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Art, Ownership, and Nuxalk National Identity
Table of Contents
Maps
Acknowledgments
Prologue: The Repatriation of the Nuxalk Echo Mask
1 Introduction
2 The History of Bella Coola: A History of Theft
3 “Selling Out” or “Buying In”? Identity Politics and Art Objectification in Bella Coola
4 Privileged Knowledge versus Public Education: Tensions at Acwsalcta, the Nuxalk Nation “Place of Learning”
5 Physical and Figurative Repatriation: Case Studies of the Nuxalk Echo Mask and the Nuxalk Sun Mask
6 Theft Inside and Out: The Making of a Theory
7 Conclusions: Articulating Nuxalk National Identity
Notes
References
Index
 
          