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Rhetorical Renaissance

The Mistress Art and Her Masterworks

Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works.
 
Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored.
 
Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.
 

208 pages | 5 1/2 x 8 1/2 | © 2022

Literature and Literary Criticism: Classical Languages, Romance Languages

Rhetoric and Communication

Reviews

“This excellent book displays all of Eden’s characteristic focused learning and forensic sharpness of argument. Eden takes the reader on a serious journey, full of tight connections and startling insights, into the intellectual foundations of the Renaissance literary system. Rhetorical Renaissance is a significant contribution to our knowledge of the history of rhetoric and culture of the Renaissance, revealing how Renaissance writers thought and wrote by drilling down into the intellectual foundations of the age.”

Colin Burrow, University of Oxford

“In Rhetorical Renaissance, Eden again shows her extraordinary familiarity with both classical and Renaissance literary culture. Her nuanced analyses prove that we have not yet reached an exhaustive understanding of fifteenth- and sixteenth-century literary culture, and her many unique and brilliant insights will exert a significant influence on our understanding of it.”

Armando Maggi, University of Chicago

Table of Contents

Introduction
1. Status
2. Refutation
3. Similitude
4. Style
Acknowledgments
Bibliography of Secondary Sources
Index

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