Posthumous Love
Eros and the Afterlife in Renaissance England
- Contents
- Review Quotes
- Awards
Table of Contents
Contents
Acknowledgments
Introduction Burying Love
Introduction Burying Love
1 Love after Death in the Protestant Church
2 Banishing Death: Wyatt’s Petrarchan Poems
3 Dead Ends: The Elizabethan Sonnet
4 The Capulet Tomb
5 The Afterlife of Renaissance Sonnets
6 Carpe Diem
Conclusion Limit Cases: Henry King and John Milton
Epilogue “An Arundel Tomb”
2 Banishing Death: Wyatt’s Petrarchan Poems
3 Dead Ends: The Elizabethan Sonnet
4 The Capulet Tomb
5 The Afterlife of Renaissance Sonnets
6 Carpe Diem
Conclusion Limit Cases: Henry King and John Milton
Epilogue “An Arundel Tomb”
Notes
Index
Review Quotes
Times Literary Supplement
“Engaging. . . . Targoff knows the virtues of reckoning with the unknowns and their place in the lyric tradition. . . . Targoff’s argument moves nimbly between ideology, analysis of reception and solid readings of individual poems. . . . Elegant.”
Irish Times
“Startling, bracing and moving. . . . Posthumous Love is an often moving and tender book that treads a delicate balance between sentiment and deft literary analysis. . . . Makes love poetry written in times of traumatic change, under the threat of separation and death, seem uncanny and unsettling, which is surely right.”
Roland Greene | Studies in English Literature 1500–1900
“Excellent. . . . Posthumous Love taught me a great deal about a body of work I thought I knew well.”
Renaissance Quarterly
“Enlivened by original readings of, among others, Wyatt, Shakespeare, Donne, Herbert, and Marvell, Posthumous Love opens up new ways of thinking about early modern views of mortality and the complex ways that these impact literary conventions and representations of eros. . . . Targoff’s sensitive and stimulating close readings and her astute engagement with wider philosophical and theological questions, make this not only a beautifully written and argued book, but a convincing one as well.”
Modern Philology
“[A] substantial contribution to our understanding of English Renaissance love poetry . . . [Targoff] finds in this cumulative body of verse a serenity, vitality, and buoyancy that go a long way toward explaining its appeal to modern readers.”
Sixteenth Century Journal
“By considering how Renaissance couples and love poets actually thought about eros and the afterlife, Targoff contributes to a long-standing debate about the interplay between the earthly and the heavenly in Renaissance England. She presents a compelling case for a gradual but unmistakable movement toward the earthly, the particular, and the human.”
Gordon Braden, University of Virginia
“Posthumous Love sets out a compelling case about a large and important point about English Renaissance love literature—one that perhaps should have been obvious for a long time but has never been brought into such sharp focus. The material may be familiar, but Ramie Targoff’s treatment is genuinely fresh, and her well-researched book traces a clear narrative arc from Petrarch to the carpe diem poems of the seventeenth century, with nuanced assertions about the sonneteers of the 1590s, the poetry of Donne, and Shakespeare in between.”
James Simpson, Harvard University
“Targoff’s poignant theme is early modern love in time. In this radiant book, consciousness of love in time drives not only the choice of material but also its presentation: Targoff wastes not a second of the reader’s own time as her luminous prose presents moving material in crisply packaged, perfectly targeted scholarship. Posthumous Love’s insight is striking; its mode is a model.”
Jeffrey Knapp, University of California, Berkeley
“Targoff’s brilliance as a literary critic is to ask questions of Renaissance English poetry that seem fundamental and inescapable once she’s raised them. Here, the question is why English poets ignored the precedents in Dante and Petrarch for portraying a love that lasts beyond death and chose instead to insist on love’s mortal limits. Targoff’s answers, in Posthumous Love, yield astonishingly fresh new readings of Shakespeare, Wyatt, Marvell, and Donne.”
Phi Beta Kappa: Christian Gauss Award
Short Listed
Modern Language Association of America: James Russell Lowell Prize
Honorable Mention
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Literature and Literary Criticism: British and Irish Literature
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