“This book is long overdue. Alligator Records has been a cornerstone of the blues world for over four decades. The stories about the artists and sessions that have paved the way for so many others are a pleasure to read. As an Alligator artist I am truly grateful for what Bruce and Alligator Records have done for me and this genre.”

Shemekia Copeland

“Bruce and his history with Alligator Records encompass so much of the richest and most exciting eras of urban blues. All the fascinating stories and behind-the-scenes intrigues are here, and the indelible legacy of his commitment to this music and the artists he cares so passionately about makes this a terrific, important read.”

Bonnie Raitt

“When I was about twenty years old, Hound Dog Taylor & The HouseRockers were my imaginary best friends.  They were with me everywhere I went because I always had my portable CD player with me.  I know for a fact I wouldn’t be in this business if Bruce hadn’t released those first two Hound Dog records. The fire Bruce captured on those records is the magic place I’m reaching for every time I’m in my studio.”

Dan Auerbach, The Black Keys

“Blues and gospel have always been first cousins, and Bruce was as supportive and gracious to me as you could imagine, always willing to offer his insight and expertise. He's been a true friend of the blues and independent music."

Mavis Staples

“Bruce Iglauer stepped through the door of Florence’s Lounge on Chicago’s South Side and into a timeless love affair with the blues. Iglauer’s story is about finding talent, nurturing it, and sharing it with others. It’s also about staying independent in a world where conglomerates glom and Big Tech assumes more power. His Alligator Records is a soundtrack to modern blues, from Hound Dog Taylor in 1970 on through Son Seals and Albert Collins and to today’s JJ Grey & Mofro. There are great stories here.”

Robert Gordon, author of Respect Yourself: Stax Records and the Soul Explosion

“In many ways the story of Alligator Records is the story of the blues over the last fifty years. Bitten by the Blues is the saga of Alligator Records through the eyes of the one person who knows it best—label founder and owner Bruce Iglauer. With his tough business mind, coupled with an often self-effacing sense of humor, Iglauer tells the tale of the Gator with candor and clarity. From the first Hound Dog Taylor record that launched the label, to the meteoric success of artists like Luther Allison and Shemekia Copeland, Alligator Records has, in many ways, defined success in the blues world. Bitten by the Blues is an eye-opening look at one of the most popular independent blues labels in history.”

Brett J. Bonner, editor, Living Blues magazine

Best Blues Book of 2018

Readers’ Poll Award | Living Blues

“Apart from the musicians themselves, few Chicagoans have done more for the genre—or witnessed more of its history from the inside—than Iglauer.”

Howard Reich | Chicago Tribune

“In what is simultaneously a coming-of-age story; an elegy for a bygone, grittier Chicago; and a case study on the many ways the color barrier was crossed musically in the mid-twentieth century, Iglauer and Roberts contextualize the blues’ story as America’s.”

Booklist

“Iglauer and coauthor Patrick A. Roberts provide an enlightening view of the music-making process—from scouting talent to obscure clubs to the quest for originality in the studio to marketing and distribution.”

DownBeat

“You have to admire Bruce Iglauer’s dedication and persistence over the years. He acknowledges he’s a workaholic but he has also been meticulous in his control of every aspect of his business. He’s been tireless and inspired in building up his artist roster, moving away from his early obsession with Chicago artists and branching out, both following and helping to create new blues forms.”

Blues & Rhythm

“This is a book packed with a yearning nostalgia for a time and place which we British bluesers could only dream about. If you want to get to grips with the electrifying history of Chicago blues, you need this book—it’s a houserockin’ gem.”

Blues Matters

“No book written today has told a more complete story of contemporary Chicago blues and its multitude of musicians as thoroughly as Bitten by the Blues. This is essential reading for any lover and collector of blues.”

Blues Music Magazine

“Bruce Iglauer's autobiographical history of Alligator Records is, in many ways, a story about technological change as much as it is about music. Yet, even more than a book about music or technology, at its heart, Bitten by the Blues is a business tale—the story of how a young college student started his own label to record his favorite musician, and ended up building a successful operation that not only provided for his family, but facilitated dozens of musicians being able to earn a living from their music. . . . Iglauer and his co-writer, Patrick A. Roberts, have written a history that is warmly conversational in tone, the equivalent of sharing stories with a good friend.”

All About Jazz

“The book is a wealth of blues history that draws both from Iglauer’s encyclopedic knowledge of blues along with his vivid, personal experiences with legendary artists.”

Chicago Blues Guide

“A fascinating look at one of the great independent record labels, and producers, of our time. For blues fans, this one has teeth.”

Library Journal

“In addition to being an enjoyable read for blues and Chicago enthusiasts, Bitten by the Blues reminds us that one’s passion can become one’s profession. Genuine Houserockin’ Music indeed.”

Birmingham Stages

“Iglauer’s storytelling, his illuminating views of the artists he’s worked with, his straightforward recounting of the business—from recording to running the label, and deciding who to sign or drop—kept me going strong, finishing the highly readable book, coauthored by Patrick A Roberts, in just a couple sittings.”

Lincoln Journal Star

“Iglauer imbues Bitten By The Blues with the same wit, humor, and charm that he evinces in person, and his larger-than-life personality shines through every page. . . .  Most importantly, perhaps, Bitten By The Blues reveals some of Bruce’s vision for the future of the label, a future that’s not carved in stone by any means, but is strengthened by the label’s discovery and development of young talents like Shemekia Copeland and Selwyn Birchwood as well as the addition of road-tested blues veterans like Tommy Castro, Nick Moss, and Tinsley Ellis to the label’s ever-evolving roster. Bitten By The Blues is an insightful and entertaining read for any blues music fanatic or anybody interested in the business of music. The only (admittedly minor) quibble I have with the book is that I’d loved to have seen more photos, but extra credit to Bruce for including a complete Alligator Records discography that we rabid collectors can use as a convenient shopping list. Grade: A+”

That Devil Music