Life, Music, Silence
Distributed for Reaktion Books
Life, Music, Silence
Few composers have enjoyed such critical acclaim—or longevity—as Jean Sibelius, who died in 1957 aged ninety-one. Always more than simply a Finnish national figure, an “apparition from the woods” as he ironically described himself, Sibelius’s life spanned turbulent and tumultuous events, and his work is central to the story of late-nineteenth- and early-twentieth-century music. This book situates Sibelius within a rich interdisciplinary environment, paying attention to his relationship with architecture, literature, politics, and the visual arts. Drawing on the latest developments in Sibelius research, it is intended as an accessible and rewarding introduction for the general reader, and it also offers a fresh and provocative interpretation for those more familiar with his music.
"A brief, thoughtful biography that should prove engaging to scholar and novice alike... Jean Sibelius: Life, Music, Silence is a welcome addition to the literature on a creative master who continues to stand apart."
The Wall Street Journal
"With a new spring in his step across already familiar ground, Grimley reinvigorates the life-and-works format by vividly placing Sibelius within the ever-shifting artistic and geopolitical landscape of his time, and that of existing scholarship. Grimley’s elegant fusion of 'audible' musicological detail and warm human insight will enrich the academic and general reader alike."
Hilary Finch, former music critic,Times (UK)
"Grimley’s Jean Sibelius: Life, Music, Silence is a concise, balanced, and reader-friendly volume that combines successful biographical study with cultural-historical cross-section and discussion about up-to-date topics in the literature, such as the debate on Sibelius’s political orientation. Extending the examination beyond the standard Sibelius repertoire, the author’s perspective on the composer’s music is fresh and inventive."
Timo Virtanen, lecturer at Sibelius Academy, University of the Arts Helsinki, editor-in-chief of the Jean Sibelius Works
Sibelius’s interest in the Finnish language and its vernacular cultures was stimulated partly by the increasingly desperate political situation in which Finland found itself in the 1890s: the final years of the century saw increasingly hardline crackdowns on separatist activity. But it was also circumstantial. His wife, Aino, was a member of one of Finland’s elite nationalist families, the Järnefelts, and an ardent proponent of the Finnish cause. She was always, in that sense, more politically connected and engaged than her husband. Sibelius’s letters in their early correspondence, recently published, slips continually between Finnish and Swedish (the language in which he still felt most comfortable). Association with the Järnefelt circle also brought him into close contact with a group of artists, writers and intellectuals, including the painter Akseli GallenKallela, who turned to Finnish folk materials (mythology, landscape and design) as a rich and fertile creative resource. Sibelius found himself, whether by design or accident, to be a key player in demands for an independent Finnish voice. But he swiftly realized that the nationalist route was itself a creatively limiting one, and he increasingly sought to present himself as an artist working on the broader international stage: a strategic decision that brought its own defeats and rewards.