Skip to main content
Shopping cart: items Cart

Distributed for Tenov Books

Romanesque - Picasso

Translated by Graham Thomson and Richard Lewis
This beautifully illustrated book, the catalog for an exhibition on view at the National Museum of Art of Catalonia in Barcelona and coorganized with the Picasso Museum in Paris, explores important affinities between Picasso and Romanesque art. Using two key moments as starting points, Juan José Lahuerta and Emilia Philippot first discuss the summer of 1906, when Picasso stayed in the village of Gòsol in the Catalan Pyrenees, and then turn to 1934, as he visited the Romanesque art collections of what is today the National Museum of Art of Catalonia.

Picasso’s discovery of the Romanesque nurtured his interest in other “primitive” or ethnographic art, later echoed in such decisive works as Les Demoiselles d’Avignon. Importantly, while Lahuerta and Philippot avoid any attempt to trace direct Romanesque influences on Picasso—as they note, his work consistently escapes such linear accounts—they do demonstrate that Picasso’s interest in the twelfth-century sculpture Virgin from Gósol, his lifelong fascination with the theme of the crucifixion, and his study of the skull all reflect elements that were also of major importance in Romanesque art and architecture. What these shared features allow, Lahuerta and Philippot ultimately argue, is not only a richer understanding of Picasso’s work, but also a rediscovering and reinvention of Romanesque art in our contemporary moment, causing the medieval to become refreshingly and paradoxically modern.

208 pages | 170 color plates, 20 halftones | 8 1/2 x 10 1/2 | © 2017

Art: European Art


Tenov Books image

View all books from Tenov Books

Be the first to know

Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!

Sign up here for updates about the Press