Illuminated Paris
Essays on Art and Lighting in the Belle Époque
- Contents
- Review Quotes
Table of Contents
Contents
Acknowledgments
Introduction: Paris, City of Éclairage
1 Cherchez la lampe: Charles Marville, Gustave Caillebotte, and the Gas Lamppost
2 Losing the Moon: John Singer Sargent in the Jardin du Luxembourg
3 Bright Lights, Brilliant Wit: Electric Light Caricatured
4 Night Lights on Paper: Illumination in the Prints of Mary Cassatt and Edgar Degas
5 Outsider Nocturnes: Americans in Paris
6 Man at the Window: Edvard Munch in Saint-Cloud
Conclusion: Art Fueled by Lights
Notes
Index
Introduction: Paris, City of Éclairage
1 Cherchez la lampe: Charles Marville, Gustave Caillebotte, and the Gas Lamppost
2 Losing the Moon: John Singer Sargent in the Jardin du Luxembourg
3 Bright Lights, Brilliant Wit: Electric Light Caricatured
4 Night Lights on Paper: Illumination in the Prints of Mary Cassatt and Edgar Degas
5 Outsider Nocturnes: Americans in Paris
6 Man at the Window: Edvard Munch in Saint-Cloud
Conclusion: Art Fueled by Lights
Notes
Index
Review Quotes
Times Literary Supplement
“Like Clayson’s groundbreaking Painted Love: Prostitution in French art of the Impressionist era (1991), Illuminated Paris peels away the layers of conventionally accepted opinion, offering a finely argued corrective to the romantic, brightly illuminated image of nocturnal Paris during the belle époque.”
Library Journal
"Coining the term illumination discourse, Clayson contextualizes art and visual culture produced in late 19th-century Paris in relation to the forms of illumination such as gaslight and electric light used in the French capital during this period. . . . [an] erudite work."
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Nineteenth-Century Art Worldwide
"Clayson is one of the best-known scholars working on the French nineteenth century; a new book from her is bound to be an event. The University of Chicago Press, Clayson’s longtime publishers, have made Illuminated Paris: Essays on Art and Lighting in the Belle Époque an especially beautiful book."
Archiscopie
"Emphasizing works that throw into relief the coexistence of diverse modes of lighting, the author constructs across the chapters an exciting analysis that, in addition to adding new insights for the history of art, contribute to perfecting our knowledge of everyday uses of illumination in the city, impacted by these transformations." (translated from original French)
Martha Ward, University of Chicago
“In this ground-breaking book, Clayson persuasively reads a series of paintings and prints at the intersection of new lighting technologies, urban life and modernist sensibilities. Along the way she explores a wide range of reactions to the electrification of Paris and to the qualities of illumination provided by various fixtures. Beautifully written, the book makes a compelling case for regarding the nocturne as one of the premier subjects for late nineteenth century artistic innovation.”
Marc Gotlieb, Williams College
“A wide-ranging, original, and elegant demonstration of the proposition that in the City of Light experience was not found but made—made, in this case, across a complex intertwining of agents, technologies, and infrastructural developments that fundamentally shaped the art and visual culture of the metropolis. Indeed, we must credit Clayson with an intellectual feat that for the history of art seems at once unexpected but utterly necessary—namely, to have precisely de-naturalized light, with powerful consequences for our understanding of late-nineteenth century art not only in Paris but across the globe.”
André Dombrowski, University of Pennsylvania
“A novel kind of glow emanated from late 19th-century depictions. New gas and electric lighting not only brightened cityscapes and interiors alike, but, after centuries of muddy, tenebrist drama, now clearly illuminated the entire realm of representation. What the enlightenment had promised largely metaphorically--a world without shadows and darkness--new technologies of lighting had, by the year 1900, actually realized. In her newest book, Illuminated Paris, Hollis Clayson draws our attention to the manifold consequences of an industrially illuminated world, putting pressure on modern representation. Stunningly argued, beautifully written, and sumptuously illustrated, Illuminated Paris introduces us to the full array of lovers and haters of bright light in the period, and the art they created: from avant-garde paintings by the likes of Caillebotte and Munch, photographs by Marville, caricatures by Cham and Robida, intaglio prints by Cassatt and Degas, to American paintings of nocturnal Paris. After reading this study, you will never not call Paris the ‘City of Light,’ and you will finally fully understand the trope.”
Marnin Young, Yeshiva University | H-France Forum
"In these dark times, when obscurity and gaslighting have cast their gloomy shadows on public discourse, [Clayson's] book is a delightful example of research-based historical analysis."
Peter Soppelsa, University of Oklahoma | H-France Forum
"This beautifully illustrated book showcases art history’s disciplinary investment in artful printing and methodologically foregrounds the artifacts studied, letting readers analyze Clayson’s sources with her: drawings, paintings, photographs, and prints. The study deftly balances its art historical pedigree with interdisciplinary dialogue."
Nancy Locke, The Pennsylvania State University | H-France Forum
"Whether it is showing us a gaslight gleaming on a Paris street, a newfangled electric light glaring in the Folies-Bergère, or an oil lamp shining in a Cassatt sitting room, Illuminated Paris takes us from the technical history of artificial lighting in Paris to the moral topography of its representations."
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Art: Art--General Studies | European Art
History: European History | History of Technology
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