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Media and the Mind

Art, Science, and Notebooks as Paper Machines, 1700-1830

A beautifully illustrated argument that reveals notebooks as extraordinary paper machines that transformed knowledge on the page and in the mind.

Information is often characterized as facts that float effortlessly across time and space. But before the nineteenth century, information was seen as a process that included a set of skills enacted through media on a daily basis. How, why, and where were these mediated facts and skills learned? Concentrating on manuscripts created by students in Scotland between 1700 and 1830, Matthew Daniel Eddy argues that notebooks functioned as workshops where notekeepers learned to judge the accuracy, utility, and morality of the data they encountered. He shows that, in an age preoccupied with "enlightened" values, the skills and materials required to make and use notebooks were not simply aids to reason—they were part of reason itself.

Covering a rich selection of material and visual media ranging from hand-stitched bindings to watercolor paintings, the book problematizes John Locke's comparison of the mind to a blank piece of paper, the tabula rasa. Although one of the most recognizable metaphors of the British Enlightenment, scholars seldom consider why it was so successful for those who used it. Eddy makes a case for using the material culture of early modern manuscripts to expand the meaning of the metaphor in a way that offers a clearer understanding of the direct relationship that existed between thinking and notekeeping. Starting in the home, moving to schools, and then ending with universities, the book explores this argument by reconstructing the relationship between media and the mind from the bottom up.

512 pages | 137 halftones, 2 tables | 6 x 9 | © 2022

History: British and Irish History, History of Technology

History of Science

Media Studies

Table of Contents

Bibliographic Note
1. Recrafting Notebooks
   The Tabula Rasa and Media Interface
   Notebooks as Artifacts
   Notekeeping as Artificing
   Notekeepers as Artificers
   Thought as a Realtime Activity
   Science as a System
   Book Outline

Part I: Inside the Tabula Rasa
2. Writing
   Writing as a Knowledge-Creating Tool
   The Place of Writing within Literacy
   Script and Observational Learning
   Grids and Verbal Pictures
   Copies and the Exercise of Memory
3. Codexing
   Paper Machines as Material Artifacts
   Paper as an Information Medium
   Quires and Knowledge Management
   Books and Customized Packaging
4. Annotating
   Revisibilia Made through Annotation
   Marginalia as Scribal Interface
   Paratexts and Editorial Training
   Ciphers and the Acquisition of Numeracy

Part II: Around the Tabula Rasa
5. Categorizing
   Headings as Realtime Categories
   Headings as Mnemonic Labels
   Headings as Visual Cues
   Headings as Coordinates for Scanpaths across Sightlines
6. Drawing
   Description and Movement across a Page
   Learning to Draw a Picture
   Figures as Developmental Tools
   Scenes as Observational Training
   Observation and the Utility of Perception
7. Mapping
   Mapkeepers and Knowledge Systems on Paper
   Map-Mindedness and Embodied Experience
   Desk Maps as Crafted Constructions
   Draft Maps and Field-Mindedness
   Field Maps and Visualized Data
   Maps as Mnemonic Devices

Part III: Beyond the Tabula Rasa
8. Systemizing
   The Syllabus as a System and a Machine
   Lecture Notebooks and Knowledge Formation
   The Syllabus and Its Organizational Technologies
   Scroll Books and the Strategies of Realtime Thinking
   Transcripts and the Extension of Memory
   Lines and the Media of the Mind
9. Diagramming
   Paths and Diagrammatic Knowledge
   Schemata as Useful Mnemonic Aids
   Shapes as Repurposed Perceptual Devices
   Pictograms and Visual Judgment
   Tables as Kinesthetic Diagrams
   Traces and Realtime Observation
10. Circulating
   Local and Global Networks
   Personal and Institutional Libraries
   Commodities within Knowledge Economies
   Courts of Law and Public Opinion

11. Rethinking Manuscripts
   The Tabula Rasa and Manuscripts
   Manuscripts as Dynamic Artifacts
   Manuscript Skills as Artifice
   Manuscript Keepers as Artificers
   Primary Sources
      Manuscripts and Ephemera
      Printed Primary Sources
   Secondary Sources

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