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Mahler
Night Music
(Re:) Claiming Ballet
The Decibel Diaries
Modernism and Music
Music’s Monisms
Untwisting the Serpent
Rhythmic Gesture in Mozart
Music and German National Identity
The Blues Dream of Billy Boy Arnold
Operatic Geographies
Amplified
Both from the Ears and Mind
From the Score to the Stage
The Art of Nick Cave
(Re)Positioning Site Dance
The Operas of Giuseppe Verdi
Hole in Our Soul
Art from Start to Finish
The Freedom Principle
Haydn and the Performance of Rhetoric
The Virtual Haydn
Why the Grateful Dead Matter
The Opera Fanatic
Disciplining Music
Of Chronicles and Kings
Lonesome Roads and Streets of Dreams
The Art of Mbira
Mbira’s Restless Dance
Thinking in Jazz
Evenings with the Orchestra
Writings through John Cage’s Music, Poetry, and Art
Trans-Global Punk Scenes
Opera in Theory and Practice, Image and Myth
Opera Production and Its Resources
Fantasia Apocalyptica Illustrated
Opera and the Political Imaginary in Old Regime France
Jazz Worlds/World Jazz
Jewish Musical Modernism, Old and New
For the Love of It
Music Lessons
Five Years Ahead of My Time
a very sonic membrane
Tomorrow Never Knows
Courtly Song in Late Sixteenth-Century France
Nadia Boulanger and Her World
Memory, Space and Sound
Magic Flutes and Enchanted Forests
Beethoven’s Ninth
Staging History
Tear Down the Walls
The Search for Medieval Music in Africa and Germany, 1891-1961
Blue Notes in Black and White
Strange Footing
The Fullness of Time
Mikelnguut Yuarutait Yugcetun
Sonic Multiplicities
Stories of Tonality in the Age of François-Joseph Fétis
Verdi’s Middle Period
Civic Jazz
Move On Up
Duke Ellington’s America
Rave On
Rock Legends at Rockfield
Music
Learning to Listen
The Rhythmic Structure of Music
A Listener’s Guide to Free Improvisation
Pick Up the Pieces
Traveling the Spaceways
Conversations with Glenn Gould
The Triumph of Pleasure
Sonic Flux
Igor Stravinsky
MASKS
Francesca Caccini at the Medici Court
Curious and Modern Inventions
The Civic Muse
The Art of the Blues
The Idea of Absolute Music
Tristan’s Shadow
The Revolution’s Echoes
Sound Knowledge
Erik Satie
Verdi’s Theater
Metamorphoses
Not without Madness
Morrissey
Chants of the Byzantine Rite: The Italo-Albanian Tradition in Sicily
The Origins of Cool in Postwar America
The Punk Reader
The Comedians of the King
Dom Sebastien, roi de Portugal
Le convenienze ed inconvenienze teatrali
Maria Stuarda
Pia de’ Tolomei
Poliuto
Guitar Makers
Beethoven for a Later Age
Pathways to Unknown Worlds
Connecting Metal to Culture
More Important Than the Music
Swingin’ the Dream
Singing Sappho
Carl Nielsen
"Do You Know...?"
Music, Theater, and Cultural Transfer
Opera and Sovereignty
The Voice as Something More
Rebel Musics, Volume 2
Brian Ferneyhough
Catalogue of Carl Nielsen’s Works
A Place for Us
The Music of Antonio Carlos Jobim
Paris Blues
Music and Culture in Eighteenth-Century Europe
Richard Wagner
Jammin’ at the Margins
Music in the Castle
Deep Refrains
The Making of Handel’s Messiah
O Sing unto the Lord
Going for Jazz
Vaudeville Melodies
Bach
Beethoven’s Symphonies
Richard Wagner
Robert Schumann
Blowin’ Hot and Cool
The Urbanization of Opera
Angela Gheorghiu
The Guitar
Sound Diplomacy
Sound Authorities
Puccini
The Miles Davis Lost Quintet and Other Revolutionary Ensembles
You’ll Know When You Get There
Ornette Coleman
Sibelius
Divas and Scholars
Jean Sibelius
Coverscaping
Seems Like Murder Here
Neil Young
The Melodramatic Moment
Echoes of Women’s Voices
Harmonic Function in Chromatic Music
The Death and Resurrection of Elvis Presley
John Cage
Music Theory and the Exploration of the Past
Johann Adolph Scheibe
Peter Gabriel
Music and Levels of Narration in Film
Manuel de Falla and Modernism in Spain, 1898-1936
Perfect Wave
The Music between Us
Film, Music, Memory
The Moses Complex
Opera Observed
Everyone Loves Live Music
Genre in Popular Music
Owain Arwel Hughes
Four Last Songs
Bitten by the Blues
The Beatles in Hamburg
Who’s Who in Research: Performing Arts
Listening to China
First in the World
Re-Envisioning Past Musical Cultures
The Eighth
Backstage at the Revolution
Our Musicals, Ourselves
Sounds Beyond
On Concepts and Classifications of Musical Instruments
A Language of Its Own
Lark in the Morning
Anthem Quality
Jazz on the River
Pop Song Piracy
Beethoven
Modernism
Music, Dance and the Art of Seduction
Cherubino’s Leap
Distant Cycles
I’d Fight the World
Vivaldi
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 1
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 3
Shakespeare’s Lyric Stage
Unsettling Opera
A Power Stronger Than Itself
Music and the New Global Culture
Sound and Affect
Music, Musicians, and the Saint-Simonians
Haydn’s Sunrise, Beethoven’s Shadow
Music in the Culture of the Renaissance and Other Essays
Marcus Meibom
Jimi Hendrix
How Belfast Got the Blues
Wolfgang Amadeus Mozart
Emotion and Meaning in Music
Music, the Arts, and Ideas
The Spheres of Music
Style and Music
Divas in the Convent
Habitual Offenders
Nuns Behaving Badly
Saying Something
Electric Wizards
Pilgrimage to Dollywood
Mozart and the Mediation of Childhood
The Shadow and the Act
Tosca’s Rome
Merce Cunningham
A Shaker Musical Legacy
Music by Numbers
Divining the Oracle
Trustees of Culture
London Voices, 1820–1840
Vocal Victories
A Portrait in Four Movements
Across the Art/Life Divide
John Cage
Improvising Improvisation
The Philosophy of Improvisation
So Lonesome
A Catalogue of Early Printed Editions of the Works of Frederic Chopin in The University of Chicago Library
A Descriptive Catalogue of Early Editions of the Works of Frederic Chopin in the University of Chicago Library
Feasting and Fasting in Opera
Liberace
Puccini and The Girl
Deleuze and Film Music
Carl Nielsen’s Voice
Heiberg’s Contingency Regarded from the Point of View of Logic and Other Texts
Antonio Salieri and Viennese Opera
I Feel So Good
Composing Capital
Blackface Nation
Opera, Sex and Other Vital Matters
Composed Theatre
Flip the Script
Serbian & Greek Art Music
The Lived Experience of Improvisation
Arnold Schoenberg
Nightingales in Berlin
Emblems of Mind
Wherever the Sound Takes You
Composing for the Jazz Orchestra
Composing Music
Heroes
The Musical Comedy Films of Grigorii Aleksandrov
Let’s Make a Better World
Easy Riders, Rolling Stones
Van Halen
Harmony
Days of Twilight, Nights of Frenzy
Robert Schumann’s Advice to Young Musicians
Who Killed Cock Robin?
Music in the Present Tense
Good Music
Masses for the Sistine Chapel
The Invention of Art
Sun Ra’s Chicago
The Acoustic World of Early Modern England
The Key of Green
Mathias Spahlinger
The Keyboard Sonatas of Joseph Haydn
Baby You’re a Rich Man
Music in German Philosophy
American Orchestras in the Nineteenth Century
Metaphor and Musical Thought
A Band with Built-In Hate
An Unnatural Attitude
Message to Our Folks
Judaism Musical and Unmusical
The Trouble with Wagner
Remixology
The Spirit of This Place
The Wisdom of Sun Ra
Royal Danish Orchestra
J. P. E. Hartmann
William Kentridge
Music and Capitalism
Music in the World
The Sounds of Capitalism
Irina Baronova and the Ballets Russes de Monte Carlo
Making It Up Together
Culture and the Course of Human Evolution
Music in Renaissance Magic
The Letters of Arturo Toscanini
The Romantic Machine
Byzantine Neumes
The Political Orchestra
Singing in the Age of Anxiety
Music as Social Life
The Democratic Surround
Gothic Music
Music, Discipline, and Arms in Early Modern France
Decolonial Metal Music in Latin America
Networking Operatic Italy
I masnadieri
La traviata
La traviata
Macbeth
Rigoletto
Stiffelio
The Verdi-Boito Correspondence
New Museology
The Scene of Harlem Cabaret
Stolen Time
Androids in the Enlightenment
Louder Than Bombs
The Man Verdi
Hearing Beethoven
Out of Whiteness
Musical Vitalities
Top 40 Democracy
The Silent Musician
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte
School for Cool
"Don Giovanni" Captured
Nick Drake
The Rhythm of Thought
Music/City
Sex, Death, and Minuets
Say No to the Devil
Classicism of the Twenties
Night Music
(Re:) Claiming Ballet
The Decibel Diaries
Modernism and Music
Music’s Monisms
Untwisting the Serpent
Rhythmic Gesture in Mozart
Music and German National Identity
The Blues Dream of Billy Boy Arnold
Operatic Geographies
Amplified
Both from the Ears and Mind
From the Score to the Stage
The Art of Nick Cave
(Re)Positioning Site Dance
The Operas of Giuseppe Verdi
Hole in Our Soul
Art from Start to Finish
The Freedom Principle
Haydn and the Performance of Rhetoric
The Virtual Haydn
Why the Grateful Dead Matter
The Opera Fanatic
Disciplining Music
Of Chronicles and Kings
Lonesome Roads and Streets of Dreams
The Art of Mbira
Mbira’s Restless Dance
Thinking in Jazz
Evenings with the Orchestra
Writings through John Cage’s Music, Poetry, and Art
Trans-Global Punk Scenes
Opera in Theory and Practice, Image and Myth
Opera Production and Its Resources
Fantasia Apocalyptica Illustrated
Opera and the Political Imaginary in Old Regime France
Jazz Worlds/World Jazz
Jewish Musical Modernism, Old and New
For the Love of It
Music Lessons
Five Years Ahead of My Time
a very sonic membrane
Tomorrow Never Knows
Courtly Song in Late Sixteenth-Century France
Nadia Boulanger and Her World
Memory, Space and Sound
Magic Flutes and Enchanted Forests
Beethoven’s Ninth
Staging History
Tear Down the Walls
The Search for Medieval Music in Africa and Germany, 1891-1961
Blue Notes in Black and White
Strange Footing
The Fullness of Time
Mikelnguut Yuarutait Yugcetun
Sonic Multiplicities
Stories of Tonality in the Age of François-Joseph Fétis
Verdi’s Middle Period
Civic Jazz
Move On Up
Duke Ellington’s America
Rave On
Rock Legends at Rockfield
Music
Learning to Listen
The Rhythmic Structure of Music
A Listener’s Guide to Free Improvisation
Pick Up the Pieces
Traveling the Spaceways
Conversations with Glenn Gould
The Triumph of Pleasure
Sonic Flux
Igor Stravinsky
MASKS
Francesca Caccini at the Medici Court
Curious and Modern Inventions
The Civic Muse
The Art of the Blues
The Idea of Absolute Music
Tristan’s Shadow
The Revolution’s Echoes
Sound Knowledge
Erik Satie
Verdi’s Theater
Metamorphoses
Not without Madness
Morrissey
Chants of the Byzantine Rite: The Italo-Albanian Tradition in Sicily
The Origins of Cool in Postwar America
The Punk Reader
The Comedians of the King
Dom Sebastien, roi de Portugal
Le convenienze ed inconvenienze teatrali
Maria Stuarda
Pia de’ Tolomei
Poliuto
Guitar Makers
Beethoven for a Later Age
Pathways to Unknown Worlds
Connecting Metal to Culture
More Important Than the Music
Swingin’ the Dream
Singing Sappho
Carl Nielsen
"Do You Know...?"
Music, Theater, and Cultural Transfer
Opera and Sovereignty
The Voice as Something More
Rebel Musics, Volume 2
Brian Ferneyhough
Catalogue of Carl Nielsen’s Works
A Place for Us
The Music of Antonio Carlos Jobim
Paris Blues
Music and Culture in Eighteenth-Century Europe
Richard Wagner
Jammin’ at the Margins
Music in the Castle
Deep Refrains
The Making of Handel’s Messiah
O Sing unto the Lord
Going for Jazz
Vaudeville Melodies
Bach
Beethoven’s Symphonies
Richard Wagner
Robert Schumann
Blowin’ Hot and Cool
The Urbanization of Opera
Angela Gheorghiu
The Guitar
Sound Diplomacy
Sound Authorities
Puccini
The Miles Davis Lost Quintet and Other Revolutionary Ensembles
You’ll Know When You Get There
Ornette Coleman
Sibelius
Divas and Scholars
Jean Sibelius
Coverscaping
Seems Like Murder Here
Neil Young
The Melodramatic Moment
Echoes of Women’s Voices
Harmonic Function in Chromatic Music
The Death and Resurrection of Elvis Presley
John Cage
Music Theory and the Exploration of the Past
Johann Adolph Scheibe
Peter Gabriel
Music and Levels of Narration in Film
Manuel de Falla and Modernism in Spain, 1898-1936
Perfect Wave
The Music between Us
Film, Music, Memory
The Moses Complex
Opera Observed
Everyone Loves Live Music
Genre in Popular Music
Owain Arwel Hughes
Four Last Songs
Bitten by the Blues
The Beatles in Hamburg
Who’s Who in Research: Performing Arts
Listening to China
First in the World
Re-Envisioning Past Musical Cultures
The Eighth
Backstage at the Revolution
Our Musicals, Ourselves
Sounds Beyond
On Concepts and Classifications of Musical Instruments
A Language of Its Own
Lark in the Morning
Anthem Quality
Jazz on the River
Pop Song Piracy
Beethoven
Modernism
Music, Dance and the Art of Seduction
Cherubino’s Leap
Distant Cycles
I’d Fight the World
Vivaldi
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 1
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 3
Shakespeare’s Lyric Stage
Unsettling Opera
A Power Stronger Than Itself
Music and the New Global Culture
Sound and Affect
Music, Musicians, and the Saint-Simonians
Haydn’s Sunrise, Beethoven’s Shadow
Music in the Culture of the Renaissance and Other Essays
Marcus Meibom
Jimi Hendrix
How Belfast Got the Blues
Wolfgang Amadeus Mozart
Emotion and Meaning in Music
Music, the Arts, and Ideas
The Spheres of Music
Style and Music
Divas in the Convent
Habitual Offenders
Nuns Behaving Badly
Saying Something
Electric Wizards
Pilgrimage to Dollywood
Mozart and the Mediation of Childhood
The Shadow and the Act
Tosca’s Rome
Merce Cunningham
A Shaker Musical Legacy
Music by Numbers
Divining the Oracle
Trustees of Culture
London Voices, 1820–1840
Vocal Victories
A Portrait in Four Movements
Across the Art/Life Divide
John Cage
Improvising Improvisation
The Philosophy of Improvisation
So Lonesome
A Catalogue of Early Printed Editions of the Works of Frederic Chopin in The University of Chicago Library
A Descriptive Catalogue of Early Editions of the Works of Frederic Chopin in the University of Chicago Library
Feasting and Fasting in Opera
Liberace
Puccini and The Girl
Deleuze and Film Music
Carl Nielsen’s Voice
Heiberg’s Contingency Regarded from the Point of View of Logic and Other Texts
Antonio Salieri and Viennese Opera
I Feel So Good
Composing Capital
Blackface Nation
Opera, Sex and Other Vital Matters
Composed Theatre
Flip the Script
Serbian & Greek Art Music
The Lived Experience of Improvisation
Arnold Schoenberg
Nightingales in Berlin
Emblems of Mind
Wherever the Sound Takes You
Composing for the Jazz Orchestra
Composing Music
Heroes
The Musical Comedy Films of Grigorii Aleksandrov
Let’s Make a Better World
Easy Riders, Rolling Stones
Van Halen
Harmony
Days of Twilight, Nights of Frenzy
Robert Schumann’s Advice to Young Musicians
Who Killed Cock Robin?
Music in the Present Tense
Good Music
Masses for the Sistine Chapel
The Invention of Art
Sun Ra’s Chicago
The Acoustic World of Early Modern England
The Key of Green
Mathias Spahlinger
The Keyboard Sonatas of Joseph Haydn
Baby You’re a Rich Man
Music in German Philosophy
American Orchestras in the Nineteenth Century
Metaphor and Musical Thought
A Band with Built-In Hate
An Unnatural Attitude
Message to Our Folks
Judaism Musical and Unmusical
The Trouble with Wagner
Remixology
The Spirit of This Place
The Wisdom of Sun Ra
Royal Danish Orchestra
J. P. E. Hartmann
William Kentridge
Music and Capitalism
Music in the World
The Sounds of Capitalism
Irina Baronova and the Ballets Russes de Monte Carlo
Making It Up Together
Culture and the Course of Human Evolution
Music in Renaissance Magic
The Letters of Arturo Toscanini
The Romantic Machine
Byzantine Neumes
The Political Orchestra
Singing in the Age of Anxiety
Music as Social Life
The Democratic Surround
Gothic Music
Music, Discipline, and Arms in Early Modern France
Decolonial Metal Music in Latin America
Networking Operatic Italy
I masnadieri
La traviata
La traviata
Macbeth
Rigoletto
Stiffelio
The Verdi-Boito Correspondence
New Museology
The Scene of Harlem Cabaret
Stolen Time
Androids in the Enlightenment
Louder Than Bombs
The Man Verdi
Hearing Beethoven
Out of Whiteness
Musical Vitalities
Top 40 Democracy
The Silent Musician
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte
School for Cool
"Don Giovanni" Captured
Nick Drake
The Rhythm of Thought
Music/City
Sex, Death, and Minuets
Say No to the Devil
Classicism of the Twenties
