Selling the Race
Culture, Community, and Black Chicago, 1940-1955
Selling the Race
Culture, Community, and Black Chicago, 1940-1955
In Selling the Race, Adam Green tells the story of how black Chicagoans were at the center of a national movement in the 1940s and ’50s, a time when African Americans across the country first started to see themselves as part of a single culture. Along the way, he offers fascinating reinterpretations of such events as the 1940 American Negro Exposition, the rise of black music and the culture industry that emerged around it, the development of the Associated Negro Press and the founding of Johnson Publishing, and the outcry over the 1955 lynching of Emmett Till.
By presenting African Americans as agents, rather than casualties, of modernity, Green ultimately reenvisions urban existence in a way that will resonate with anyone interested in race, culture, or the life of cities.
322 pages | 31 halftones | 6 x 9 | © 2006
Historical Studies of Urban America
History: American History
Sociology: Social History
Reviews
Table of Contents
Illustrations
Acknowledgments
Introduction: In Search of African-American Modernity
1 Imagining the Future
2 Making the Music
3 The Ends of Clientage
4 Selling the Race
5 A Moment of Simultaneity
Conclusion: An African-American Dilemma
Notes
Index
Be the first to know
Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!