Body
Remembering to Forget
John Heartfield and the Agitated Image