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Distributed for Bodleian Library Publishing

Mapping Shakespeare’s World

Shakespeare never set a play in his own Elizabethan London. From the castle in Elsinore where Hamlet avenges his father’s death to Cleopatra’s Alexandria at the height of the Roman Empire to the seaport town in Cyprus where we await the arrival of Othello, each of Shakespeare’s plays is set in a time or space remote from his primary audience. Why is this? How much did the Bard and his contemporaries know about the foreign lands his characters often inhabit? What expectations did an audience have if the curtains rose on a play which claimed to take place in ancient Troy or the Pyrenean kingdom of Navarre in northern Spain?
Mapping Shakespeare’s World explores these questions with surprising results. It has often been said that setting is irrelevant to Shakespeare’s plays—that, wherever they are set, their enduring appeal lies in their ability to speak to broad questions of human nature. Peter Whitfield shows that, on the contrary, many of Shakespeare’s locations were carefully chosen for their ability to convey subtle meanings an Elizabethan audience would have picked up on and understood. Through the use of paintings, drawings, contemporary maps and geographical texts, Whitfield suggests answers to such questions as where Illyria was located, why The Merry Wives of Windsor could only have taken place in Windsor, and how two utterly different comedies—The Comedy of Errors and Pericles, Prince of Tyre—both came to take place in ancient Ephesus.
Just when one might think there was nothing more to be said about Shakespeare, with Mapping Shakespeare’s World, Whitfield offers a fascinating new point of view.

208 pages | 110 color plates | 8 1/4 x 9 3/4 | © 2015

Literature and Literary Criticism: British and Irish Literature

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Table of Contents

Preliminary: Maps of man & the cosmos

1. Greece, Rome and the Mediterranean
The Greek Plays
The Roman Plays
The Mediterranean Plays

2. The dramas of European cities & courts
The idea of Europe
Italy: the setting
Italy: the plays
The non-Italian plays

3. British plays, ancient, medieval & modern
Shakespeare’s England: A sense of place
The ancient & medieval plays
The plays of dynastic conflict
The Wars of the Roses
Two isolated plays

Picture Credits

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