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Aeschylus II
Surpassing Wonder
Twenty Chapters
What Is Pastoral?
Marcus Aurelius in Love
Persius
The Afterlife of Apuleius
Greek and Egyptian Mythologies
Roman and European Mythologies
Electra
The Marriage of Philology and Scepticism
The Commerce of War
African American Writers and Classical Tradition
The Rubáiyát of Omar Khayyám
Physiologus
A Short History of Greek Literature
Fictions of Sappho, 1546-1937
Mythologies
Splitting the Difference
Sappho Is Burning
Slaves and Other Objects
The Renaissance Rediscovery of Intimacy
Elizabeth I
The Complete Greek Tragedies, Volume 3
Euripides I
Euripides II
Euripides III
Euripides V
Iphigenia among the Taurians
Medea
City and Soul in Plato’s Republic
Variety
Reading the World
How Poems Think
Image and Myth
How to Stage Greek Tragedy Today
Greek Tragedies 1
Greek Tragedies 2
Greek Tragedies 3
Rhetoric in Tooth and Claw
The History
Works of Hesiod and the Homeric Hymns
A Commentary on The Complete Greek Tragedies. Aeschylus
The Iliad of Homer
Odes and Epodes
Darkness Visible
Secret of the Muses Retold
Greek Lyrics
Essays on Ancient and Modern Judaism
Objects as Actors
The Sleep of Reason
Arbitrary Rule
Pseudo-Galenica
Aesop’s Human Zoo
The Tragedy and Comedy of Life
The Story of Barzu
Publishing Women
Kiss My Relics
Vision and Stagecraft in Sophocles
Anger, Mercy, Revenge
The Complete Tragedies, Volume 1
The Complete Tragedies, Volume 2
Hardship and Happiness
Natural Questions
On Benefits
The Great ’Umar Khayyam
Sophocles I
Sophocles II
Aristophanes and the Cloak of Comedy
Postclassicisms
Islam and Travel in the Middle Ages
Did the Greeks Believe in Their Myths?
The Aeneid
A Companion to The Iliad
The Monk and the Book
Translation as Muse
Playing the Other
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