Knossos and the Prophets of Modernism
Knossos and the Prophets of Modernism
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle.
Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
Read the introduction.
288 pages | 23 halftones | 6 x 9 | © 2009
Art: Art--General Studies
History: Ancient and Classical History, European History
"An excellent account. . . . Fascinating. . . . I am indebted."
A. S. Byatt
"A stylish and original cultural history of Knossos."—Economist
“Cathy Gere re-creates a century of bizarre misreadings of the nearly unknown ancient culture of Crete, and in doing so has produced that rarest of literary surprises: a genuinely hilarious work of Minoan historiography. . . . Gere tells some outlandish stories, but she never makes the protagonists themselves ridiculous.”
Benjamin Moser | Harper's
“Fascinating and consistently entertaining. . . . It is a tribute to the wit and clarity of Gere’s style that she is able to explain all this without making the reader’s brain ache.”
Tom Holland | Times Literary Supplement
"[A] brilliant study of the role of Knossos in twentieth-century culture. . . . Gere writes with clarity and wit, but she never sacrifices the fascinating complexity of her tale to a simple story line."
Mary Beard | New York Review of Books
“This is a wonderful, important, elegant, and well-written book. It constitutes a radical rereading of the archaeological process from the end of the nineteenth century to the middle of the twentieth, and it sheds new light both on the nature of archaeology at the time and on modernism as a philosophical and literary project. Different readers will be drawn to different aspects of Cathy Gere’s story but all will find it exciting and worthwhile.”
Yannis Hamilakis, author of The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece
“Cathy Gere writes with verve and clarity, and with Knossos and the Prophets of Modernism she offers a surprising juxtaposition of individual personalities and themes that gives us a new way of thinking about the cultural origins of some of the most interesting aspects of modern culture.”
Robert Nye, Oregon State University
"Gere develops a stunning study of the cultural impact of Evans’s interpretation of Minoan society as a pacifist haven inhabited by immigrants from Anatolia, Egypt, and Libya. . . . . Gere’s aim is not to criticize or defend them. Instead, she attempts to understand the archaeologists, architects, artists, classicists, writers, and poets who reconstructed Minoan Crete in our time. And she does so brilliantly."
“This merger of past and present is at the heart of Cathy Gere’s richly textured and well-written cultural history. . . . The implications of this fascinating book extend far beyond the island that is its focus.”
"In this original, most readable, and at times mesmerizing book, Cathy Gere provides an historical and intellectual context for Arthur Evans’s discovery and reconstruction of Knossos and Minoan civilization. . . . I think there is something of this wondrous quality in Gere’s ability to discover links, connections, and underlying meanings in a dazzling array of archaeological, literary, and artistic works as well as between past, present, and future."
Nicoletta Momigliano | Bryn Mawr Classical Review
“Overall, this is an important contribution to our understanding of the role of archaeology and related fields in shaping the modern image of the past.”
Yannis Galanakis | Art Newspaper
“This is a simply wonderful book, expertly researched, written with panache, and consistently eye-opening. It brilliantly uncovers how the high priests of modernism—from Freud to Robert Graves to H.D.—were deeply engaged not just with the new discoveries of archaeology but also with a fantasy of ancient Crete—pacifist, sexually free, matriarchal—inaugurated by Sir Arthur Evans’s dig at Knossos. This is cultural history at its very best.”
Table of Contents
I. The Birth of Tragedy, 1822-1897
An Archaeology of Heroes
A Prophecy of Tragedy
What Ariadne Is
II. Stand Up Tragedy, 1851-1899
The Dry Smell of Time
The Road to the Labyrinth
Reconstructing the Nation
III. Ariadne’s Lament
The Great Cretan Mother
Ariadne’s Dancing Floor
The Making of a Goddess
The Villa Ariadne
Ariadne in Chirico City
IV. The Concrete Labyrinth, 1914-1935
The Throne Room Complex
Captain of the Blacks
Priest-King and Cowgirls
The Lady of Sports
The Magic Ring
The Psyche Element
V. Psyche’s Labyrinth, 1919-1949
The Decline of Crete
Crete on the Couch
The Battle of Crete
VI. The Rebirth of Comedy, 1942-1949
Paradise before Eve
VII. The Birth of Farce, 1950-2000
The White Goddess
The Road Back to War
Association of American Publishers: PROSE Book Award
Wayne State University Academy of Scholars: Thomas N. Bonner Award
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