Thinking in Jazz
The Infinite Art of Improvisation
904 pages
|
117 music examples, 13 figures
|
6 x 9
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© 1994
- Contents
Table of Contents

Contents
List of Figures
List of Music Texts
Acknowledgments
Introduction: Picking Notes out of Thin Air? Improvisation and Its Study
Ch. 1: Love at First Sound: Early Musical Environment
Ch. 2: Hangin’ Out and Jammin’: The Jazz Community as an Educational System
Ch. 3: A Very Structured Thing: Jazz Compositions as Vehicles for
Improvisation
Ch. 4: Getting Your Vocabulary Straight: Learning Models for Solo
Formulation
Ch. 5: Seeing Out a Bit: Expanding upon Early Influences
Ch. 6: The More Ways You Have of Thinking: Conventional Rhythmic and
Theoretical Improvisation Approaches
Ch. 7: Conversing with the Piece: Initial Routines Applying Improvisation
Approaches to Form
Ch. 8: Composing in the Moment: The Inner Dialogue and the Tale
Ch. 9: Improvisation and Precomposition: The Eternal Cycle
Ch. 10: The Never-ending State of Getting There: Soloing Ability, Ideals,
and Evaluations
Ch. 11: Arranging Pieces: Decisions in Rehearsal
Ch. 12: Adding to Arrangements: Conventions Guiding the Rhythm Section
Ch. 13: Give and Take: The Collective Conversation and Musical Journey
Ch. 14: When the Music’s Happening and When It’s Not: Evaluating Group
Performances
Ch. 15: The Lives of Bands: Conflict Resolution and Artistic Development
Ch. 16: Vibes and Venues: Interacting with Different Audiences in Different
Settings
Epilogue: Jazz as a Way of Life
Music Texts
Appendix A: House Congressional Resolution 57
Appendix B: List of Artists Interviewed
Sources
Notes
Discography
Videography
Bibliography
List of Music Texts
Acknowledgments
Introduction: Picking Notes out of Thin Air? Improvisation and Its Study
Ch. 1: Love at First Sound: Early Musical Environment
Ch. 2: Hangin’ Out and Jammin’: The Jazz Community as an Educational System
Ch. 3: A Very Structured Thing: Jazz Compositions as Vehicles for
Improvisation
Ch. 4: Getting Your Vocabulary Straight: Learning Models for Solo
Formulation
Ch. 5: Seeing Out a Bit: Expanding upon Early Influences
Ch. 6: The More Ways You Have of Thinking: Conventional Rhythmic and
Theoretical Improvisation Approaches
Ch. 7: Conversing with the Piece: Initial Routines Applying Improvisation
Approaches to Form
Ch. 8: Composing in the Moment: The Inner Dialogue and the Tale
Ch. 9: Improvisation and Precomposition: The Eternal Cycle
Ch. 10: The Never-ending State of Getting There: Soloing Ability, Ideals,
and Evaluations
Ch. 11: Arranging Pieces: Decisions in Rehearsal
Ch. 12: Adding to Arrangements: Conventions Guiding the Rhythm Section
Ch. 13: Give and Take: The Collective Conversation and Musical Journey
Ch. 14: When the Music’s Happening and When It’s Not: Evaluating Group
Performances
Ch. 15: The Lives of Bands: Conflict Resolution and Artistic Development
Ch. 16: Vibes and Venues: Interacting with Different Audiences in Different
Settings
Epilogue: Jazz as a Way of Life
Music Texts
Appendix A: House Congressional Resolution 57
Appendix B: List of Artists Interviewed
Sources
Notes
Discography
Videography
Bibliography
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Music: Ethnomusicology | General Music
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