Skip to main content
Shopping cart: items Cart

Bette Davis Black and White

Bette Davis’s career becomes a vehicle for a deep examination of American race relations.

Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.

Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.

Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways.

256 pages | 40 halftones | 5 1/2 x 8 1/2

Black Studies

Film Studies

Reviews

“A unique take on the work of Bette Davis, Bette Davis Black and White is important not only for extending an understanding of the actor’s racial politics, attitudes and practices, but also for raising the profile of several important, but largely unknown, Black supporting actors. This book will appeal strongly to scholars of race, twentieth-century American history, film audiences, and fan studies.”

Martin Shingler, author of 'Star Studies: A Critical Guide'

“A prescient book about white people who mean well but fall short . . . There is no other book in which the author takes herself as the object of reception study and, in so doing, exposes the lived aspect of the US race and class divide. The reader who is initially drawn to this book because of a fascination with stardom will find a deeply insightful, impeccably researched study of American culture.”

Jane Gaines, author of 'Pink-Slipped: What Happened to Women in the Silent Film Industries?'

“With tender attention to Bette Davis’s life and career and meticulous emphasis on the formal elements of the actress’s film performances, Stern has accomplished no small feat: a fresh take on an iconic star.”

Racquel Gates, author of 'Double Negative: The Black Image and Popular Culture'

Bette Davis Black and White sparkles with in-depth archival research and refreshing insights that shed new light on Davis as a citizen and on African American actors’ contributions to Hollywood cinema. Stern gracefully combines her profound empathy, comprehensive erudition, and lifelong reflections on Bette Davis films to illuminate the craft of Black artists and the complexity of African American audiences’ engagement with Davis’s portrayals.”

Cynthia Baron, author of 'Modern Acting: The Lost Chapter of American Film and Theatre'

Table of Contents

Historical Note
Chapter 1        Introduction: Black and White
Chapter 2        Little Foxes and Little Brown Wrens
Chapter 3        The Poetics of Color in Jezebel
Chapter 4        Melodramas of Blood in In This Our Life
Chapter 5        The Whiteness of What Ever Happened to Baby Jane?
Chapter 6        Bette Davis Black and White
Acknowledgments
Notes
Index
 

Be the first to know

Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!

Sign up here for updates about the Press