A Philosophy of Boredom
Distributed for Reaktion Books
A Philosophy of Boredom
Lars Svendsen brings together observations from philosophy, literature, psychology, theology, and popular culture, examining boredom’s pre-Romantic manifestations in medieval torpor, philosophical musings on boredom from Pascal to Nietzsche, and modern explorations into alienation and transgression by twentieth-century artists from Beckett to Warhol. A witty and entertaining account of our dullest moments and most maddening days, A Philosophy of Boredom will appeal to anyone curious to know what lies beneath the overwhelming inertia of inactivity.
"An amusing, learned, and articulate philosophical study of one of humanity’s prime afflictions. . . Svendsen has a way with words, and, unlike many writers of philosophy books, is also blessed with a sly wit and a thorough knowledge of popular culture. You would be hard pressed to find a better book to make do with this year than this wonderful little one, which is, somehow, despite the desolation at its core, oddly uplifting."
Phil Miller | The Glasgow Herald
"A good, solid practical work of philosophy, in the tradition of Aristotle’s Ethics . . . he has a light touch and a playful attitude."
Tom Hodgkinson | The New Statesman
"When an investigation into boredom is done well, as it is in A Philosophy of Boredom, it is positively gripping."
Times Literary Supplement
"A fascinatingly modern essay on ennui and emptiness . . . Svendsen’s thesis is so cool that boredom, linked with desire rather than need, suddenly seems like a desirable state of being in an agitated age."
"Quite fascinating"-The Times Online
Ben Macintyre | The Times Online
"Lars Svendsen, author of A Philosophy of Boredom, is anything but boring on the subject."
Harry Mount | The Daily Telegraph
"For a serious work of philosophy, Boredom exhibits a light touch and impressive pop-cultural range. . . . It’s not boring."
"Far from boring, this is a highly accessible and entertaining study."
"An engaging read . . . touches upon many points which indeed are central to anthropological concerns. . . . I highly recommend this book."
Yasmine Musharbash | Australian Journal of Anthropology
"Witty. . . . Unlike Scandinavian philosophers known for sterile prose styles, Svendsen combines droll dismissal of statistical research, incisive readings of boredom art . . . and etymological ponderings of the nuances among boredom. . . . You will not be bored reading him for the first time."
Carlin Romano | Philadelphia Inquirer
Table of Contents
One: The Problem of Boredom
—Boredom as a Philosophical Problem
—Boredom and Modernity
—Boredom and Meaning
—Boredom, Work and Leisure
—Boredom and Death
—Typologies of Boredom
—Boredom and Novelty
Two: Stories of Boredom
—Acedia: Pre-modern Boredom
—From Pascal to Nietzsche
—Romantic Boredom, form William Lovell to American Psycho
—On Boredom, Body, Technology and Transgression: Crash
—Samuel Beckett and the Impossibility of Personal Meaning
—Andy Warhol: Renouncing Personal Meaning
Three: The Phenomenology of Boredom
—Ontology: The Hermeneutics of Boredom
Four: The Ethics of Boredom
—What is an I?
—Boredom and Human History
—The Experience of Boredom
—Boredom and Maturity