Odd Affinities
Virginia Woolf’s Shadow Genealogies
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Odd Affinities
Virginia Woolf’s Shadow Genealogies
A new reading of Virginia Woolf in the context of “long modernism.”
In recent decades, Virginia Woolf’s contribution to literary history has been located primarily within a female tradition. Elizabeth Abel dislodges Woolf from her iconic place within this tradition to uncover her shadowy presence in other literary genealogies. Abel elicits unexpected echoes of Woolf in four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. By mapping the wayward paths of what Woolf called “odd affinities” that traverse the boundaries of gender, race, and nationality, Abel offers a new account of the arc of Woolf’s career and the transnational modernist genealogy constituted by her elusive and shifting presence. Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, gender and sexuality studies, and African American studies.
In recent decades, Virginia Woolf’s contribution to literary history has been located primarily within a female tradition. Elizabeth Abel dislodges Woolf from her iconic place within this tradition to uncover her shadowy presence in other literary genealogies. Abel elicits unexpected echoes of Woolf in four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. By mapping the wayward paths of what Woolf called “odd affinities” that traverse the boundaries of gender, race, and nationality, Abel offers a new account of the arc of Woolf’s career and the transnational modernist genealogy constituted by her elusive and shifting presence. Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, gender and sexuality studies, and African American studies.
304 pages | 15 halftones | 6 x 9 | © 2024
Literature and Literary Criticism: American and Canadian Literature, British and Irish Literature
Reviews
Table of Contents
List of Figures
Acknowledgments
Introduction: Woolf Tracks
Part I: Woolf’s Room in African American Modernism
Chapter 1: Mrs. Dalloway in Harlem: Passing’s Contending Modernisms
Chapter 2: The Smashed Mosaic: Woolf’s Traces in Baldwin’s Oeuvre
Part II: Woolf’s Refuge in Late European Modernism
Chapter 3: Light Rooms: Virginia Woolf, Roland Barthes, and the Mediums of Maternal Mourning
Chapter 4: Invisible Subjects: Woolf’s Flickering in Sebald’s Austerlitz
Afterword: Vibrations and Visibility
List of Abbreviations
Notes
Index
Acknowledgments
Introduction: Woolf Tracks
Part I: Woolf’s Room in African American Modernism
Chapter 1: Mrs. Dalloway in Harlem: Passing’s Contending Modernisms
Chapter 2: The Smashed Mosaic: Woolf’s Traces in Baldwin’s Oeuvre
Part II: Woolf’s Refuge in Late European Modernism
Chapter 3: Light Rooms: Virginia Woolf, Roland Barthes, and the Mediums of Maternal Mourning
Chapter 4: Invisible Subjects: Woolf’s Flickering in Sebald’s Austerlitz
Afterword: Vibrations and Visibility
List of Abbreviations
Notes
Index
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