African Studies
Darfur Allegory
Transforming Displaced Women in Sudan
Argonauts of West Africa
Beyond Words
Black Critics and Kings
Oduduwa’s Chain
The Pan-African Nation
Mobile Secrets
The Intestines of the State
Madumo, a Man Bewitched
The Trials of Mrs. K.
Witchcraft, Violence, and Democracy in South Africa
Performing the Nation
J. M. Coetzee and the Ethics of Reading
White Slaves, African Masters
Scream for Me, Africa!
Africa and the Disciplines
The Illusion of Cultural Identity
The Normality of Civil War
The Art of Mbira
Mbira’s Restless Dance
The Soul of Mbira
Nation as Network
I Write What I Like
Contingent Lives
The Anatomy of Architecture
For Money and Elders
Performing the Nation
Peasants Against the State
Black Scare / Red Scare
A Place That Matters Yet
Adventures in Africa
Sing the Rage
Neoliberal Frontiers
Living Politics in South Africa’s Urban Shacklands
Mande Music
The West-African City
Crying for Our Elders
Pillars of the Nation
Exchange Is Not Robbery
Hustling Is Not Stealing
African Rhythm and African Sensibility
Empire of Religion
Onions Are My Husband
Neoliberal Apartheid
Dilemmas of Culture in African Schools
The Scattered Family
Infinite Repertoire
The Combing of History
Affective Circuits
Love in Africa
Sex and Salvation
Body of Power, Spirit of Resistance
Law and Disorder in the Postcolony
Modernity and Its Malcontents
Of Revelation and Revolution, Volume 1
The Truth about Crime
Civil Society and the Political Imagination in Africa
Ethnicity, Inc.
Of Revelation and Revolution, Volume 2
Picturing a Colonial Past
The Politics of Custom
Rules and Processes
The Arts of the Hausa
What Is Africa to Me?
In the Time of Cannibals
African Royal Court Art
The Harkis
Tuhami
The Revolution’s Echoes
Ancestors and Antiretrovirals
The Western Disease
Critical Terms for the Study of Africa
Weaving the Threads of Life
Competing Norms
Three Kilos of Coffee
The HIV and AIDS Bible
Heroes
Season of Rains
Gogo Breeze
African Stars
Nightsong
Mothers on the Move
Presence and Social Obligation
The Oral and Beyond
Dan Artists
Knowledge Sovereignty Among African Cattle Herders
Dancing Prophets
Remains of Ritual
African Modernism and Its Afterlives
Civil War and State Formation
Witchcraft, Intimacy, and Trust
Genii of the River Niger
The Lost Paradise
African Futures
Cairo
The Steamer Parish
The Afterlife Is Where We Come From
Braided Worlds
Under the Kapok Tree
A Fistful of Shells
In the Shadow of Marriage
Legacies, Logics, Logistics
Marginal Gains
Farmers, Kings, and Traders
Conversionary Sites
The Victim and its Masks
Beyond Surgery
Salaula
Nollywood
Tondi Songway Kiini
Hunting the Ethical State
The Adventure of the Real
Pronouncing and Persevering
Routes of Remembrance
Bantu Historical Linguistics
Song Walking
African Luxury
The Broken Hoe
Lifeworlds
Ambient Sufism
Stambeli
Gangs, Politics and Dignity in Cape Town
Spirited Things
Uncertain Honor
I Heart Obama
African Theology Today
A Future for Africa
Colonial Madness
Muslims Talking Politics
Accounts and Drawings from Underground
An Invitation to Laughter
Yorùbá Bàtá Goes Global
Starring Mandela and Cosby
Conditional Tense
Theory of African Music, Volume I
Theory of African Music, Volume II
Isle of Fire
Culture and Liberation
The Superpowers and Africa
Hegemony and Culture
Aid to Africa
Apprenticeship in Critical Ethnographic Practice
The Specter of Global China
Phantom Africa
Greater Ethiopia
Wax and Gold
Culture in Chaos
I Say to You
As Long As Trees Take Root in the Earth
Bringing the Empire Home
Purity and Exile
Political Spiritualities
Fada
Ikalanga Phonetics and Phonology
The World in Guangzhou
Stigma and Culture
The Power of Babel
Best Laid Plans
Making War in Côte d’Ivoire
A Socialist Peace?
Unmasking the State
Theoretical Aspects of Bantu Grammar 1
The Moulids of Egypt
The Anthropology of Slavery
Ethno-erotic Economies
Queer Objects to the Rescue
Bottleneck
Blank Darkness
Nationalists and Nomads
Theories of Africans
In My Heart
Developing to Scale
The Surreptitious Speech
Rituals of Fertility and the Sacrifice of Desire
Matatu
Worries of the Heart
Shadows of Your Black Memory
The Modernity Bluff
Phonology and Morphology of the Ciyao Verb
The Spirit of the Laws in Mozambique
Africa Wo/Man Palava
Black and White Bioscope
Clicko
Sorcery in the Black Atlantic
The Predicament of Blackness
The Problem of the Fetish
Nostalgia for the Future
Remotely Global
Synthesizing Hope
Fashion Cities Africa
Facing Racial Revolution
Challenging Nature
Travels with Tooy
Two Evenings in Saramaka
What Is African Art?
Lying up a Nation
Forensics of Capital
Reluctant Landscapes
Freedom in Fulani Social Life
Having People, Having Heart
A Plague of Paradoxes
Kinshasa in Transition
Memories of the Slave Trade
Sing and Sing On
In Whose Image?
AIDS Doesn’t Show Its Face
To Be a Man Is Not a One-Day Job
The Eyes of the World
Bewitching Development
Beyond the Miracle
Tomorrow Is Another Country
Kwaito’s Promise
The Devil’s Handwriting
Breakout
The Cinematic Griot
Fusion of the Worlds
Gallery Bundu
In Sorcery’s Shadow
Jaguar
Money Has No Smell
Yaya’s Story
Patterns in Circulation
The Black Pacific Narrative
Africa as a Living Laboratory
Modern Sovereign
An Epidemic of Uncertainty
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
The Eye of the Needle
Can a Liberal be a Chief? Can a Chief be a Liberal?
Science and an African Logic
The Language of Languages
Secure the Base
Corporate Social Responsibility?
A Heart for the Work
Partial Stories
Bulletproof
Praise Song for My Children
Ethnographic Sorcery
Kupilikula
The Comforts of Home
Unpopular Sovereignty
Blacks on the Border
The French Imperial Nation-State
Journeys with Flies
Land Filled with Flies
Love Songs in Motion
Lumumba
Transforming Displaced Women in Sudan
Argonauts of West Africa
Beyond Words
Black Critics and Kings
Oduduwa’s Chain
The Pan-African Nation
Mobile Secrets
The Intestines of the State
Madumo, a Man Bewitched
The Trials of Mrs. K.
Witchcraft, Violence, and Democracy in South Africa
Performing the Nation
J. M. Coetzee and the Ethics of Reading
White Slaves, African Masters
Scream for Me, Africa!
Africa and the Disciplines
The Illusion of Cultural Identity
The Normality of Civil War
The Art of Mbira
Mbira’s Restless Dance
The Soul of Mbira
Nation as Network
I Write What I Like
Contingent Lives
The Anatomy of Architecture
For Money and Elders
Performing the Nation
Peasants Against the State
Black Scare / Red Scare
A Place That Matters Yet
Adventures in Africa
Sing the Rage
Neoliberal Frontiers
Living Politics in South Africa’s Urban Shacklands
Mande Music
The West-African City
Crying for Our Elders
Pillars of the Nation
Exchange Is Not Robbery
Hustling Is Not Stealing
African Rhythm and African Sensibility
Empire of Religion
Onions Are My Husband
Neoliberal Apartheid
Dilemmas of Culture in African Schools
The Scattered Family
Infinite Repertoire
The Combing of History
Affective Circuits
Love in Africa
Sex and Salvation
Body of Power, Spirit of Resistance
Law and Disorder in the Postcolony
Modernity and Its Malcontents
Of Revelation and Revolution, Volume 1
The Truth about Crime
Civil Society and the Political Imagination in Africa
Ethnicity, Inc.
Of Revelation and Revolution, Volume 2
Picturing a Colonial Past
The Politics of Custom
Rules and Processes
The Arts of the Hausa
What Is Africa to Me?
In the Time of Cannibals
African Royal Court Art
The Harkis
Tuhami
The Revolution’s Echoes
Ancestors and Antiretrovirals
The Western Disease
Critical Terms for the Study of Africa
Weaving the Threads of Life
Competing Norms
Three Kilos of Coffee
The HIV and AIDS Bible
Heroes
Season of Rains
Gogo Breeze
African Stars
Nightsong
Mothers on the Move
Presence and Social Obligation
The Oral and Beyond
Dan Artists
Knowledge Sovereignty Among African Cattle Herders
Dancing Prophets
Remains of Ritual
African Modernism and Its Afterlives
Civil War and State Formation
Witchcraft, Intimacy, and Trust
Genii of the River Niger
The Lost Paradise
African Futures
Cairo
The Steamer Parish
The Afterlife Is Where We Come From
Braided Worlds
Under the Kapok Tree
A Fistful of Shells
In the Shadow of Marriage
Legacies, Logics, Logistics
Marginal Gains
Farmers, Kings, and Traders
Conversionary Sites
The Victim and its Masks
Beyond Surgery
Salaula
Nollywood
Tondi Songway Kiini
Hunting the Ethical State
The Adventure of the Real
Pronouncing and Persevering
Routes of Remembrance
Bantu Historical Linguistics
Song Walking
African Luxury
The Broken Hoe
Lifeworlds
Ambient Sufism
Stambeli
Gangs, Politics and Dignity in Cape Town
Spirited Things
Uncertain Honor
I Heart Obama
African Theology Today
A Future for Africa
Colonial Madness
Muslims Talking Politics
Accounts and Drawings from Underground
An Invitation to Laughter
Yorùbá Bàtá Goes Global
Starring Mandela and Cosby
Conditional Tense
Theory of African Music, Volume I
Theory of African Music, Volume II
Isle of Fire
Culture and Liberation
The Superpowers and Africa
Hegemony and Culture
Aid to Africa
Apprenticeship in Critical Ethnographic Practice
The Specter of Global China
Phantom Africa
Greater Ethiopia
Wax and Gold
Culture in Chaos
I Say to You
As Long As Trees Take Root in the Earth
Bringing the Empire Home
Purity and Exile
Political Spiritualities
Fada
Ikalanga Phonetics and Phonology
The World in Guangzhou
Stigma and Culture
The Power of Babel
Best Laid Plans
Making War in Côte d’Ivoire
A Socialist Peace?
Unmasking the State
Theoretical Aspects of Bantu Grammar 1
The Moulids of Egypt
The Anthropology of Slavery
Ethno-erotic Economies
Queer Objects to the Rescue
Bottleneck
Blank Darkness
Nationalists and Nomads
Theories of Africans
In My Heart
Developing to Scale
The Surreptitious Speech
Rituals of Fertility and the Sacrifice of Desire
Matatu
Worries of the Heart
Shadows of Your Black Memory
The Modernity Bluff
Phonology and Morphology of the Ciyao Verb
The Spirit of the Laws in Mozambique
Africa Wo/Man Palava
Black and White Bioscope
Clicko
Sorcery in the Black Atlantic
The Predicament of Blackness
The Problem of the Fetish
Nostalgia for the Future
Remotely Global
Synthesizing Hope
Fashion Cities Africa
Facing Racial Revolution
Challenging Nature
Travels with Tooy
Two Evenings in Saramaka
What Is African Art?
Lying up a Nation
Forensics of Capital
Reluctant Landscapes
Freedom in Fulani Social Life
Having People, Having Heart
A Plague of Paradoxes
Kinshasa in Transition
Memories of the Slave Trade
Sing and Sing On
In Whose Image?
AIDS Doesn’t Show Its Face
To Be a Man Is Not a One-Day Job
The Eyes of the World
Bewitching Development
Beyond the Miracle
Tomorrow Is Another Country
Kwaito’s Promise
The Devil’s Handwriting
Breakout
The Cinematic Griot
Fusion of the Worlds
Gallery Bundu
In Sorcery’s Shadow
Jaguar
Money Has No Smell
Yaya’s Story
Patterns in Circulation
The Black Pacific Narrative
Africa as a Living Laboratory
Modern Sovereign
An Epidemic of Uncertainty
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
The Eye of the Needle
Can a Liberal be a Chief? Can a Chief be a Liberal?
Science and an African Logic
The Language of Languages
Secure the Base
Corporate Social Responsibility?
A Heart for the Work
Partial Stories
Bulletproof
Praise Song for My Children
Ethnographic Sorcery
Kupilikula
The Comforts of Home
Unpopular Sovereignty
Blacks on the Border
The French Imperial Nation-State
Journeys with Flies
Land Filled with Flies
Love Songs in Motion
Lumumba