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Pop Song Piracy

Disobedient Music Distribution since 1929

Pop Song Piracy

Disobedient Music Distribution since 1929

The music industry’s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers’ efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld’s Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s.
 
In the 1940s and ’50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry’s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

288 pages | 11 halftones, 7 line drawings | 6 x 9 | © 2011

History: American History

Law and Legal Studies: Legal History

Music: General Music

Reviews

"Kenfeld provides a welcome addition to the intellectual property rights debate in music. His book addresses the historical linkages between music piracy and the music business, and how both are deeply entangled. The fact that the author is a staff member at the special collections library at Pennsylvania State University is clear. The archival data used throughout this book is the result of a very thorough engagement with material spanning nearly a century."

Cultural Studies

“Barry Kernfeld’s rich and stimulating book makes a significant contribution to current debates over technology, copying, piracy, and the political economy of the music industry. He clarifies not just the history of legal and illegal music copying but also the arguments about these practices and the complicated relationships that have resulted among the law, corporations, entrepreneurs, consumers, and the media.”

Simon Frith, University of Edinburgh

Pop Song Piracy is original, insightful, learned without being stuffy and, in the end, a profound investigation of the ways people have tried (and often succeeded) in getting the popular music they wanted without paying for it. Anyone interested in the business of music will want to learn what Barry Kernfeld has to tell us.”

Howard S. Becker, coauthor of “Do You Know . . . ?”: The Jazz Repertoire in Action

Table of Contents

Acknowledgments
Introduction

Part I: Printed Music
 Chapter 1: Tin Pan Alley’s Near-Perfect Distribution System
 Chapter 2: Bootlegging Song Sheets
 Chapter 3: The Content and Uses of Song Sheets 
 Chapter 4: Fake Books and Music Photocopying

Part II: Broadcasting
 Chapter 5: Pirate Radio in Northwestern Europe

Part III: Recordings
 Chapter 6: Illegal Copying of Phonograph Records
 Chapter 7: Illegal Copying of Tapes
 Chapter 8: Bootleg Albums as Unauthorized New Releases
 Chapter 9: Illegal Copying of Compact Discs
 Chapter 10: Song Sharing

Conclusion
Notes
Bibliography
Index

Awards

Association for Recorded Sound Collections: Association for Recorded Sound Collections Award for Excellence
Won

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