Distributed for Tenov Books
Constructivism recasts artists and architects as Constructors, turning away from aesthetic or speculative problems in art and instead focusing on the fusion of art with everyday life in order to create a functional system of design, one in keeping with the great task of building the new communist society. This edition replicates Gan’s original layout, which was one of the first experiments in Constructivist typography and graphic design, and it also presents a substantial introductory essay by art historian Christina Lodder that examines Gan’s own odd, mercurial character and the tracks he left across avant-garde Russian graphics, architecture, film, and theater.
Nearly a century later, Constructivism remains a powerful manifesto, and this new translation will help scholars trace its enduring influence on twentieth-century art and design.
178 pages | 12 color plates, 28 halftones | 6 x 8 | © 2014
Art: Art Criticism
Table of Contents
Forging Links with Avant-Garde Artists
The Working Group of Constructivists
Extending Constructivism: Kino-Fot
Constructivism and Architecture: Sovremennaya arkhitektura – SA
The Theory and Practice of Constructivist Typography
Gan as an Industrial Designer
Gan and Constructivist Media
Keeping the Constructivist Flame Alive
Notes on the Introduction
List of Illustrations
Revolutionary Marxist thought in words, but chronic incapacity in action.
Art is the product of the social life of “crippled” generations.
Concrete social phenomena are the products of practical human activity.
It is essential to understand what the new ideology is in reality.
From the speculative activity of art to socially meaningful artistic work.
Tectonics Faktura Construction.
Our constructivism is fighting for the intellectual and material production of communist colture!
Constructivism in the West.
Notes on the Translation