Minor Creatures
Persons, Animals, and the Victorian Novel
240 pages
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6 halftones
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6 x 9
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© 2018
- Contents
- Review Quotes
Table of Contents
Contents
1. Home, Animal, Novel
2. Petted Things: Cruelty and Sympathy in the Brontës
3. Dying like a Dog in Dickens
4. Middlemarch’s Brute Life
5. Using and Pitying Animals in Thomas Hardy
6. Tracking Animal Agency in Conan Doyle and Hardy
7. “Infinite Compassion”: Nonhuman Life in Schreiner’s The Story of an African Farm
Acknowledgments
Notes
Works Cited
Index
2. Petted Things: Cruelty and Sympathy in the Brontës
3. Dying like a Dog in Dickens
4. Middlemarch’s Brute Life
5. Using and Pitying Animals in Thomas Hardy
6. Tracking Animal Agency in Conan Doyle and Hardy
7. “Infinite Compassion”: Nonhuman Life in Schreiner’s The Story of an African Farm
Acknowledgments
Notes
Works Cited
Index
Review Quotes
Choice
“Kreilkamp has emerged as a major scholar of animals in Victorian literature and culture. . . . Kreilkamp’s analyses can be challenging, but the clarity of his prose makes the book accessible to less experienced readers. This book will not be the last study of Victorian literature and animals, but it represents a major contribution to both animal and Victorian literary studies.”
Leah Price, Harvard University
“We all know the Victorians invented a characteristic idea of domesticity along with a characteristic form of fiction. What none of us knew, until Kreilkamp’s elegant interpretations of writers ranging from Darwin to Carroll to Hardy, is how entangled the realist novel was with something more specific: the domestication of nonhuman animals. Showing surprisingly but irrefutably that Victorian narrative structures both respond to and forge a new understanding of what humans do with, for, and to other species—whether bred, beaten, eaten, pitied, identified with, or cared for—Minor Creatures models a new method for understanding the relation between culture and literary form.”
Teresa Mangum, University of Iowa
“Minor Creatures asks how and why precarious, provisional beings without human speech, accessible subjectivity, or legal rights had such paradoxically generative effects on the realistic novel. In this richly theorized, deeply compassionate exploration of Victorian ‘semihuman’ ‘semicharacters,’ Kreilkamp makes it impossible to ignore that ‘beating of a squirrel’s heart’ that marginally, consistently, and productively threatened the anthropocentric obliviousness of Victorian fiction and its readers.”
Kent Puckett, University of California, Berkeley
“In this careful and compassionate book, Kreilkamp shows what’s been hiding in plain sight all along: the central and, indeed, the structuring role that domesticated animals play in Victorian narrative realism. Minor Creatures explores a complex and pervasive ecosystem that supports birds, cats, dogs, and literary characters in equal measure. Thanks to its conceptual rigor, historical detail, and critical acuity, Kreilkamp reveals the humble household pet as an unexpected best friend to the literary logics on which the realist novel fundamentally depends.”
Cannon Schmitt, University of Toronto
“In lucid prose, via a series of always compelling and often luminous readings, Kreilkamp demonstrates the indispensability of animals to the work of Victorian realist fiction.”
Los Angeles Review of Books
“A wide-ranging reassessment of Victorian animals as humans began to radically change how they viewed them.”
Nineteenth Century Literature
"Ivan Kreilkamp’s wonderful Minor Creatures: Persons, Animals, and the Victorian Novel offers a richly textured account of literary animals that marries historical and biographical detail with theoretically nuanced analysis to bring us up-to-date with animal studies.... [His] approach... allows him to shed a truly original light on a well-worn image, presenting it as highly representative of the role animal lives and bodies play in Victorian fiction."
Studies in the Novel
"[T]his is an important book that undertakes the much-needed work of reorienting our understanding of Victorian realism towards its dependence on nonhuman life. It makes a persuasive and original argument for understanding animal ownership, domesticity, and the novel as inextricably intertwined cultural forms in nineteenth-century Britain, and as such will be of vital interest not only to those who work in animal studies, but also to scholars of novel theory and Victorian literature and culture."
For more information, or to order this book, please visit https://www.press.uchicago.edu
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Biological Sciences: Behavioral Biology
Cognitive Science: Human and Animal Cognition
Literature and Literary Criticism: British and Irish Literature | General Criticism and Critical Theory
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