A Listener’s Guide to Free Improvisation
- Contents
- Review Quotes
Table of Contents
Contents
Preface
Introduction
Preparing to Go into the Field
Range and Diversity
Fundamentals
Rhythm: The Hurdle
Duration: Another Hurdle
Basic Identification: Who Is Doing What?
Entrances and Exits: Mapping the Flow of Events
Interaction Dynamics: The Core
Dynamics Dynamics: Passive-Aggressive Improvising
Transitions: Observing How the Music Changes
Structure: The Butcher Shop
Personal Vocabulary: Each unto Themselves
Advanced Techniques
On Watching While Listening
Live or Memorex?
Kindling: 20 Starter Records for Your Improvised Music Collection
Once vs. Ongoing
The Level of Mystery
The Ambiguous and the Unresolved: Is Tony Dead?
The Rule of Threes
Dancing Between the Hypothetical Poles
Poly-Free
Kindling II: 20 Classic Poly-Free Records
Distraction and Sleep
Thinking and Chewing Gum (at the Same Time)
You and the Night and the Music: Audience Participation
Additional Reading: Seven Great Books (Plus One DVD)
A Little Rouge, a Touch of Blush
On the Moral Superiority of Improvised Music
Life List: A Selected Checklist of Major Living Free Improvisors
Review Quotes
Glenn Kotche, drummer and composer, Wilco
“I wish I had this book twenty-five years ago! A hyper-insightful and thoughtfully organized book that also happens to be thoroughly entertaining, A Listener’s Guide to Free Improvisation is an essential read for anyone interested in the complex yet accessible world of musical improvisation.”
Jim DeRogatis, cohost of Sound Opinions
“Corbett is one of my absolute favorite music writers because he has the rare ability to combine two diverse strains of this benighted craft, bringing together the deep musicological knowledge, heavy-lifting reportage, and crystalline prose of Peter Guralnick with the unbridled passion and joy of Lester Bangs, even when he’s writing about a topic as allegedly difficult as improvised music. He never fails to open new vistas for this music lover, and he is guaranteed to do the same for you.”
David Grubbs, author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
“This book is a small marvel. A deceptively simple guide, it is clearly the product of decades of serious listening. There are few books—about any form of music—that pack more ideas and more insights into such a short space as this one, and yet it remains light, lithe, immensely readable, enjoyable, and practical. It is an excellent, accessible introduction to an art form that is notorious in its reputation as difficult listening.”
Dusty Groove
“A much-needed book for the open-minded listener—a well-written volume from jazz critic John Corbett—and one that’s bound to widen your ears to a whole new realm of listening! The book’s pocket-sized—maybe so that you can sneak it into a club when visiting a free jazz concert—and it’s written in a style that’s both personal, but very directive—with a full understanding of the complexities that come into play when listening to improvised music, and a guide towards facing some of the more difficult challenges involved! Corbett clearly loves this music, but without any sort of high ideals—none of the too-cool-for-school modes that are usually standard with the avant garde, and instead this very down to earth approach that shows the listener that they’ve got all the tools needed to enjoy the music themselves. The goal here (one we can totally endorse) is to bring the listener face to face with new and challenging sounds—but in a way that allows them to instantly contextualize them too—yet without having to carry years of jazz or musical experience into the process. The book is divided up into easy-to-digest sections—and penned with a surprisingly warm style too.”
Chicago Reader
“It took me years and lots of listening to understand free improvisation, and in the beginning Corbett was a big help for me. This handy book breaks down the basics of free improvisation, a theoretically non-idiomatic practice where musicians get together with nothing planned and simply make music spontaneously, focusing on interaction and largely dispensing with the qualities we expect in music—fixed structure, melody, regular rhythms, standard harmony. Free improvisation is about sound and interplay, though that doesn't quite sum it up. Corbett mostly does without name dropping and jargon—he designed his book for the novice, and he takes pains to keep things clear and approachable, even if what he's writing about is anything but accessible to most listeners.”
Burning Ambulance
“The perfect example of what any field guide to music (or any other art form) should be. Small enough to fit in a pocket at barely over 4″ x 6″, the book is a practical guide for those new to free improvisation, though there is plenty of information for an experienced listener to pick up something new. . . . This book will undoubtedly be useful to anyone who is interested in improvised music or even music in general. These listening techniques could easily be applied to most forms of music. It would be nice to see this book be adopted as a text for music appreciation and history classes. I wish this book had been around when I started listening to and performing free improvisation. This is an essential text for the next generations of listeners.”
Free Jazz Collective
“A refreshingly pragmatic book. . . . As a primer, it’s a valuable guide and even seasoned listeners will find it useful to be reminded what distinguishes free improvisation from other music and the kinds of things to which they should be alive.”
MAKE
“Lays down a golden road to understanding free improvisation. . . . A Listener’s Guide is, essentially, and in the best way possible, a popular how-to manual from a master who has spent years in the field. Reading Corbett is like spending an afternoon with your favorite uncle and his cabinet of booze. By the end, you won’t necessarily know the names of the different bourbons, but you’ll know what tastes good.”
Tom Greenland | New York City Jazz Record
“It’s hard enough to put music into words, but even harder when it’s created without preconceived plans. Kudos then to John Corbett for his insight into how one can gain deeper understanding of and appreciation for such music.”
Spectrum Culture
“A Listener’s Guide to Free Improvisation expertly navigates music that can seem thoroughly foreign and intimidating. Yet Corbett handles the material with grace and humor, intelligence and curiosity, in prose that unlike some writing on the subject, is easy to read and accessible to everyone. . . . a strangely soothing read, finding beauty and order amidst seeming chaos like a Zen master who describes a blade of grass bending but not breaking in the wind.”
Perfect Sound Forever
“Corbett has been listening to free improvisation for years and beyond that, has organized shows, curated festivals, and even engineered recording sessions for the music. Now, with A Listener's Guide to Free Improvisation, he has attempted to build a bridge to potential listeners by writing a kind of guide for the perplexed on how to listen to music that doesn't follow the conventions of ordinary song. . . . The advice he offers is practical and illuminating.”—Perfect Sound Forever
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Music: Ethnomusicology | General Music
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