Storage Unit for the Spirit House

Maw Shein Win

Storage Unit for the Spirit House

Maw Shein Win

Distributed for Omnidawn Publishing, Inc.

88 pages | 8 halftones | 6 x 9
Paper $17.95 ISBN: 9781632430861 Will Publish October 2020
With sharp focus and startling language, the poems in Maw Shein Win’s second book, Storage Unit for the Spirit House, look through physical objects to glimpse the ephemeral, the material, and the immaterial. Vinyl records, felt wolverines, a belt used to punish children, pain pills, and “show dogs with bejeweled collars” crowd into Win’s real and imagined storage units. Nats, Buddhist animist deities from her family’s homeland of Burma, haunt the book’s six sections. The nats, spirits believed to have the power to influence everyday lives, inhabit the storage units and hover around objects while forgotten children sleep under Mylar blankets and daughters try to see through the haze of a father’s cigarette smoke.

Assemblages of both earthly and noncorporeal possessions throughout the collection become resonant and alive, and Win must summon “a circle of drums and copper bells” to appease the nats who have moved into a long-ago family house. This careful curation of unlikely objects and images becomes an act of ritual collection that uses language to interrogate how pain in life can transform someone into a nat or a siren that lives on. Restrained lines request our imagination as we move with the poet through haunted spaces and the objects that inhabit them.
Contents
CONTENTS 6 Spirit House (one)ONE8Storage Unit 2029Storage Unit 20210Storage Unit 20211Water Space (one)12Water Space (two)13Water Space (three)14Sky Space (one)15Sky Space (two)16Sky Space (three)17Vase (one)18Vase (two)19Vase (three)TWO 21Spirit House (two) 22Which gives the outer pair the heavy look of bronze clothes on statues23When the galley convicts clanked out of the prison in their chains24Desolation appears greater when pinpointed by light25The eye may allow some confusion26Cinema27Theater in Four Acts28Spectre Show29Theater in Three Acts30Hippodrome31Reliquary32Tomb33Tower 34Halls35Storage Unit for the Spirit HouseTHREE37 Spirit House (three)38 Bone (pantoum)39MRI Scan40Bottle41Imaging Center42Hospital43Room Tone44A State of Mind45The Soft Part of the Brain46BoneFOUR 48 Spirit House (four)49Huts50Phone Booth51Factory52Restaurant53Diorama54Shops55Eggs56 The Parlors FIVE58Spirit House (five)59Convention Center60Office in Lovelock, Nevada61Container62Relationship63Cave 64Portal65 DenSIX67The Cellars: A One-Act Play70Spirit House (six)71Notes72Acknowledgements
Review Quotes
Ingrid Rojas Contreras, author of Fruit of the Drunken Tree
“These spare poems are haunted. With a blown-up heart, Win writes about possessions and flashes that hark back like ghosts to our before’s. In Storage Unit for the Spirit House prisons, tombs, portals, bottles, storage units are memorials. I would call these poems luminous and gorgeously darkly-edged, bellowing as they do with the knowledge that we never truly depart from all of our departed things.”
D A Powell
"Poetry has long been a vessel, a container of history, emotion, perceptions, keepsakes. This piercing, gorgeous collection stands both inside and outside of containment: the porcelain vase of stargazer lilies is considered alongside the galley convicts, the children sleeping on the cement floors of detention cells, the nats inside their spirit houses; the spirit houses inside their storage units. 'The soft part of the brain fits into a clear jar.' One observes, in these nestings and inclusions, dioramas and offices, the human eye peering out and peering in: 'I witness each body through the missing bricks.' These poems are portals to other worlds and to our own, a space in which one sees and one is seen. A marvelous, timely and resilient book."
Amy Gerstler
"This book is a gem. Maw Shein Win's compact lines have the power of haiku. She is mistress of the acute, quietly searing detail, of precisely calibrated shifts between the vast and the tiny, of haunting flashes of overlapping worlds, and of her own lyrical-telegraphic style. Constructed from shards of what can only be remembered or recounted in fragments, these poems are startling stream-of-consciousness mosaics in which childhood is 'a burning kingdom,' the moon is a 'lucent coin' and the future might be a 'birthmark on forehead in the shape of a flame.'"
Tongo Eisen-Martin, author of Heaven is All Goodbyes
"Maw Shein Win has no weaknesses nor restraints in this collection that might map how thought and memory were meant to exist. Poems that sharpen the soul. Cosmic architecture made from and into the simple organs of small places. And while an afterworld owes her for its articulation, she won’t kick the ghosts while they are down."
Khaty Xiong, author of Poor Anima
"In Maw Shein Win’s second poetry collection, Storage Unit for the Spirit House, we enter various portals, from Burma to California (and beyond), emerging in pieces with 'directions to the otherworld.' Each poem is a small offering, a look at certain illnesses and violence within family, including land and the bodies they occupy. To honor these spaces, Win writes 'we wore bright colors to disorient the animals.' These poems are crafted with such precision that these travels teach us how 'to mark the now' even when we feel trapped by sunsets, cinemas, or reliquaries. This is a beautiful book."
For more information, or to order this book, please visit https://press.uchicago.edu
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