Towards an Aesthetics of Production
Distributed for Diaphanes
Translated by James Gussen
208 pages
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48 halftones
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6 1/3 x 9 1/2
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© 2017
- Contents
Table of Contents

Contents
Introduction
Mirrorings of Intensity
The Place of the Image in Neo-Plasticism
Casting and Projection: The Readymades and the Large Glass
An Introduction to Thomas Hirschhorn’s Spinoza Monument
Time and Visibility in the Work of Michael Asher
On the Concept of Truth Production: Heidegger with Spinoza
List of Illustrations
Mirrorings of Intensity
The Place of the Image in Neo-Plasticism
Casting and Projection: The Readymades and the Large Glass
An Introduction to Thomas Hirschhorn’s Spinoza Monument
Time and Visibility in the Work of Michael Asher
On the Concept of Truth Production: Heidegger with Spinoza
List of Illustrations
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Art: Art--General Studies
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