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Rebel Men

Masculinity and Attitude in Postsocialist Chinese Literature

A discussion of masculinity in post-1989 Chinese literature.

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. This book probes the link between literary rebellion and manhood in China, showing how, as male writers critique the outcomes of decades of market reform, they also ask: how best to be a man in the new postsocialist order? In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of the maverick, as well as marginal masculinity, their characters all engage in forms of transgression that still rely heavily on heteronormative and patriarchal values. Rebel Men argues that masculinity, so often overlooked in literary analysis of contemporary China, continues to be renegotiated, debated, and agonized over, and is ultimately reconstructed as more powerful than before.

164 pages | 6 x 9

Transnational Asian Masculinities

Asian Studies: East Asia

Gender and Sexuality

Literature and Literary Criticism: Asian Languages

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“An exceptionally lucid, elegant study of masculinity in mainland Chinese fiction of the 1990s and 2000s. Both historically and theoretically informed, Rebel Men: Masculinity and Attitude in Postsocialist Chinese Literature offers a major new perspective on post-1989 Chinese counterculture.”

Julia Lovell, Birkbeck, University of London

“This book represents a timely intervention into contemporary Chinese literary and cultural studies, drawing attention to the commonalities among a group of hitherto understudied and underappreciated authors. Hunt considers not just their aesthetic, thematic, and stylistic innovations, but more significantly their contributions to masculinity as well as masculine attitudes in a broader gendered context.”

Heather Inwood, University of Cambridge

Table of Contents

1. Introduction
2. Boring, Useless: Masculinity and Crisis in Zhu Wen’s Fiction
3. The Dense Scent of Hormones: Phallic Creativity in Feng Tang’s Beijing Trilogy
4. Floating Men: Xu Zechen’s Migrants
5. The Right Road: The Han Han Phenomenon
6. Conclusion: Rebel Men

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