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Distributed for Reaktion Books

The Private Lives of Pictures

Art at Home in Britain, 1800–1940

A novel art history of England told through the artworks on display in domestic space over hundreds of years.
 
The Private Lives of Pictures offers a new history of British art, seen from the perspective of the home. Focusing on the nineteenth and early-twentieth-century, the book takes the reader on a tour of an imaginary Victorian or Edwardian house, stopping in each room to look at the pictures on the walls. Nicholas Tromans opens up the intimate history of art in everyday life as he examines a diverse array of issues, including how pictures were chosen for each room, how they were displayed, and what role they played in interior design. Superbly illustrated, The Private Lives of Pictures will appeal to readers interested in both art and social history, as well as the history of interiors.

272 pages | 35 color plates, 35 halftones | 6 3/4 x 8 3/4

Art: Art Criticism, British Art


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Reviews

"With its impressive range of references from the worlds of art, design, literature and popular culture—from Joshua Reynolds to Abigail’s PartyThe Private Lives of Pictures offers its readers a sustained and eloquent reflection on the complex and key roles played by pictures in late nineteenth-century domestic interiors."

Penny Sparke, professor of design history, Kingston University London, author of "The Modern Interior"

"This is a book about picture collections and domestic space in the nineteenth century. . . . A fascinating study [that] takes an engagingly creative approach to that topic, and by no means provides a neat, comprehensive, chronological history from 1800 through to World War II. Instead, it keeps coming at its subject from a variety of angles, some fascinatingly technical, some philosophical."

Kate Retford, professor of art history, Birkbeck, University of London

"This unusual and ambitious book illuminates an aspect of art history that has been surprisingly neglected. Why did people hang pictures on their walls? How were they hung? Which pictures and in which room? This engaging book makes a significant contribution to our understanding of the public engagement with art in the long nineteenth century."

Caroline Dakers, professor emerita in cultural history, University of Arts London

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