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Distributed for Reaktion Books

Photography and Anthropology

In Photography and Anthropology, Christopher Pinney presents a provocative and readable account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Walter Benjamin suggested that photography “make[s] the difference between technology and magic visible as a thoroughly historical variable,” and Pinney here explores photography as a divinatory practice that prompted anthropologists to capture the “primitive” lives of those they studied.

Early anthropology celebrated photography as a physical record, whose authority and permanence promised an escape from the lack of certainty in speech. But later anthropologists faulted photography for failing to capture movement and process. Anthropology as a practice of “being there” has thus found itself entwined in an intimate engagement with photography as metaphor for the collection of evidence.

Through numerous examples from the annals of anthropological photography, Photography and Anthropology examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.


174 pages | 40 color plates, 40 halftones | 7 1/2 x 8 2/3 | © 2011

Exposures

Anthropology: Cultural and Social Anthropology

Art: Photography


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Reviews

“A masterful synthesis of his twenty years of explorations into the parallel histories of anthropology and photography, Chris Pinney’s intellectual archaeologies of image, observation, and evidence are at once deeply historical, deeply contemporary, deeply critical, and deeply provocative.  I can’t imagine a more vivid blow-up of how the photographic magic of realism mirrors and shadows the anthropological realism of magic.”

Steven Feld, University of New Mexico

“Few scholars possess the breadth and depth of understanding required to merge topics as vast as photography and anthropology. In this masterful work, Pinney draws upon his own important monographs . . . and edited works to present an engagingly idiosyncratic selection of cases and anecdotes from around the world and across literatures. . . . Essential.”

Choice

Table of Contents

Prologue: Images of a Counterscience
One: The Doubled History of Photography and Anthropology
Two: The Trouble with Photography
Three: The Problem with Anthropology
Epilogue: The Holograph

References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index

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