No Innocent Bystanders
Performance Art and Audience
Distributed for Dartmouth College Press
224 pages
|
6 x 9
- Contents
Table of Contents

Contents
Introduction: Reimagining the Audience • Performance after Minimalism: Fantasies of Public and Private • Acconci: “Public space is wishful thinking.” • Burden: “I’d set it up by telling a bunch of people, and that would make it happen.” • Abramovic: “You can stop. You don’t have to do this.” • Hsieh: “For me, the audience is secondary. However, without them my performances couldn’t exist.” • Notes • Bibliography • Index
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