Afterall
Autumn/Winter 2020, Issue 50
9781846382499
Afterall
Autumn/Winter 2020, Issue 50
Established in 1998, Afterall is a journal of contemporary art that provides in-depth analysis of art and its social, political, and philosophical contexts. Each issue provides the reader with well-researched contributions that discuss each artist’s work from different perspectives. Contextual essays and other texts discussing events, works, or exhibitions further develop the thematic focus of each issue.
Table of Contents
Foreword
Charles Stankievech
Artists
Ho Tzu Nyen
1. David Teh on the The Critical Dictionary of Southeast Asia and The Cloud of Unknowing
2. Jaimie Baron on the function of affect in historical knowledge in The Name and The Nameless
Artists
Rosalind Nashashibi
3. Mike Sperlinger on collaboration, dialogue with other artists in collaboration Vivian’s Garden and Part One and Part Two
4. Nav Haq on behaviour in Nashashibi’s early work
Artists
Christina Kubisch
5. Anne Zeitz on Kubisch’s performative practice in relation to light and electromagnetic fields
6. Seth Ayyaz on the inaudible, frequencies and infrastructure in Kubisch’s work
Exhibition, Works, Events
Jumana Manna
7. Edwin Nasr on Manna’s Wild Relatives
Artist Insert
8. Insert by Yogykarata-based collective Lifepatch
9. Rosalia Namsai Engchuan on Lifepatch, the Indonesian Gotong Royong and collaborative practice
Exhibition, Works, Events
Dora Budor
10. Dehlia Hannah on Dora Budor
Exhibition, Works, Events
11. Kathleen Ditzig, ‘The MoMA in Southeast Asia (1957-1983): The MoMA exhibitions that Southeast Asians used to define their Modernities’
Contexts
12. Yuk Hui, ‘On the Persistence of the Non-Modern’
Contexts
13. Isobel Harbison, ‘Or other, or both’
Contexts
14. Remco de Blaaij on current practices in Aoterea, New Zealand, and the Queer Pacific
Charles Stankievech
Artists
Ho Tzu Nyen
1. David Teh on the The Critical Dictionary of Southeast Asia and The Cloud of Unknowing
2. Jaimie Baron on the function of affect in historical knowledge in The Name and The Nameless
Artists
Rosalind Nashashibi
3. Mike Sperlinger on collaboration, dialogue with other artists in collaboration Vivian’s Garden and Part One and Part Two
4. Nav Haq on behaviour in Nashashibi’s early work
Artists
Christina Kubisch
5. Anne Zeitz on Kubisch’s performative practice in relation to light and electromagnetic fields
6. Seth Ayyaz on the inaudible, frequencies and infrastructure in Kubisch’s work
Exhibition, Works, Events
Jumana Manna
7. Edwin Nasr on Manna’s Wild Relatives
Artist Insert
8. Insert by Yogykarata-based collective Lifepatch
9. Rosalia Namsai Engchuan on Lifepatch, the Indonesian Gotong Royong and collaborative practice
Exhibition, Works, Events
Dora Budor
10. Dehlia Hannah on Dora Budor
Exhibition, Works, Events
11. Kathleen Ditzig, ‘The MoMA in Southeast Asia (1957-1983): The MoMA exhibitions that Southeast Asians used to define their Modernities’
Contexts
12. Yuk Hui, ‘On the Persistence of the Non-Modern’
Contexts
13. Isobel Harbison, ‘Or other, or both’
Contexts
14. Remco de Blaaij on current practices in Aoterea, New Zealand, and the Queer Pacific