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The DADA Reader
Taste
Fear and Art in the Contemporary World
Metropolitan Museum Journal, 2020
Metropolitan Museum Journal, Volume 54, 2019
The Art of Describing
Art in Mind
Francis Bacon
Briefwechsel
Radical Coherency
A Cubism Reader
Michael Asher
Metropolitan Museum Journal, Volume 49, 2014
Metropolitan Museum Journal, Volume 52, 2017
The Artemisia Files
Louise Bourgeois’ Spider
Loving Yusuf
A Mieke Bal Reader
Of What One Cannot Speak
Bright Earth
Ritual and Capital
Time and the Digital
Chromophobia
Afterall
Art from Start to Finish
Food in Painting
Ferdinand Hodler. Landschaften
Afterall
Afterall
Afterall
Afterall
Afterall
Leon Golub Powerplay
Again
The Politics of Urban Beauty
Art in an Age of Civil Struggle, 1848-1871
The 72 Windows of St. Jan’s Church in Gouda
Ecce Homo
Other Things
Journey
Circulation
Surface
Fray
Looking at the Overlooked
The Riddle of the Image
Parallel Texts
The Camera Does the Rest
Learning from Madness
Off-Screen Cinema
Afterall
More Voice-Over
Afterall
Questions of Evidence
Objects in Air
Water and Art
A Hero in His Time
Sonic Flux
An Audience of Artists
Before Pictures
Friedrich Kuhn (1926-1972)
The Idea of North
Aesthetics at Large
Clement Greenberg Between the Lines
Sewn in the Sweatshops of Marx
Arthur Dove
Thinking Out of Sight
The Truth in Painting
Atlas, or the Anxious Gay Science
Too Big To Scale
The Wind Tunnel Model
SpecLab
Sweet Dreams
Divine Conception
Please RSVP
Points of Convergence
Qu’est-ce que l’art contemporain ?
In the Aftermath of Trauma
Tekstura
A Mythology of Forms
The Abu Ghraib Effect
The Cry of Nature
Artificial Darkness
What Happened to Art Criticism?
Afterall
Afterall
Artists Behind the Work
Inspiring Writing in Art and Design
Reframing Reality
The Power of Images
Hannes Schüpbach. Cinema Elements
Absorption and Theatricality
Art and Objecthood
A Roger Fry Reader
Constructivism
EL CONSTRUCTIVISMO
Inadvertent Images
Begegnung mit der Vergangenheit
Briefwechsel mit seinen Eltern, Freunden und Sammlern
Vera Röhm
Antony Gormley on Sculpture
After the Crisis
Après la Crise
Flying Out of this World
The Collected Essays and Criticism, Volume 1
The Collected Essays and Criticism, Volume 2
The Collected Essays and Criticism, Volume 3
The Collected Essays and Criticism, Volume 4
Hans Holbein
The Pensive Image
The Rhetoric of Perspective
The Artist on the Artist
The Ascetic Imperative in Culture and Criticism
Fluxus Forms
The Great Debate about Art
Confronting Identities in German Art
Brushstroke and Emergence
Sculpture
Making Theory/Constructing Art
Artistic License
25 Women
The Invisible Dragon
Perfect Wave
Nicolas Calas and the Challenge of Surrealism
A Violent Embrace
Resisting Abstraction
Displacement
The Objective Eye
Aesthetics and the Theory of Criticism
Photography, Trace, and Trauma
Writing Art History
Fish in Art
Experimental Games
Network Aesthetics
Zofia Kulik
Eyesight Alone
The Global Work of Art
On Art
Chromatic Algorithms
Toward a Geography of Art
Critique
Collections of Nothing
Caspar David Friedrich and the Subject of Landscape
Willem de Kooning Nonstop
Isa Genzken
The Liberation of Painting
Into the Light of Things
Pay for Your Pleasures
Dreamland of Humanists
The Meaning of Pictures
Haydn’s Sunrise, Beethoven’s Shadow
An Affect of an Experience
The Idea of the Avant Garde
Hans Josephsohn
Hans Josephsohn
Einst war sie MISS RIMINI
Design Discourse
Before Disenchantment
Framed Spaces
Systems We Have Loved
The Trial(s) of Psychoanalysis
Against the Avant-Garde
Epistemologies of Aesthetics
Manifesto of Artistic Research
Metropolitan Museum Journal, Volume 53, 2018
Metropolitan Museum Journal, 2021
The Art of Return
Dwan Gallery
Music, the Arts, and Ideas
Interventions
Iconology
The Language of Images
Occupy
Picture Theory
What Do Pictures Want?
Gustave Caillebotte
Wilfrid Moser: Milestones
Critical Terms for Art History, Second Edition
Monuments and Memory, Made and Unmade
Classicisms
Atomic Postcards
Meaning in the Visual Arts
On the Animation of the Inorganic
Unpackaging Art of the 1980s
The Futurist Moment
Philosophy by Other Means
The Net Effect
Paris Primitive
Alex Katz
Degrees of Separation
Something Flashed, Something Broke, Something Remained
The Decision Between Us
The Logic of the Lure
Between Reality and Dream
Scale
Gathering
What Philosophy Wants from Images
Doris Salcedo
The Way of the Shovel
Art on the Edge
The De-Definition of Art
The Judicious Eye
Transfigurements
Daguerreotypes
Making Memory Matter
Landscapes
On Modern Art
Imaginary Animals
Romanesque Architectural Sculpture
Art Without Borders
Einblicke
The Microscope and the Eye
The Escape
Myself and My Aims
The Place of the Symbolic
Archaeologies of Vision
Photography, History, Difference
Between Sense and de Kooning
The Invention of Art
Georg Simmel
Hélio Oiticica
What Is Contemporary Art?
Sleeping Beauty
Painting, History and Meaning
Echo Objects
Ribbon of Darkness
Largesse
Michelangelo’s Painting
Michelangelo’s Sculpture
Other Criteria
Renaissance and Baroque Art
Pictures of Romance
The Real Real Thing
The Scandal of Pleasure
Venus in Exile
Ecological Aesthetics
Bookwork
Transmedium
The Open Studio
Concerning Consequences
Darker Shades
Augusto Giacometti
William Kentridge
Learning to Look
The Picture in Question
Glückliche Tage?
Mariano
Gutai
The Art of Mechanical Reproduction
The Afterlife of Piet Mondrian
Written on Bamboo and Silk
Prehistoric Future
Between the Black Box and the White Cube
The Secret Lives of Art Works
Aspects
Afterall
Afterall
Afterall
Leiko Ikemura
Girls! Girls! Girls! In Contemporary Art
Ernst Gubler - Max Gubler
Max Vogt - Bauen für die Bahn 1957-1989
Museum, Inc.
Shinkichi Tajiri
Permission to Laugh
Hybrid Ecologies
Une Suisse exotique ?
Taste
Fear and Art in the Contemporary World
Metropolitan Museum Journal, 2020
Metropolitan Museum Journal, Volume 54, 2019
The Art of Describing
Art in Mind
Francis Bacon
Briefwechsel
Radical Coherency
A Cubism Reader
Michael Asher
Metropolitan Museum Journal, Volume 49, 2014
Metropolitan Museum Journal, Volume 52, 2017
The Artemisia Files
Louise Bourgeois’ Spider
Loving Yusuf
A Mieke Bal Reader
Of What One Cannot Speak
Bright Earth
Ritual and Capital
Time and the Digital
Chromophobia
Afterall
Art from Start to Finish
Food in Painting
Ferdinand Hodler. Landschaften
Afterall
Afterall
Afterall
Afterall
Afterall
Leon Golub Powerplay
Again
The Politics of Urban Beauty
Art in an Age of Civil Struggle, 1848-1871
The 72 Windows of St. Jan’s Church in Gouda
Ecce Homo
Other Things
Journey
Circulation
Surface
Fray
Looking at the Overlooked
The Riddle of the Image
Parallel Texts
The Camera Does the Rest
Learning from Madness
Off-Screen Cinema
Afterall
More Voice-Over
Afterall
Questions of Evidence
Objects in Air
Water and Art
A Hero in His Time
Sonic Flux
An Audience of Artists
Before Pictures
Friedrich Kuhn (1926-1972)
The Idea of North
Aesthetics at Large
Clement Greenberg Between the Lines
Sewn in the Sweatshops of Marx
Arthur Dove
Thinking Out of Sight
The Truth in Painting
Atlas, or the Anxious Gay Science
Too Big To Scale
The Wind Tunnel Model
SpecLab
Sweet Dreams
Divine Conception
Please RSVP
Points of Convergence
Qu’est-ce que l’art contemporain ?
In the Aftermath of Trauma
Tekstura
A Mythology of Forms
The Abu Ghraib Effect
The Cry of Nature
Artificial Darkness
What Happened to Art Criticism?
Afterall
Afterall
Artists Behind the Work
Inspiring Writing in Art and Design
Reframing Reality
The Power of Images
Hannes Schüpbach. Cinema Elements
Absorption and Theatricality
Art and Objecthood
A Roger Fry Reader
Constructivism
EL CONSTRUCTIVISMO
Inadvertent Images
Begegnung mit der Vergangenheit
Briefwechsel mit seinen Eltern, Freunden und Sammlern
Vera Röhm
Antony Gormley on Sculpture
After the Crisis
Après la Crise
Flying Out of this World
The Collected Essays and Criticism, Volume 1
The Collected Essays and Criticism, Volume 2
The Collected Essays and Criticism, Volume 3
The Collected Essays and Criticism, Volume 4
Hans Holbein
The Pensive Image
The Rhetoric of Perspective
The Artist on the Artist
The Ascetic Imperative in Culture and Criticism
Fluxus Forms
The Great Debate about Art
Confronting Identities in German Art
Brushstroke and Emergence
Sculpture
Making Theory/Constructing Art
Artistic License
25 Women
The Invisible Dragon
Perfect Wave
Nicolas Calas and the Challenge of Surrealism
A Violent Embrace
Resisting Abstraction
Displacement
The Objective Eye
Aesthetics and the Theory of Criticism
Photography, Trace, and Trauma
Writing Art History
Fish in Art
Experimental Games
Network Aesthetics
Zofia Kulik
Eyesight Alone
The Global Work of Art
On Art
Chromatic Algorithms
Toward a Geography of Art
Critique
Collections of Nothing
Caspar David Friedrich and the Subject of Landscape
Willem de Kooning Nonstop
Isa Genzken
The Liberation of Painting
Into the Light of Things
Pay for Your Pleasures
Dreamland of Humanists
The Meaning of Pictures
Haydn’s Sunrise, Beethoven’s Shadow
An Affect of an Experience
The Idea of the Avant Garde
Hans Josephsohn
Hans Josephsohn
Einst war sie MISS RIMINI
Design Discourse
Before Disenchantment
Framed Spaces
Systems We Have Loved
The Trial(s) of Psychoanalysis
Against the Avant-Garde
Epistemologies of Aesthetics
Manifesto of Artistic Research
Metropolitan Museum Journal, Volume 53, 2018
Metropolitan Museum Journal, 2021
The Art of Return
Dwan Gallery
Music, the Arts, and Ideas
Interventions
Iconology
The Language of Images
Occupy
Picture Theory
What Do Pictures Want?
Gustave Caillebotte
Wilfrid Moser: Milestones
Critical Terms for Art History, Second Edition
Monuments and Memory, Made and Unmade
Classicisms
Atomic Postcards
Meaning in the Visual Arts
On the Animation of the Inorganic
Unpackaging Art of the 1980s
The Futurist Moment
Philosophy by Other Means
The Net Effect
Paris Primitive
Alex Katz
Degrees of Separation
Something Flashed, Something Broke, Something Remained
The Decision Between Us
The Logic of the Lure
Between Reality and Dream
Scale
Gathering
What Philosophy Wants from Images
Doris Salcedo
The Way of the Shovel
Art on the Edge
The De-Definition of Art
The Judicious Eye
Transfigurements
Daguerreotypes
Making Memory Matter
Landscapes
On Modern Art
Imaginary Animals
Romanesque Architectural Sculpture
Art Without Borders
Einblicke
The Microscope and the Eye
The Escape
Myself and My Aims
The Place of the Symbolic
Archaeologies of Vision
Photography, History, Difference
Between Sense and de Kooning
The Invention of Art
Georg Simmel
Hélio Oiticica
What Is Contemporary Art?
Sleeping Beauty
Painting, History and Meaning
Echo Objects
Ribbon of Darkness
Largesse
Michelangelo’s Painting
Michelangelo’s Sculpture
Other Criteria
Renaissance and Baroque Art
Pictures of Romance
The Real Real Thing
The Scandal of Pleasure
Venus in Exile
Ecological Aesthetics
Bookwork
Transmedium
The Open Studio
Concerning Consequences
Darker Shades
Augusto Giacometti
William Kentridge
Learning to Look
The Picture in Question
Glückliche Tage?
Mariano
Gutai
The Art of Mechanical Reproduction
The Afterlife of Piet Mondrian
Written on Bamboo and Silk
Prehistoric Future
Between the Black Box and the White Cube
The Secret Lives of Art Works
Aspects
Afterall
Afterall
Afterall
Leiko Ikemura
Girls! Girls! Girls! In Contemporary Art
Ernst Gubler - Max Gubler
Max Vogt - Bauen für die Bahn 1957-1989
Museum, Inc.
Shinkichi Tajiri
Permission to Laugh
Hybrid Ecologies
Une Suisse exotique ?
