Storyworlds of Robin Hood
The Origins of a Medieval Outlaw
Distributed for Reaktion Books
320 pages
|
20 halftones
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6 1/4 x 9 1/4
- Contents
- Review Quotes
Table of Contents

Contents
Introduction: Who Was Robin Hood?
1 Robin Hood and the Written Word
2 Robin Hood and the Printed Word
3 Robin Hood and ‘Maid’ Marian
4 Robin Hood and the Virgin Mary
5 Robin Hood and Romance Narratives
6 Robin Hood and Other Tricksters
7 Robin Hood and the Comic Tale
8 Robin Hood and the Medieval ‘Past’
Appendix: The Texts in Modern English Translation
References
Bibliography
Acknowledgements
Photo Acknowledgements
Index
1 Robin Hood and the Written Word
2 Robin Hood and the Printed Word
3 Robin Hood and ‘Maid’ Marian
4 Robin Hood and the Virgin Mary
5 Robin Hood and Romance Narratives
6 Robin Hood and Other Tricksters
7 Robin Hood and the Comic Tale
8 Robin Hood and the Medieval ‘Past’
Appendix: The Texts in Modern English Translation
References
Bibliography
Acknowledgements
Photo Acknowledgements
Index
Review Quotes
Sean McGlynn | Spectator
"In her engrossing book on Robin Hood, Coote also considers a geography beyond Sherwood Forest for the legend. . . . The book’s fascinating focus is on the European-wide literary setting of Robin Hood-type tales in the late medieval, pre-Reformation era. . . . Coote takes us deep into the pious, ribald, scatological, and sometimes pornographic tales of the period. . . . The book is not a search for the historical origins of Robin Hood but for his literary and cultural foundations. The result is a fascinating and engaging new look at an old legend."
Alexander L. Kaufman, Reed D. Voran Distinguished Professor of Humanities, Ball State University
“Coote’s scholarly study of the storyworlds of the early Robin Hood tradition broadens our understanding of the interconnectivity of medieval outlaw tales, romance, the fabliau tradition, miracle of the Virgin stories, trickster tales, and pastourelles.”
Rob Gossedge, Cardiff University
"This is an important book that takes the Robin Hood legend out of the familiar forest of ‘Merry England’ and relocates it within the more culturally extensive greenwood of late medieval Europe. Coote’s comparative approach situates the Robin Hood myth within a complex matrix of multilingual cultural contexts—French pastourelle traditions, English and German trickster stories, fabliaux and other comic tales, and Miracles of the Virgin tales among others. Thoughtful, learned, and sometimes provocative, Storyworlds of Robin Hood is a significant contribution to our understanding of the outlaw myth."
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