Paper $31.00 ISBN: 9780226309118 Published July 2002
E-book $10.00 to $31.00 About E-books ISBN: 9780226309088 Published November 2008 Important E-book Note
Please note: The digital edition does not include 2 of the 12 images that appear in the physical edition.
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The Money Shot

Trash, Class, and the Making of TV Talk Shows

Laura Grindstaff

The Money Shot

Laura Grindstaff

325 pages | 8 halftones, 4 line drawings | 6 x 9 | © 2002
Paper $31.00 ISBN: 9780226309118 Published July 2002
E-book $10.00 to $31.00 About E-books ISBN: 9780226309088 Published November 2008
He leaped from his chair, ripped off his microphone, and lunged at his ex-wife. Security guards rushed to intercept him. The audience screamed, then cheered. Were producers concerned? Not at all. They were getting what they wanted: the money shot.

From "classy" shows like Oprah to "trashy" shows like Jerry Springer, the key to a talk show’s success is what Laura Grindstaff calls the money shot—moments when guests lose control and express joy, sorrow, rage, or remorse on camera. In this new work, Grindstaff takes us behind the scenes of daytime television talk shows, a genre focused on "real" stories told by "ordinary" people. Drawing on extensive interviews with producers and guests, her own attendance of dozens of live tapings around the country, and more than a year’s experience working on two nationally televised shows, Grindstaff shows us how producers elicit dramatic performances from guests, why guests agree to participate, and the supporting roles played by studio audiences and experts.

Grindstaff traces the career of the money shot, examining how producers make stars and experts out of ordinary people, in the process reproducing old forms of cultural hierarchy and class inequality even while seeming to challenge them. She argues that the daytime talk show does give voice to people normally excluded from the media spotlight, but it lets them speak only in certain ways and under certain rules and conditions. Working to understand the genre from the inside rather than pass judgment on it from the outside, Grindstaff asks not just what talk shows can tell us about mass media, but also what they reveal about American culture more generally.

A Word about Names
The Principal Cast
Prologue. Setting the Stage
1. Airing Dirty Laundry
2. The Genre Goes Hard-Core: A Brief History of Talk Shows and the Money Shot
3. Talk as Work: Routinizing the Production Process
4. Talk as Show (a Show of Emotion)
5. The Other Side of the Camera: Motives and Misgivings
6. Inside the Fun House
7. Will the Real Expert Please Stand Up?
8. Class, Trash, and Cultural Hierarchy
Epilogue. Airing Another Kind of Dirty Laundry: Confessions of a Feminist Fieldworker

Pacific Sociological Association: Distinguished Scholarship Award

ASA Culture Section: Mary Douglas Prize

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