To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention.
The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
280 pages | 5 1/2 x 8 1/2 | © 2008
Literature and Literary Criticism: General Criticism and Critical Theory
"Von Hallberg’s style is rich and voluble. . . . This is a book for literati equipped to tackle a series of interrelated, dense, meditative, erudite essays that span an entire genre."
Table of Contents