The Idols of ISIS
From Assyria to the Internet
The Idols of ISIS
From Assyria to the Internet
Beginning with the Islamic State’s claim that the smashed objects were idols of the “age of ignorance,” Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage. Finally, he compares the Islamic State’s production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides.
"The succinct and reader-friendly prose is accompanied by a series of images. . .from ancient temples to modern museums, intersecting always with cultural and political developments in and between the West and what was once unabashedly referred to as the “Orient.”
“Idols of Isis is an engaging piece of cultural criticism, a passionate meditation on the tension between those seeking ideological purity in society and those seeking what he calls pluralistic grey zones of public discourse.”
Alan Brill | "The Book of Doctrines and Opinions" Blog
"[Tugendhaft's] rich yet readable book puts ISIS’ smashing of ancient sculptures into historical and political context. . . . [it] is extremely relevant to America’s current debates about public sculpture, especially with regard to the role of violence in this debate."
Erin L. Thompson | Los Angeles Review of Books Blog
"“What are we to do with this complicated destruction and iconoclasm, which both draws us in and repels us? I can’t think of a better and timelier resource to tackle these immense questions than [The Idols of ISIS]."
"There are reasons and evidence for why 'statues are too terrified to sleep at night lest they wake up as ruins (67),' as Tugendhaft demonstrates expertly."
Hong Kong Review of Books
“In Idols of ISIS, Aaron Tugendhaft, a descendent of Iraqi Jews and scholar of the ancient Middle East, examines the significance of a video clip which had made the rounds online in 2015. It had showed ISIS militants smashing ancient artefacts using sledgehammers and drills in Mosul Museum, engaging in a modern-day iconomachy, purging ‘heresy’ from view and existence.
Tugendhaft lingers on this specific video because, he argues, it not only shows a quasi-ritualistic demolition but also highlights the correspondence between imagery and politics. He finds in the clip a resonance, ranging from Biblical times to the sectarian turmoil of post-2003 Iraq. In his book, he also explores why the location of Mosul’s museum matters, and discusses the apparent paradox in the militants' decision to record the events with a videocamera.”
“A book with a… [broad] import... His analysis, divided into three chapters, stretches beyond the Mosul museum to examine the long history of iconoclasm in human civilization—from image smashing in the Assyrian Empire, to medieval political philosophy, to the ways images are modified and circulated on the Internet today.”
“The brilliant young scholar Aaron Tugendhaft has proven himself in The Idols of ISIS."
La Voz de Córdoba
"The Idols of ISIS comes to us at a timely moment, as scholars are sounding the alarm about how the internet delivers certain images to our lives, and as the scholarly and museum worlds begin to reckon more fully with their colonial pasts."
"Tugendhaft’s book breaks images—and therefore it also makes them. He taps images together, using the ISIS video to sound out the hollowness of contemporary Western culture, from the internet to the United Nations to the war on terror."
“An elegant meditation on the conflict of images and its necessary role in politics. Looking at the lives of Mesopotamian monuments from Ashurbanipal to ISIS, Tugendhaft shows us how the stories they tell about the building and destruction of images are full of surprising similarities and address common philosophical questions. He argues that both iconoclasm and humanist universalism, for example, represent an impossible desire to depoliticise social life by monopolising the world of images.”
Faisal Devji, author of Islam after Liberalism
“With an argumentative arc stretching from idols to museums to videos, this book will be valuable to a variety of readers, including Assyriologists, archaeologists, ancient and contemporary historians, and scholars in media studies. Tugendhaft offers something unique by discussing the destruction of images by ISIS through the lenses of political theory and comparative history.”
Eckart Frahm, editor of A Companion to Assyria
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