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Cartographic Humanism

The Making of Early Modern Europe

Katharina N. Piechocki

Cartographic Humanism

Katharina N. Piechocki

304 pages | 23 halftones | 6 x 9 | © 2020
Cloth $45.00 ISBN: 9780226641188 Published November 2019
E-book $10.00 to $45.00 About E-books ISBN: 9780226641218 Published November 2019
What is “Europe,” and when did it come to be? In the Renaissance, the term “Europe” circulated widely. But as Katharina N. Piechocki argues in this compelling book, the continent itself was only in the making in the fifteenth and sixteenth centuries.
            Cartographic Humanism sheds new light on how humanists negotiated and defined Europe’s boundaries at a momentous shift in the continent’s formation: when a new imagining of Europe was driven by the rise of cartography. As Piechocki shows, this tool of geography, philosophy, and philology was used not only to represent but, more importantly, also to shape and promote an image of Europe quite unparalleled in previous centuries. Engaging with poets, historians, and mapmakers, Piechocki resists an easy categorization of the continent, scrutinizing Europe as an unexamined category that demands a much more careful and nuanced investigation than scholars of early modernity have hitherto undertaken. Unprecedented in its geographic scope, Cartographic Humanism is the first book to chart new itineraries across Europe as it brings France, Germany, Italy, Poland, and Portugal into a lively, interdisciplinary dialogue.
List of Figures
A Note on Translations


1. Gridding Europe’s Navel: Conrad Celtis’s Quatuor Libri Amorum secundum Quatuor Latera Germanie (1502)
2. A Border Studies Manifesto: Maciej Miechowita’s Tractatus de Duabus Sarmatiis (1517)
3. The Alpha and the Alif: Continental Ambivalence in Geoffroy Tory’s Champ fleury (1529)
4. Syphilitic Borders and Continents in Flux: Girolamo Fracastoro’s Syphilis sive Morbus Gallicus (1530)
5. Cartographic Curses: Europe and the Ptolemaic Poetics of Os Lusíadas (1572)

Review Quotes
Times Higher Education
"Piechocki is conceptually rigorous, she reads many languages and her research is impeccable. She is a careful critic but also a deeply imaginative historian. This is a contribution to the 'darker side' of cartography and the Renaissance, emphasizing the relationship between writing and scholarship and the exercise of power and exploitation, but its analysis never departs from the measured and reflective."
Timothy Reiss, author of Mirages of the Selfe: Patterns of Personhood in Ancient and Early Modern Europe
"Cartographic Humanism is the wonderful achievement of a major critic, scholar, literary historian and multicultural thinker. With wide-ranging scholarship, philological acuteness, sensitivity to textual and poetic nuance, and enviable linguistic ease in Latin, German, Polish, French, Italian, Spanish, English and Portuguese, Katharina Piechocki offers a new understanding of the sixteenth-century cartographic invention of Europe from a pot-pourri of real and imagined borderlands. In taut analyses of writers little studied outside specialist contexts or well-known but not as mappers of a new Europe—Conrad Celtis, Maciej Miechowita, Geoffroy Tory, Girolamo Fracastoro and Luís Vaz de Camões—Piechocki tracks a cartopoietic story that 'starts' with efforts to delimit central (Germanic), eastern (Polish or 'Sarmatic') and a core (French) 'Europe' from and against indeterminate or non-existent Asian, Mediterranean and African borders, passes through attempts to establish this 'place' against an also indeterminate other—'America' or 'not-Europe,' all intimately bound, in Fracastoro, to disease and/or its cure and to the fictive imagination, and 'ends' with Camões’ nomad poetic imposition of a colonizing Mediterranean map on an age-old Indian Ocean one, a European cartography on and of the world. In the effervescent Renaissance scholarship of history as cartography Piechocki’s is a splendidly compelling new voice, one, too, that lets us see hitherto silent or 'peripheral' actors as key to modern Europe’s invention."
Phillip John Usher, author of The Exterranean: Extraction in the Humanist Anthropocene
"Cartographic Humanism is a tour de force. Impeccably researched and beautifully written, this major intervention into the histories of cartography and literature asks what we mean when we say ‘Europe.’ Piechocki addresses this question—so urgent today—by exploring how early modern poets and mapmakers imagined interstitial geographies and, thus, Europe’s ever-changing borders and contact zones. Drawing from a rich multilingual archive of humanists from Germany, Poland, France, Italy, and Portugal, Cartographic Humanism shows that Europe is not a monolith and never was. A must-read not only for scholars of early modernity, but for anyone who has ever said the word ‘Europe.’”
William J. Kennedy, author of Petrarchism at Work: Contextual Economies in the Age of Shakespeare
Cartographic Humanism is a deeply ambitious, exhaustively researched, and carefully argued book that covers a number of literary and historical issues in Renaissance European culture. Piechocki successfully brings together the unwieldy materials of language, local identification, a multidisciplinary approach, and temporal breadth, providing valuable insight into Latin humanist texts that undergird more familiar vernacular cartographic texts.”
Valerie A. Kivelson, author of Cartographies of Tsardom: The Land and Its Meanings in Seventeenth-Century Russia
“Through a close reading of literary texts, Cartographic Humanism traces a shift in understanding of the shapes, meanings, relationships, and constituent parts of the globe. Piechocki’s linguistic range is astounding, and her fluid translations convey the poetry of the original passages. She has assembled a rich array of texts and images, and the imaginative ways in which she reads them add up to something new and compelling. She draws out their cartographic ideas and makes a convincing case for their centrality in defining both Europe and its swaggering presence across the globe. Her readings are fresh and energetic. The book will be a major contribution to literary and cultural studies and their intersection with the history of cartography.”
Imago Mundi
" ambitious work, seeking to elucidate nothing less than the Making of Early Modern Europe."
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