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Nineteenth-Century Women’s Writing in Wales
Welsh Gothic
Virginia Woolf and the Fictions of Psychoanalysis
Blood Relations
Green Victorians
The Improbability of Othello
Sappho in Early Modern England
Enlightenment Orientalism
Nocturne
Forbidden Journeys
Dread Poetry and Freedom
Most Noble Bodley!
Fragments and Assemblages
Black British Cultural Studies
Welsh Periodicals in English
Liberating Dylan Thomas
The Culture of Violence
Edward Pugh of Ruthin 1763-1813
Object Lessons
Signifying God
Alice in Space
Imagining the Penitentiary
Curiosity
Shakespeare’s Settings and a Sense of Place
This Wide and Universal Theater
The Marriage of Heaven and Hell
Shakespeare on Love and Friendship
Shakespeare’s Politics
The Art of Letter Writing
Jane Austen: Illustrated Quotations
Rediscovering Margiad Evans
Shakespeare and the French Poet
Science for All
Reading in the Wilderness
Angers, Fantasies and Ghostly Fears
Nobody’s Nation
Disowned by Memory
The Arthur of the Welsh
Welsh Writing in English
Novel Science
Shakespeare in Catalan
Impersonality
Shakespeare’s Rome
Strange Footing
England in 1819
Wordsworth’s Second Nature
The Legal Epic
Holistic Shakespeare
Bardic Circles
T. S. Eliot and the Cultural Divide
Victorian and Modern Poetics
Drama, Play, and Game
How to Woo, When, and to Whom
Dangerous Work
Dangerous Work
Enemies of Promise
Frontiers in Anglo-Welsh Poetry
The Truth Against the World
A Power to Do Justice
Shakespeare and the Law
A Blake Dictionary
Under Briggflatts
Cartographies of Culture
Wales and the Romantic Imagination
O. M. Edwards
Dylan Thomas
Victorian Sexual Dissidence
Loving Dr. Johnson
First Love
The Daily Charles Dickens
Cruelty and Laughter
After Raymond Williams
Scenes of Instruction in Renaissance Romance
Jane Austen’s Names
Uneasy Sensations
The Wild Girl, Natural Man, and the Monster
Music at Midnight
The Historical Renaissance
Portraits of Shakespeare
Shakespearean Territories
Elizabeth I
Cato’s Tears and the Making of Anglo-American Emotion
Shakespearean Pragmatism
Poetry, Geography, Gender
Alun Llywelyn-Willliams
Collaborative Circles
Modes of Production of Victorian Novels
Dido’s Daughters
Rewriting the Renaissance
Milton’s Epic Voice
The Novel, Spirituality and Modern Culture
Classic Rough News
Dorothy Edwards
Graffiti and the Writing Arts of Early Modern England
Invalidism and Identity in Nineteenth-Century Britain
Threads of Life
The Ideas in Things
The Next Bend in the Road
Cultural Aesthetics
Unsettled
Making Chaucer’s "Book of the Duchess"
Poetic Relations
Practicing New Historicism
Sir Gawain and the Green Knight
Kindred Nature
Joyce’s Ghosts
James Joyce
The Theater of Devotion
Plague Writing in Early Modern England
The Meaning of Shakespeare, Volume 1
The Meaning of Shakespeare, Volume 2
Freud’s Couch, Scott’s Buttocks, Brontë’s Grave
A Very Queer Family Indeed
Sweet Science
Discovering Dylan Thomas
After Empire
Twentieth-Century Women’s Writing in Wales
Renaissance Self-Fashioning
Shakespeare’s Freedom
Five Words
Rereading the Black Legend
From Many Gods to One
The Secret History of Emotion
Uncomfortable Situations
Shakespeare’s Noise
Shylock Is Shakespeare
Small Change
Cultural Capital
London Fragments
Living Liberalism
Civilising Subjects
The Melodramatic Moment
The Mosaic Constitution
Writing the Thames
One of Us
Bibliographical Guide to Twenty-four Modern Anglo-Welsh Writers, A
Soliciting Interpretation
Wuthering Heights on Film and Television
Shelley’s Ghost
Adulterous Alliances
Forms of Nationhood
Culture and Anomie
Victorian Relativity
Noel Coward
The Substance of Shadow
Royal Representations
The Arthur of the Iberians
Writers in a Landscape
Prince of Tricksters
’The Tempest’ and Its Travels
The Rule of Art
The Curious World of Dickens
Romantic Things
Oscar Wilde Prefigured
Ruth Bidgood
Bard of Liberty
Piracy
Equivocal Beings
Jane Austen
Jane Austen’s Cults and Cultures
Practicing Literary Theory in the Middle Ages
Darogan
Reading the East India Company 1720-1840
Stories Set Forth With Fair Words
The Division of Literature
Imagination, Meditation, and Cognition in the Middle Ages
Edward Thomas
Forms of Attention
Eight Tragedies of Shakespeare
Shakespeare: Poet and Citizen
Shakespeare Only
Shakespeare’s Tribe
Ventures into Childland
Dialogue with Death
Paper Minds
Minor Creatures
The National Stage
Writing in Context
Exploration and Exchange
Preserving the Self in the South Seas, 1680-1840
The Burdens of Intimacy
The Pre-Raphaelites and Their Circle
The Sexuality of History
A Cezanne in the Hedge and Other Memories of Charleston and Bloomsbury
The Great William
Children’s Literature
Shakespeare’s Lyric Stage
Darwin and the Novelists
Dying to Know
The Realistic Imagination
Air’s Appearance
The Writer’s Map
Victorian Popularizers of Science
Victorian Scientific Naturalism
Local Transcendence
The Author’s Due
The Resistance to Poetry
Citizen-Saints
Shakespeare Dwelling
Thinking with Shakespeare
Literal Figures
Celtic Myth in the 21st Century
Loving Literature
The Literary and Historical Legacy of Iolo Morganwg, 1826-1926
Persecution, Plague, and Fire
Making England Western
William Blake and the Impossible History of the 1790s
Elizabeth I
The Politics of Mirth
Death Be Not Proud
Rising Ground
Word Crimes
Charleston Farmhouse
Inwardness and Theater in the English Renaissance
The Invention of the Oral
The Romantic Ideology
Tolkien: Maker of Middle-earth
Tolkien: Treasures
Werewolves, Wolves and the Gothic
Saturday’s Silence
The Animal Claim
Elizabeth Barrett Browning
Backgrounds to David Jones
Rebel Women
London in Quotations
Oxford in Quotations
The Purpose of Playing
The Subject of Elizabeth
The Outward Mind
What Was Before
Elizabeth I
MS. Junius 11
The Reformation of Emotions in the Age of Shakespeare
Trade and Romance
The Masculine Self in Late Medieval England
Fashioning Femininity and English Renaissance Drama
Literature Incorporated
The Earth on Show
Fools Are Everywhere
Gwenlyn Parry
Poor Tom
Shakespeare’s Dead
Shakespeare from the Margins
Katherine Parr
Humoring the Body
Reading Holinshed’s Chronicles
Contemporary Irish and Welsh Women’s Fiction
Dreaming in Books
Comic Faith
Genres of the Credit Economy
Making a Social Body
The Proper Lady and the Woman Writer
Uneven Developments
Selections from Ystorya Bown o Hamtwn
Walter Ralegh’s "History of the World" and the Historical Culture of the Late Renaissance
Shylock on Trial: The Appellate Briefs
Wilfred Owen
Eighteenth-Century Writing from Wales
Loving Faster than Light
Shakespeare and the Problem of Meaning
The Worldmakers
Poetry of Mourning
The Converse of the Pen
Gay Lives
Gender and Heroism in Early Modern English Literature
A Facsimile Edition of the Vernon Manuscript
Prayer and Power
Remembering and Repeating
Victorian Sensation
Visions of Science
The Accommodated Animal
Sovereign Amity
Frankenstein, or the Modern Prometheus
The Enlightenment and the Book
Telling Time
Virginia Woolf Icon
Romanticism and the Question of the Stranger
Romanticism, Nationalism, and the Revolt against Theory
Liquid City
This Is Enlightenment
Shakespeare the Actor and the Purposes of Playing
Tudor Autobiography
The State as a Work of Art
The Acoustic World of Early Modern England
Homosexual Desire in Shakespeare’s England
The Key of Green
The Making of Shakespeare’s First Folio
Boredom
Desire and Truth
Privacy
Le Bone Florence of Rome
New Companion to the Literature of Wales
Rhys Davies
What Is What Was
In the Nineties
Love Known
The Unrepentant Renaissance
The Rhetoric of English India
Lost Property
Memory’s Library
The Good Brexiteers Guide to English Lit
Jane Austen: The Chawton Letters
Jane Austen: Writer in the World
Common Prayer
John Donne, Body and Soul
Posthumous Love
Some Words of Jane Austen
All That Is Wales
In the Shadow of the Pulpit
R. S. Thomas
Welsh Writing in English, Volume 7
Infidel Poetics
Imagining Monsters
The Notorious Astrological Physician of London
The Moment of Racial Sight
A Probable State
The Corporate Commonwealth
Intimate Friends
Grammars of Approach
The Prose of Things
Protocols of Liberty
Edward Thomas and World Literary Studies
Shakespeare’s Reparative Comedies
Mapping Shakespeare’s World
Modernism from the Margins
The Artist as Critic
A Shakespearean Botanical
Person and Persona
The Irish Literary Tradition
Secret Leaves
Mesmerized
Sex on Stage
Welsh Gothic
Virginia Woolf and the Fictions of Psychoanalysis
Blood Relations
Green Victorians
The Improbability of Othello
Sappho in Early Modern England
Enlightenment Orientalism
Nocturne
Forbidden Journeys
Dread Poetry and Freedom
Most Noble Bodley!
Fragments and Assemblages
Black British Cultural Studies
Welsh Periodicals in English
Liberating Dylan Thomas
The Culture of Violence
Edward Pugh of Ruthin 1763-1813
Object Lessons
Signifying God
Alice in Space
Imagining the Penitentiary
Curiosity
Shakespeare’s Settings and a Sense of Place
This Wide and Universal Theater
The Marriage of Heaven and Hell
Shakespeare on Love and Friendship
Shakespeare’s Politics
The Art of Letter Writing
Jane Austen: Illustrated Quotations
Rediscovering Margiad Evans
Shakespeare and the French Poet
Science for All
Reading in the Wilderness
Angers, Fantasies and Ghostly Fears
Nobody’s Nation
Disowned by Memory
The Arthur of the Welsh
Welsh Writing in English
Novel Science
Shakespeare in Catalan
Impersonality
Shakespeare’s Rome
Strange Footing
England in 1819
Wordsworth’s Second Nature
The Legal Epic
Holistic Shakespeare
Bardic Circles
T. S. Eliot and the Cultural Divide
Victorian and Modern Poetics
Drama, Play, and Game
How to Woo, When, and to Whom
Dangerous Work
Dangerous Work
Enemies of Promise
Frontiers in Anglo-Welsh Poetry
The Truth Against the World
A Power to Do Justice
Shakespeare and the Law
A Blake Dictionary
Under Briggflatts
Cartographies of Culture
Wales and the Romantic Imagination
O. M. Edwards
Dylan Thomas
Victorian Sexual Dissidence
Loving Dr. Johnson
First Love
The Daily Charles Dickens
Cruelty and Laughter
After Raymond Williams
Scenes of Instruction in Renaissance Romance
Jane Austen’s Names
Uneasy Sensations
The Wild Girl, Natural Man, and the Monster
Music at Midnight
The Historical Renaissance
Portraits of Shakespeare
Shakespearean Territories
Elizabeth I
Cato’s Tears and the Making of Anglo-American Emotion
Shakespearean Pragmatism
Poetry, Geography, Gender
Alun Llywelyn-Willliams
Collaborative Circles
Modes of Production of Victorian Novels
Dido’s Daughters
Rewriting the Renaissance
Milton’s Epic Voice
The Novel, Spirituality and Modern Culture
Classic Rough News
Dorothy Edwards
Graffiti and the Writing Arts of Early Modern England
Invalidism and Identity in Nineteenth-Century Britain
Threads of Life
The Ideas in Things
The Next Bend in the Road
Cultural Aesthetics
Unsettled
Making Chaucer’s "Book of the Duchess"
Poetic Relations
Practicing New Historicism
Sir Gawain and the Green Knight
Kindred Nature
Joyce’s Ghosts
James Joyce
The Theater of Devotion
Plague Writing in Early Modern England
The Meaning of Shakespeare, Volume 1
The Meaning of Shakespeare, Volume 2
Freud’s Couch, Scott’s Buttocks, Brontë’s Grave
A Very Queer Family Indeed
Sweet Science
Discovering Dylan Thomas
After Empire
Twentieth-Century Women’s Writing in Wales
Renaissance Self-Fashioning
Shakespeare’s Freedom
Five Words
Rereading the Black Legend
From Many Gods to One
The Secret History of Emotion
Uncomfortable Situations
Shakespeare’s Noise
Shylock Is Shakespeare
Small Change
Cultural Capital
London Fragments
Living Liberalism
Civilising Subjects
The Melodramatic Moment
The Mosaic Constitution
Writing the Thames
One of Us
Bibliographical Guide to Twenty-four Modern Anglo-Welsh Writers, A
Soliciting Interpretation
Wuthering Heights on Film and Television
Shelley’s Ghost
Adulterous Alliances
Forms of Nationhood
Culture and Anomie
Victorian Relativity
Noel Coward
The Substance of Shadow
Royal Representations
The Arthur of the Iberians
Writers in a Landscape
Prince of Tricksters
’The Tempest’ and Its Travels
The Rule of Art
The Curious World of Dickens
Romantic Things
Oscar Wilde Prefigured
Ruth Bidgood
Bard of Liberty
Piracy
Equivocal Beings
Jane Austen
Jane Austen’s Cults and Cultures
Practicing Literary Theory in the Middle Ages
Darogan
Reading the East India Company 1720-1840
Stories Set Forth With Fair Words
The Division of Literature
Imagination, Meditation, and Cognition in the Middle Ages
Edward Thomas
Forms of Attention
Eight Tragedies of Shakespeare
Shakespeare: Poet and Citizen
Shakespeare Only
Shakespeare’s Tribe
Ventures into Childland
Dialogue with Death
Paper Minds
Minor Creatures
The National Stage
Writing in Context
Exploration and Exchange
Preserving the Self in the South Seas, 1680-1840
The Burdens of Intimacy
The Pre-Raphaelites and Their Circle
The Sexuality of History
A Cezanne in the Hedge and Other Memories of Charleston and Bloomsbury
The Great William
Children’s Literature
Shakespeare’s Lyric Stage
Darwin and the Novelists
Dying to Know
The Realistic Imagination
Air’s Appearance
The Writer’s Map
Victorian Popularizers of Science
Victorian Scientific Naturalism
Local Transcendence
The Author’s Due
The Resistance to Poetry
Citizen-Saints
Shakespeare Dwelling
Thinking with Shakespeare
Literal Figures
Celtic Myth in the 21st Century
Loving Literature
The Literary and Historical Legacy of Iolo Morganwg, 1826-1926
Persecution, Plague, and Fire
Making England Western
William Blake and the Impossible History of the 1790s
Elizabeth I
The Politics of Mirth
Death Be Not Proud
Rising Ground
Word Crimes
Charleston Farmhouse
Inwardness and Theater in the English Renaissance
The Invention of the Oral
The Romantic Ideology
Tolkien: Maker of Middle-earth
Tolkien: Treasures
Werewolves, Wolves and the Gothic
Saturday’s Silence
The Animal Claim
Elizabeth Barrett Browning
Backgrounds to David Jones
Rebel Women
London in Quotations
Oxford in Quotations
The Purpose of Playing
The Subject of Elizabeth
The Outward Mind
What Was Before
Elizabeth I
MS. Junius 11
The Reformation of Emotions in the Age of Shakespeare
Trade and Romance
The Masculine Self in Late Medieval England
Fashioning Femininity and English Renaissance Drama
Literature Incorporated
The Earth on Show
Fools Are Everywhere
Gwenlyn Parry
Poor Tom
Shakespeare’s Dead
Shakespeare from the Margins
Katherine Parr
Humoring the Body
Reading Holinshed’s Chronicles
Contemporary Irish and Welsh Women’s Fiction
Dreaming in Books
Comic Faith
Genres of the Credit Economy
Making a Social Body
The Proper Lady and the Woman Writer
Uneven Developments
Selections from Ystorya Bown o Hamtwn
Walter Ralegh’s "History of the World" and the Historical Culture of the Late Renaissance
Shylock on Trial: The Appellate Briefs
Wilfred Owen
Eighteenth-Century Writing from Wales
Loving Faster than Light
Shakespeare and the Problem of Meaning
The Worldmakers
Poetry of Mourning
The Converse of the Pen
Gay Lives
Gender and Heroism in Early Modern English Literature
A Facsimile Edition of the Vernon Manuscript
Prayer and Power
Remembering and Repeating
Victorian Sensation
Visions of Science
The Accommodated Animal
Sovereign Amity
Frankenstein, or the Modern Prometheus
The Enlightenment and the Book
Telling Time
Virginia Woolf Icon
Romanticism and the Question of the Stranger
Romanticism, Nationalism, and the Revolt against Theory
Liquid City
This Is Enlightenment
Shakespeare the Actor and the Purposes of Playing
Tudor Autobiography
The State as a Work of Art
The Acoustic World of Early Modern England
Homosexual Desire in Shakespeare’s England
The Key of Green
The Making of Shakespeare’s First Folio
Boredom
Desire and Truth
Privacy
Le Bone Florence of Rome
New Companion to the Literature of Wales
Rhys Davies
What Is What Was
In the Nineties
Love Known
The Unrepentant Renaissance
The Rhetoric of English India
Lost Property
Memory’s Library
The Good Brexiteers Guide to English Lit
Jane Austen: The Chawton Letters
Jane Austen: Writer in the World
Common Prayer
John Donne, Body and Soul
Posthumous Love
Some Words of Jane Austen
All That Is Wales
In the Shadow of the Pulpit
R. S. Thomas
Welsh Writing in English, Volume 7
Infidel Poetics
Imagining Monsters
The Notorious Astrological Physician of London
The Moment of Racial Sight
A Probable State
The Corporate Commonwealth
Intimate Friends
Grammars of Approach
The Prose of Things
Protocols of Liberty
Edward Thomas and World Literary Studies
Shakespeare’s Reparative Comedies
Mapping Shakespeare’s World
Modernism from the Margins
The Artist as Critic
A Shakespearean Botanical
Person and Persona
The Irish Literary Tradition
Secret Leaves
Mesmerized
Sex on Stage