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The Ascetic Imperative in Culture and Criticism

In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, and aesthetics. He suggests that we consider the ascetic as "the ’cultural’ element in culture," and presents a close analysis of works by Athanasius, Augustine, Matthias, Grünewald, Nietzsche, Foucault, and other thinkers as proof of the extent of asceticism’s resources. Harpham demonstrates the usefulness of his findings by deriving from asceticism a "discourse of resistance," a code of interpretation ultimately more generous and humane than those currently available to us.

344 pages | 27 halftones | 6 x 9 | © 1987

Art: Art Criticism

Philosophy: Aesthetics

Table of Contents

List of Illustrations
Acknowledgments
Introduction
One. The Ideology of Asceticism
1. Ascetic Linguistics
2. Technique and the Self
3. The Signs of Temptation
4. Narrative on Trial
Two. Discipline and Desire in Augustine’s Confessions
1. The Language of Conversion
2. Profit and Loss in the Ascesis of Discourse
3. The Fertile Word
Three. A Passion of Representation: Grünewald’s Isenheim Altar
1. Anonymity, Modernity, and the Medieval
2. Conceptual Narrative
3. A Passion of Representation
4. Asceticism and the Sublime
Four. Philosophy and the Resistance to Asceticism
1. Nietzsche: Weakness and the Will to Power
2. Saint Foucault
Five. The Ascetics of Interpretation
Notes
Works Cited
Index

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