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Distributed for Museum Tusculanum Press

Byzantine Neumes

A New Introduction to the Middle Byzantine Musical Notation

The medieval chant of Byzantium is but little-known, although a large body of music has been preserved in neumatic notation. Coming into use about AD 1150, the Middle Byzantine musical notation is the earliest notational type of Byzantium that can be transcribed with reasonable accuracy; the musical content of manuscripts earlier than c. 1150 can only be fully understood through Middle Byzantine versions. The book discusses such topics as chant transmission before the neumes, the varieties of Byzantine musical notations, words and music in Byzantine chant, Byzantine and Western neumatic notations, modes, melody and intervals, but its purpose above all is to serve as a key to the deciphering of melodies written in the Middle Byzantine notation. In addition, the book presents a panorama of the styles of Byzantine chant from simple psalmody to melismatic chant and it is accompanied by a set of specimens of musical manuscripts of known date and provenance. The text includes more than sixty musical examples and is provided with an annotated bibliography.

142 pages | 8 x 11 1/2 | © 2011

Music: General Music


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Table of Contents

Foreword
Preface
Introduction

I. The chant texts
II. Preliminary remarks on the Byzantine notations
III. The varieties of Byzantine musical notations
IV. Transcription of the Middle Byzantine notation
V. The Signs of the Middle Byzantine notation
VI. Modes, melody and intervals
VII. The Byzantine chant styles

Appendix: Specimens of manuscripts with known dates and provenances
Bibliography and abbreviations
Index of proper names
Index of manuscripts
Index of neumes and principal subjects
Monumenta Musicae Byzantinae—Descriptive catalogue

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